Ixion Group

In Greek mythology, Ixion ( ; el, Ἰξίων, ''gen''.: Ἰξίονος means 'strong native') was king of the Lapiths, the most ancient tribe of Thessaly.

Family

Ixion was the son of Ares, or Leonteus, or Antion and Perimele, or the notorious evildoer Phlegyas, whose name connotes "fiery". Peirithoös was his son (or stepson, if Zeus were his father, as Zeus claims to Hera in ''Iliad'' 14).

Background

Ixion married Dia, a daughter of Deioneus (or Eioneus), and promised his father-in-law a valuable present. However, he did not pay the bride price, so Deioneus stole some of Ixion's horses in retaliation. Ixion concealed his resentment and invited his father-in-law to a feast at Larissa. When Deioneus arrived, Ixion pushed him into a bed of burning coals and wood. These circumstances are secondary to the fact of Ixion's primordial act of murder; it could be accounted for quite differently: in the '' Greek Anthology'' (iii.12), among a collection of inscriptions from a temple in Cyzicus, is an epigrammatic description of Ixion slaying Phorbas and Polymelos, who had slain his mother, Megara, the "great one".

Ixion went mad, defiled by his act; the neighboring princes were so offended by this act of treachery and violation of '' xenia'' that they refused to perform the rituals that would cleanse Ixion of his guilt (see ''catharsis''). Thereafter, Ixion lived as an outlaw and was shunned. By killing his father-in-law, Ixion was reckoned the first man guilty of kin-slaying in Greek mythology.

This act alone would warrant Ixion a terrible punishment, but Zeus took pity on Ixion and brought him to Olympus and introduced him at the table of the gods. Instead of being grateful, Ixion grew lustful for Hera, Zeus's wife, a further violation of guest–host relations. Zeus found out about his intentions and made a cloud in the shape of Hera, which became known as Nephele (from ''nephos'' "cloud") and tricked Ixion into coupling with it. From the union of Ixion and the false-Hera cloud came Imbros or Centauros, who mated with the Magnesian mares on Mount Pelion, Pindar told, engendering the race of Centaurs, who are called the Ixionidae from their descent.

Ixion was expelled from Olympus and blasted with a thunderbolt. Zeus ordered Hermes to bind Ixion to a winged fiery wheel that was always spinning. Therefore, Ixion was bound to a burning solar wheel for all eternity, at first spinning across the heavens, but in later myth transferred to Tartarus. Only when Orpheus played his lyre during his trip to the Underworld to rescue Eurydice did it stop for a while.

Analysis

Robert L. Fowler observes that "The details are very odd, the narrative motivation creaks at every juncture ... the myth smacks of aetiology." He notes that Martin Nilsson suggested an origin in rain-making magic, with which he concurs: "In Ixion's case the necessary warning about the conduct of magic has taken the form of blasphemous and dangerous conduct on the part of the first officiant."

In the fifth century, Pindar's Second Pythian Ode (c. 476–468 BC) expands on the example of Ixion, applicable to Hiero I of Syracuse, the tyrant of whom the poet sings. Aeschylus, Euripides and Timasitheos each wrote a tragedy of Ixion though none of these accounts have survived.

Ixion was a figure also known to the Etruscans, for he is depicted bound to the spoked wheel, engraved on the back of a bronze mirror, c. 460–450 BC, in the British Museum. Whether the Etruscans shared the Ixion figure with Hellenes from early times or whether Ixion figured among those Greek myths that were adapted at later dates to fit the Etruscan world-view is unknown. The figure on the mirror-back is shown as winged, a characteristic shared with Etruscan ''daimones'' and Underworld figures rather than human heroes.

In literature

*In Chapter 22 of Charles Dickens' ''David Copperfield'', Steerforth declares: "As to fitfulness, I have never learnt the art of binding myself to any of the wheels on which the Ixions of these days are turning round and round."
*In Chapter 39 of Charles Dickens' ''Bleak House'', Richard Carstone laments: "Yes, with Ixion on it." This in response to Mr. Vholes telling him, "We have put our shoulders to the wheel, Mr. Carstone, and the wheel is going round." in regards to ''Jarndyce v Jarndyce''.
*In the Epilogue to ''Moby-Dick'', Ishmael, the only surviving crewmember at the sinking of the ''Pequod'', likens himself to "another Ixion".
*In Guillaume Apollinaire's poem "Vendémiaire", "open-air chimneys impregnate the clouds/As once did the mechanical Ixion" ().

