Orpheus
In Greek mythology, Orpheus (; , classical pronunciation: ) was a Thracians, Thracian bard, legendary musician and prophet. He was also a renowned Ancient Greek poetry, poet and, according to legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and descended into the Greek underworld, underworld to recover his lost wife, Eurydice. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who got tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the classical reception studies, reception of classical mythology in Western culture, portrayed or allusion, alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eurydice
Eurydice (; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: ) was a character in Greek mythology and the wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music. Etymology Several meanings for the name ''Eurydice'' have been proposed such as "true judgment" or "profound judgment" from the Greek language, Greek: ''eur dike''. Fabius Planciades Fulgentius, Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the latter etymological meaning. Adriana Cavarero, in the book ''Relating Narratives: Storytelling and Selfhood'', wrote that "the etymology of Eurydice seems rather to indicate, in the term ''eurus'', a vastness of space or power, which, joining to ''dike'' [and thus ''deiknumi'', to show], designates her as 'the one who judges with breadth' or, perhaps, 'she who shows herself amply.'" Mythology Marriage to Orpheus, death and afterlife Eurydice was the wife of musician Orpheus, who loved ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orpheus Mosaic
Orpheus mosaics are found throughout the Roman Empire, normally in large Roman villas. The scene normally shown is Orpheus playing his lyre, and attracting birds and animals of many species to gather around him. Orpheus was a popular subject in classical art, and was also used in Early Christian art as a symbol for Christ. The standard depiction in Roman mosaic scenes (for the Romano-British variant see below) shows him seated and playing a lyre or cithara, wearing a Phrygian cap, often beside a tree, and includes many animals drawn and pacified by his playing. The fox was considered Orpheus's special animal and may be placed beside him. In large examples the animals spread to occupy the whole floor of a room. Titles such as ''Orpheus Charming/Taming the Beasts'' may be used. Usually the whole scene occupies the same space, but sometimes Orpheus and the animals are each in compartments separated by borders with geometrical decoration. In such cases the compartments with animal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orphic Literature
Orphism is the name given to a set of religious beliefs and practices originating in the ancient Greece, ancient Greek and Hellenistic world, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. Orphism has been described as a reform of the earlier Dionysian Mysteries, Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's ''Theogony'', based in part on pre-Socratic philosophy. The suffering and death of the god Dionysus at the hands of the Titans has been considered the central myth of Orphism. According to this myth, the infant Dionysus is killed, torn apart, and consumed by the Titans. In retribution, Zeus strikes the Titans with a thunderbolt, turning them to ash. From these ashes, humanity is born. In Orphic belief, this myth describes humanity as having a dual nature: body (), inherited from the Titans, and a divine spark or soul (), inherited f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orphism (religion)
Orphism is the name given to a set of religious beliefs and practices originating in the ancient Greek and Hellenistic world, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. Orphism has been described as a reform of the earlier Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's ''Theogony'', based in part on pre-Socratic philosophy. The suffering and death of the god Dionysus at the hands of the Titans has been considered the central myth of Orphism. According to this myth, the infant Dionysus is killed, torn apart, and consumed by the Titans. In retribution, Zeus strikes the Titans with a thunderbolt, turning them to ash. From these ashes, humanity is born. In Orphic belief, this myth describes humanity as having a dual nature: body (), inherited from the Titans, and a divine spark or soul (), inherited from Dionysus. In order to achieve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oeagrus
In Greek mythology, Oeagrus () was a king of Thrace, and father of Orpheus. Biography Kingdom There are various versions as to where Oeagrus' domain was actually situated. In one version, he ruled over the Edonian kingdom in the region of Mygdonia. He is also connected with Pieria, further west, or to the vicinity of the River Hebrus to the east, the latter was said to be called 'Oeagria', in his honor. Family In the version that places Oeagrus in Pieria, his father is given as King Pierus and the nymph Methone. He was described as "a Thracian wine-god, who was himself descended from Atlas." According to ''Suda'', Oiagros was in the fifth generation after Atlas, by Alkyone, one of his daughters. This can be explained by the following genealogy: (1) Atlas by Pleione — (2) Alcyone by Poseidon — (3) Aethusa by Apollo — (4) Linus or Eleuther — (5) Pierus by Methone — Oeager. This was supported by the order of genealogy according to the historian Charax which ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pimpleia
