A hippalectryon or hippalektryon ( el, ἱππαλεκτρυών), is a type of fantastic
hybrid creature of Ancient Greek folklore, half-
horse
The horse (''Equus ferus caballus'') is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of ''Equus ferus''. The horse has evolved over the past 45 to 55 million y ...
(front) and half-
rooster (hind), including the tail, wings and hind legs. Its colour varies between yellow and reddish. No myths related to it are currently known.
The oldest representation currently known dates back to the 9th century BCE, and the motif grows most common in the 6th century, notably in
vase painting
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and por ...
and sometimes as statues, often shown with a rider. It is also featured on some pieces of currency. A few literary works of the 5th century mention the beast, most notably
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
and
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme
In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states ...
, who used it as one of his favourite insults.
The precise function of the Hippalectryon remains a mystery; as an
apotropaic and prophylactic animal, it might have been dedicated to
Poseidon
Poseidon (; grc-gre, Ποσειδῶν) was one of the Twelve Olympians in ancient Greek religion and myth, god of the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 In pre-Olympian Bronze Age Greece, he was venerated as a ch ...
and tasked to protect ships. Other studies interpret it as a grotesque beast to amuse children, or a simple fantastic decorative element without any specific function.
Etymology
The term ''hippalectryon'', also transcribed "hippalektryon", comes directly from Ancient Greek "ἱππαλεκτρυών", a compound word that comprises ἵππος (''híppos'', "horse"), and ἀλεκτρυών (''alektryốn'', "rooster").
The name is thus a plain description of the hybrid creature.
The name seems to have been used for the first time by
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
in ''Myrmidons'';
[Perdrizet]
''L'hippalectryon. Contribution à l'étude de l'ionisme''
in ''Revue des études anciennes'', tome 6, 1904, pages 7-30[John McK. Camp]
''Horses and horsemanship in the Athenian Agora''
ASCSA 1998, volume 24 of ''Athenian Agora Picture Bks'', the comic usage made by Aristophanes suggests that by the end of the 5th Century, most of the inhabitants of Athens had never heard about the creature.
Description

In
''The Birds'',
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme
In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states ...
describes the hippalectryon as a yellow-feathered, awkward-looking creature.
The appearance of the creature is consistent amongst the known artistic representations. It involves a horse front part, including the head, withers and the front legs; the hind part is that of a rooster, including the wings, tail and legs.
A text attributed to
Hesychius of Alexandria mentions three different types of hippalectryons: a giant rooster; a giant vulture; and a creature close to
griffin
The griffin, griffon, or gryphon (Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late Latin, Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail ...
s as painted on fabrics from Persia.
[ W. Geoffrey Arnott, ''Birds in the ancient world from A to Z'' Routledge, 2007, , , p.102-103.] Some confusion might have arisen, as some texts also refer to hippalectryons as plain horses, a coat-of-arms, or as sea monsters.
Before
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
, no specific term appears to refer to representations of hippalectryons.
Ceramic and sculpture

The oldest known representation of a hippalectryon is an
askos from
Knossos
Knossos (also Cnossos, both pronounced ; grc, Κνωσός, Knōsós, ; Linear B: ''Ko-no-so'') is the largest Bronze Age archaeological site on Crete and has been called Europe's oldest city.
Settled as early as the Neolithic period, the na ...
, dating back to the 9th century BCE.
Hippalectryons become a common theme from 575 to 480 BCE,
often depicted with an unarmed rider, typically a young boy.
The motif might not be an ancient Greek invention: an analysis of Aristophanes' works suggests that it could have originated in the Middle East, and the costumes worn by the people featured on pottery with hippalectryons seem to be Asian,
though this particular point is a matter of debate.
Hippalectryons are displayed almost exclusively
on
black-figure
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are ...
vases from Attica,
and could constitute an alternative representation of
Pegasus
Pegasus ( grc-gre, Πήγασος, Pḗgasos; la, Pegasus, Pegasos) is one of the best known creatures in Greek mythology. He is a winged divine stallion usually depicted as pure white in color. He was sired by Poseidon, in his role as hor ...
.
[Hippalectryon]
o
Theoi
Hybrids are a popular and common theme in archaic Greek sculpture and vase painting.
[Hippalektryon]
par Harvey Alan Shapiro : ''Art, Myth and Culture. Greek Vases from Southern Collections'' o
Perseus
Most hybrids appear to have reached Greece from the East, although no early representation of a hippalectryon in
Ancient Egyptian or Middle Eastern art has yet been found.
Hippalectryons have been found on engraved stones from the
Late Period of ancient Egypt
The Late Period of ancient Egypt refers to the last flowering of native Egyptian rulers after the Third Intermediate Period in the 26th Saite Dynasty founded by Psamtik I, but includes the time of Achaemenid Persian rule over Egypt after the ...
. Though they differ from 6th century Attic and Ionic representations, the horse head and the rooster legs and tail are featured.
Numismatics
Five coins featuring a hippalectryon, or possibly Pegasus, were found in 1868 in the Volterra treasure, amongst 65 very old pieces of currency
Symbolism
According to a study of
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme
In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states ...
' ''
The Frogs
''The Frogs'' ( grc-gre, Βάτραχοι, Bátrakhoi, Frogs; la, Ranae, often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in ...
'', hippalectryons were often painted on shields. A
red-figure vase featuring Athena waving a shield sporting a hippalectryon has been found; the theme probably was credited with
apotropaic and
prophylactic virtues.
Roosters are prophylactic as they are a symbol of solar power that routs demons with its singing at sunrise.
Horses, especially winged horses, are a funerary symbol as they guide the souls of the dead.
The grotesque and ugly hybrid supposedly induced laughter, thereby driving evil away.
The Hippalectryon described in
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
'
''Myrmidons'' was probably sculpted to commemorate a naval high deed. In ''The Frogs'',
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme
In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states ...
states that the motif was painted on galleys in ancient times, indicating that it could have been credited with magical powers to protect ships.
Occurrences in Greek texts
Hippalectryons are not associated with any known myth or legend.
[''Harper's New Monthly Magazine March to May 1882'', Kessinger Publishing, LLC, 2005 ]
As a consequence, they are scarcely mentioned by Greek authors.
Aeschylus is the first to mention them: in ''Myrmidons'', he describes a ship featuring a "fire-coloured horse-chanticleer".
Hippalectryon is one of Aristophanes' favourite insults.
[ Michel Meslin, ''Cahiers d'anthropologie religieuse'' 3, 1994, Presses Paris Sorbonne , , p. 12]
He uses it in ''
Peace (play), Peace'' (421 BCE), ''
The Birds'' (414) and in ''
The Frogs
''The Frogs'' ( grc-gre, Βάτραχοι, Bátrakhoi, Frogs; la, Ranae, often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in ...
'' (405), in which
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans ...
and
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
mock Aeschylus for mentioning it.
[Swets et Zitlinger, « Annales de la Faculté des Lettres de Bordeaux et des Universités du Midi, quatrième série commune aux Iniversités d'Aix, Bordeaux, Montpellier, Toulouse », dans ''Revue des études anciennes'', t. 6, 190]
He furthermore mentions that in his time (end of the 5th century BCE), most inhabitants of Athens had never heard of hippalectryons.
In popular culture
* Hippalectyons are seldom mentioned in modern works. There might be an occurrence in ''
Ride a cock horse to Banbury Cross
"Ride a Cock Horse to Banbury Cross" is an English language nursery rhyme connected with the English town Banbury in Oxfordshire. It has a Roud Folk Song Index number of 21143.
Lyrics
Common modern versions include:
Ride a cock-horse to Banb ...
'', a
nursery rhyme
A nursery rhyme is a traditional poem or song for children in Britain and many other countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes.
From t ...
published in ''
Mother Goose'' English translation, published in 1729:
* Hippalektryons appear in the ''
Percy Jackson & The Olympians
''Percy Jackson & the Olympians'' is a series of five fantasy novels written by American author Rick Riordan, and the first book series in the '' Camp Half-Blood Chronicles''. The novels are set in a world with the Greek gods in the 21st centu ...
'' series, in the fourth book, ''
The Battle of the Labyrinth''. They are thought to be extinct, but there are some at