*In Lord Byron's satiric poem '' Don Juan: Dedication'', "Not even a sprightly blunder's spark can blaze / From that Ixion grindstone's ceaseless toil, / That turns and turns to give the world a notion / Of endless torments and perpetual motion."
*In John Keats's epic poem ''Hyperion'', the goddess Thea's power is such that it can "sta Ixion's wheel" (Book 1, 30).
*In Alexander Pope's satiric poem ''The Rape of the Lock'' Canto II, Sylphs that neglected their posts were threatened to be "as Ixion fix'd" and feel "the giddy motion of the whirling mill".
*In Shakespeare's ''King Lear'', Act IV, Scene VII: "But I am bound upon a wheel of fire, that mine own tears do scald like moulten lead."
*In Chapter 20 of Thomas Hardy's ''Far from the Madding Crowd'': "The peculiar motion involved in turning a wheel has a wonderful tendency to benumb the mind. It is a sort of attenuated variety of Ixion’s punishment, and contributes a dismal chapter to the history of heavy, and the body’s centre of gravity seems to settle by degrees in a leaden lump somewhere between the eyebrows and the crown."
*In ''The Life and Opinions of Tristram Shandy'' by Laurence Sterne, Book VII Chapter 13: "Now the wheel we are talking of, and whereinto (but not whereonto, for that would make an Ixion's wheel of it) he curseth his enemies, according to the bishop's habit of body, should certainly be a post-chaise wheel, ..."
*In Nathaniel Hawthorne's novel ''House of the Seven Gables'', "It was a modern parallel to Ixion embracing a cloud". (Chapter 8, "The Pyncheon of Today").
*Hayden Carruth, "Paragraphs", in ''Brothers, I Loved You All.'' "I catch my reflection on the wet window, alone, / a face old and broken, hunched over Ixion’s wheel."

See also

*Wanyūdō
*Sisyphus

Notes

References

*Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. ISBN 0-674-99135-4
Online version at the Perseus Digital Library.Greek text available from the same website

*Diodorus Siculus, ''The Library of History'' translated by Charles Henry Oldfather. Twelve volumes. Loeb Classical Library. Cambridge, Massachusetts: Harvard University Press; London: William Heinemann, Ltd. 1989. Vol. 3. Books 4.59–8
Online version at Bill Thayer's Web Site
*Diodorus Siculus, ''Bibliotheca Historica. Vol 1–2''. Immanel Bekker. Ludwig Dindorf. Friedrich Vogel. in aedibus B. G. Teubneri. Leipzig. 1888–1890
Greek text available at the Perseus Digital Library

*Gaius Julius Hyginus, ''Fabulae from The Myths of Hyginus'' translated and edited by Mary Grant. University of Kansas Publications in Humanistic Studies
Online version at the Topos Text Project.
*John Tzetzes, ''Book of Histories,'' Book IX–X translated by Jonathan Alexander from the original Greek of T. Kiessling's edition of 1826.
Online version at theio.com
*Pindar, ''Odes'' translated by Diane Arnson Svarlien. 1990
Online version at the Perseus Digital Library.
*Lucian of Samosata, ''Dialogues of the Gods'' translated by Fowler, H W and F G. Oxford: The Clarendon Press. 1905
Online version at theoi.com
*Luciani Samosatensis, ''Opera. Vol I.'' Karl Jacobitz. in aedibus B. G. Teubneri. Leipzig. 1896
Greek text available at the Perseus Digital Library

*Pindar, ''The Odes of Pindar'' including the Principal Fragments with an Introduction and an English Translation by Sir John Sandys, Litt.D., FBA. Cambridge, MA., Harvard University Press; London, William Heinemann Ltd. 1937
Greek text available at the Perseus Digital Library

*Publius Vergilius Maro, ''Bucolics'', ''Aeneid, and Georgics of Vergil''. J. B. Greenough. Boston. Ginn & Co. 1900
Online version at the Perseus Digital Library

*Publius Vergilius Maro, ''Aeneid.'' Theodore C. Williams. trans. Boston. Houghton Mifflin Co. 1910
Online version at the Perseus Digital Library.
*Publius Vergilius Maro, ''Bucolics, Aeneid, and Georgics''. J. B. Greenough. Boston. Ginn & Co. 1900
Latin text available at the Perseus Digital Library

* Strabo, ''The Geography of Strabo.'' Edition by H.L. Jones. Cambridge, Mass.: Harvard University Press; London: William Heinemann, Ltd. 1924
Online version at the Perseus Digital Library.
*Strabo, ''Geographica'' edited by A. Meineke. Leipzig: Teubner. 1877
Greek text available at the Perseus Digital Library.

Further reading

* Graves, Robert, (1955) 1960. ''The Greek Myths'', Section 63 ''passim''.
* Kerenyi, Karl. ''The Gods of the Greeks''. London: Thames & Hudson, 1951 (pp. 158–160).

External links

Gaelle Ginestet, "Ixion" in ''A Dictionary of Shakespeare's Classical Mythology'' (2009–), ed. Yves Peyré.

{{Authority control
Children of Ares
Demigods in classical mythology
Kings of the Lapiths
Kings in Greek mythology
Condemned souls in Tartarus
Metamorphoses characters
Deeds of Hera
Characters in Book VI of the Aeneid
Lapiths in Greek mythology
Characters in Greek mythology
Deeds of Zeus
Centaurs