Pimpleia (Ancient Greek: Πίμπλεια) was a city in Pieria in Ancient Greece, located near Dion and ancient Leivithra at Mount Olympus. Pimpleia is described as a "κώμη" ("quarter, suburb") of Dion by Strabo. The location of Pimpleia is possibly to be identified with the modern village of Agia Paraskevi near Litochoron.An Inventory of Archaic and Classical Poleis: An Investigation Conducted by The Copenhagen Polis Centre for the Danish National Research Foundation by Mogens Herman Hansen, 2005, page 797 It was renowned as the birthplace and early abode of Orpheus. Many springs and memorials dedicated to Orpheus and Orphic cults. Cults of the Muses In ancient Greek religion and Greek mythology, mythology, the Muses (, ) were the Artistic inspiration, inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric p ... were also celebrated, under the epithet ''Pimpleids'' (Πιμπληί� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musaeus Of Athens
Musaeus of Athens (, ''Mousaios'') was a legendary polymath, philosopher, historian, prophet, seer, priest, poet, and musician, said to have been the founder of priestly poetry in Attica. He composed dedicatory and purificatory hymns and prose treatises, and oracular responses. Life A semimythological personage, to be classed with Olen, Orpheus, and Pamphus. He was regarded as the author of various poetical compositions, especially as connected with the mystic rites of Demeter at Eleusis, over which the legend represented him as presiding in the time of Heracles. He was reputed to belong to the family of the Eumolpidae, being the son of Eumolpus and Selene. In other variations of the myth he was less definitely called a Thracian. According to Diodorus Siculus, Musaeus was the son of Orpheus, and according to Tatian he was the disciple of Orpheus. Others made him the son of Antiphemus, or Antiophemus, and Helena. Alexander Polyhistor, Clement of Alexandria and Eusebius say h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Greek Underworld
In Greek mythology, the underworld or Hades () is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence (''psyche'') is separated from the corpse and transported to the underworld. In early mythology (e.g., Homer's ''Iliad'' and ''Odyssey'') the dead were indiscriminately grouped together and led a shadowy post-existence; however, in later mythology (e.g., Platonism, Platonic philosophy) elements of post-mortem judgment began to emerge with good and bad people being separated (both spatially and with regards to treatment). The underworld itself—commonly referred to as Hades, after its Hades, patron god, but also known by various metonyms—is described as being located at the periphery of the earth, either associated with the outer limits of the ocean (i.e., ''Oceanus'', again also a god) or beneath the earth. Darkness and a l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thracians
The Thracians (; ; ) were an Indo-European languages, Indo-European speaking people who inhabited large parts of Southeast Europe in ancient history.. "The Thracians were an Indo-European people who occupied the area that today is shared between Thrace, north-eastern Greece, Romania, and north-western Turkey. They shared the same language and culture. There may have been as many as a million Thracians, divided among up to 40 tribes." Thracians resided mainly in Southeast Europe in Present (time), modern-day Bulgaria, Romania, North Macedonia, northern Greece and European Turkey, but also in north-western Anatolia, Anatolia (Asia Minor) in Turkey. The exact origin of the Thracians is uncertain, but it is believed that Thracians like other Indo-European speaking groups in Europe descended from a mixture of Proto-Indo-Europeans and Early European Farmers. Around the 5th millennium BC, the inhabitants of the eastern region of the Balkans became organized in different groups of Indi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Phrygian Cap
The Phrygian cap ( ), also known as Thracian cap and liberty cap, is a soft Pointed hat, conical Hat, cap with the apex bent over, associated in Classical antiquity, antiquity with several peoples in Eastern Europe, Anatolia, and Asia. The Phrygian cap was worn by Thracians, Dacians, Persians, Medes, Scythians, Troy, Trojans, and Phrygians after whom it is named. The oldest known depiction of the Phrygian cap is from Persepolis in Iran. Although Phrygian caps did not originally function as liberty caps, they came to signify freedom and the pursuit of liberty first in the American Revolution and then in the French Revolution, particularly as a symbol of Jacobinism (in which context it has been also called a Jacobin cap). The original cap of liberty was the Roman ''Pileus (hat), pileus'', the felt cap of emancipated slaves of ancient Rome, which was an attribute of Libertas, the Roman goddess of liberty. In the 16th century, the Roman iconography of liberty was revived in emblem b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Calliope
In Greek mythology, Calliope ( ; ) is the Muse who presides over eloquence and epic poetry; so called from the ecstatic harmony of her voice. Hesiod and Ovid called her the "Chief of all Muses". Mythology Calliope had two famous sons, OrpheusHoopes And Evslin,''The Greek Gods''. , , 1995, page 77. "His father was a Thracian king; his mother the muse Calliope. For a while, he lived on Parnassus with his mother and his eight beautiful aunts and there met Apollo who was courting the laughing muse Thalia. Apollo was taken with Orpheus, gave him his little golden lyre, and taught him to play. And his mother taught him to make verses for singing." and Linus of Thrace, Linus, by either Apollo or King Oeagrus of Thrace. She taught Orpheus verses for singing. According to Hesiod, she was also the wisest of the Muses, as well as the most assertive. Calliope married Oeagrus in Pimpleia, a town near Mount Olympus. She is said to have defeated the daughters of Pierus (king of Macedonia), Pie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |