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Achilleis (trilogy)
Priam (right) entering the hut of Achilles in his effort to ransom the body of Hector. The figure at left is probably one of Achilles' servant boys. (Attic red-figure kylix of the early fifth century BCE) The ''Achilleis'' (; Ancient Greek , ''Achillēís'', ) is a lost trilogy by the Athenian dramatist Aeschylus. The three plays that make up the ''Achilleis'' exist today only in fragments, but aspects of their overall content can be reconstructed with reasonable certainty. Like the ''Oresteia'' which forms "a narratively connected unit with a continuous plot," the trilogy had a unified focus, presumably treating the story of Achilles at Troy in a version comparable to the plot of the latter two-thirds of the ''Iliad''. In the ''Myrmidons'' (, ''Myrmidónes''), Achilles' refusal to fight after his quarrel with Agamemnon led to the death of Patroclus. The title of the play traditionally placed second in the trilogy is the ''Nereids'' (, ''Nēreídes''). The chorus was thus a gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hektor Ransom BM E75
In Greek mythology, Hector (; , ) was a Trojan prince, a hero and the greatest warrior for Troy during the Trojan War. He is a major character in Homer's ''Iliad'', where he leads the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He is ultimately killed in single combat by the Greek hero Achilles, who later drags his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. The name was in use during Mycenaean times, as evidenced by a servant with the name referred to in a Linear B tablet. In the tablet, the name is spelled , ''E-ko-to''. Moses I. Finley proposed that the Homeric hero was partly based o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammatical Gender
In linguistics, a grammatical gender system is a specific form of a noun class system, where nouns are assigned to gender categories that are often not related to the real-world qualities of the entities denoted by those nouns. In languages with grammatical gender, most or all nouns inherently carry one value of the grammatical category called ''gender''. The values present in a given language, of which there are usually two or three, are called the ''genders'' of that language. Some authors use the term "grammatical gender" as a synonym of "noun class", whereas others use different definitions for each. Many authors prefer "noun classes" when none of the inflections in a language relate to Sex–gender distinction, sex or gender. According to one estimate, gender is used in approximately half of the world's languages. According to one definition: "Genders are classes of nouns reflected in the behavior of associated words." Overview Languages with grammatical gender usually h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achilleis (trilogy)
Priam (right) entering the hut of Achilles in his effort to ransom the body of Hector. The figure at left is probably one of Achilles' servant boys. (Attic red-figure kylix of the early fifth century BCE) The ''Achilleis'' (; Ancient Greek , ''Achillēís'', ) is a lost trilogy by the Athenian dramatist Aeschylus. The three plays that make up the ''Achilleis'' exist today only in fragments, but aspects of their overall content can be reconstructed with reasonable certainty. Like the ''Oresteia'' which forms "a narratively connected unit with a continuous plot," the trilogy had a unified focus, presumably treating the story of Achilles at Troy in a version comparable to the plot of the latter two-thirds of the ''Iliad''. In the ''Myrmidons'' (, ''Myrmidónes''), Achilles' refusal to fight after his quarrel with Agamemnon led to the death of Patroclus. The title of the play traditionally placed second in the trilogy is the ''Nereids'' (, ''Nēreídes''). The chorus was thus a gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textual Criticism
Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons. The objective of the textual critic's work is to provide a better understanding of the creation and historical transmission of the text and its variants. This understanding may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papyrus
Papyrus ( ) is a material similar to thick paper that was used in ancient times as a writing surface. It was made from the pith of the papyrus plant, ''Cyperus papyrus'', a wetland sedge. ''Papyrus'' (plural: ''papyri'' or ''papyruses'') can also refer to a document written on sheets of such material, joined side by side and rolled up into a scroll, an early form of a book. Papyrus was first known to have been used in Egypt (at least as far back as the First Dynasty of Egypt, First Dynasty), as the papyrus plant was once abundant across the Nile Delta. It was also used History of the Mediterranean, throughout the Mediterranean region. Apart from writing material, ancient Egyptians employed papyrus in the construction of other Artifact (archaeology), artifacts, such as reed boats, mats, rope, sandals, and baskets. History Papyrus was first manufactured in Egypt as far back as the third millennium BCE.H. Idris Bell and T.C. Skeat, 1935"Papyrus and its uses"(British Museum pam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuscript
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of prints, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The word "manuscript" derives from the (from , hand and from , to write), and is first recorded in English in 1597. An earlier term in English that shares the meaning of a handwritten document is "hand-writ" (or "handwrit"), which is first attested around 1175 and is now rarely used. The study of the writing ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lycurgeia
The ''Lycurgeia'' (, ''Lykoúrgeia'') is a lost tetralogy by the Athenian dramatist Aeschylus that concerned Thracian Lycurgus' conflict with Dionysus and its aftermath. The four plays that made up the ''Lycurgeia'' survive only in fragments quoted by ancient authors, and the reconstruction of much of their content is a matter of conjecture. In the '' Edoni'' (, ''Ēdōnoí''), Dionysus presumably arrived in Thrace where King Lycurgus attempted to suppress the worship of the new god. The second play, the '' Bassarids'' (, ''Bassarídes''), is supposed to have treated the death of Orpheus at the hands of Thracian women in the thrall of Dionysus. Very little is known of the third play, the ''Youths'' (, ''Neaniskoí''), but M.L. West has proposed that it culminated in the acceptance of the cult of Dionysus in Thrace. The satyr play was named ''Lycurgus'' (, ''Lykoûrgos'') after the king and might have presented his attempt to domesticate the satyrs, civilizing their bestial nature and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Suppliants (Aeschylus)
''The Suppliants'' (, ''Hiketides''; Latin: ''Supplices''), also called ''The Suppliant Maidens'', ''The Suppliant Women'', or ''Supplices'' is a play by Aeschylus. It was probably first performed "only a few years previous to the '' Oresteia'', which was brought out 458 BC." It seems to be the first play in a tetralogy, sometimes referred to as the ''Danaid Tetralogy'', which probably included the lost plays ''The Egyptians'' (also called ''Aigyptioi''), and ''The Daughters of Danaus'' (also called ''The Danaïdes'' or ''The Danaids''), and the satyr play ''Amymone''. The 1952 publication of Oxyrhynchus Papyrus 2256 fr. 3 confirmed the existence of a trilogy, probably produced in 463. See Garvie 163-97, Friis Johansen/Whittle 1.23-25 and Sommerstein 141-52 for discussions of the trilogy's date, constituent plays and a hypothetical reconstruction of the plot. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Against Thebes
''Seven Against Thebes'' (, ''Hepta epi Thēbas''; ) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the ''Oedipodea''. It concerns the battle between an Argive army, led by seven champions including Polynices who were called the Seven against Thebes, and the army of Ancient Thebes (Boeotia), Thebes led by Eteocles and his supporters. The trilogy won the first prize at the Athens City Dionysia. The trilogy's first two plays, ''Laius'' and ''Oedipus'', as well as the satyr play ''Sphinx'', are Lost literary work, no longer extant. Background When Oedipus, King of Thebes, realized he had married his own mother and had two sons and two daughters with her, he blinded himself and cursed his sons to divide their inheritance (the kingdom) by the sword. The two sons, Eteocles and Polynices, in order to avoid bloodshed, agreed to rule Thebes in alternate years. After the first year, Eteocles refused to step down, lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Persians
''The Persians'' (, ''Persai'', Latinised as ''Persae'') is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens' City Dionysia festival in 472 BC, with Pericles serving as '' choregos''. Place in Aeschylus' work The first play in the trilogy, called ''Phineus'', presumably dealt with Jason and the Argonauts' rescue of King Phineus from the torture that the monstrous harpies inflicted at the behest of Zeus. The subject of the third play, ''Glaucus'', was either a mythical Corinthian king who was devoured by his horses because he angered the goddess Aphrodite (see Glaucus (son of Sisyphus)) or else a Boeotian farmer who ate a magical herb that transformed him into a sea deity with the gift of prophecy (see Glaucus). In ''The Persians'', Xerxes invites the gods' enmity for his hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
