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''High Civilization'' is the nineteenth studio album by British pop group the
Bee Gees The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in ...
, released on 25 March 1991 in the U.K., and 14 May 1991 in the U.S. It was their last album recorded for Warner Bros. Records, after a four-year contract (they would return to WB through subsidiary
Reprise Records Reprise Records is an American record label founded in 1960 by Frank Sinatra. It is owned by Warner Music Group, and operates through Warner Records, one of its flagship labels. Artists currently signed to Reprise Records include Enya, Michael ...
in 2006: after gaining the rights to their previously released material, they reissued each album through Reprise). Possibly in reaction to firm resistance from U.S. radio to the previous two albums, '' E.S.P.'' (1987) and ''
One 1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. I ...
'' (1989), which had done well in other countries, the U.S.-based Warner Bros gave this one less promotion and did not issue remixes. They recorded this album and their next album '' Size Isn't Everything'' with engineer Femi Jiya. In the U.S., the album was available only on the CD and cassette, but the LP version was released in limited quantities in some countries. While it did not chart in the U.S., it reached No. 6 in
Switzerland ). Swiss law does not designate a ''capital'' as such, but the federal parliament and government are installed in Bern, while other federal institutions, such as the federal courts, are in other cities (Bellinzona, Lausanne, Luzern, Neuchâtel ...
, No. 2 in Germany (reaching platinum certification in both countries), No. 24 in the U.K.


Background

The songs as sequenced on the "High Civilization mixes" tell a story of "secret love" that might be all in the singer's head and secret from the girl too. He hesitates one moment and speaks explicitly the next, but is he telling her what he feels. The contradictions give the story a dreamlike effect of details shifting while the singer's feelings remain consistent. The only song that does not fit is the dystopian political title song, unless it expresses the singer's anger and confusion with the world as he feels things are all falling apart. He then casts it all as a romantic tragedy, before finally proposing that maybe even the girl being in love with someone else does not mean the end of it.Gibb Songs 1990
/ref> ''High Civilization'' found a new change for the Bee Gees sound, with heavier use of drum programming and electronic effects, giving a more modern dance feel to the production. Highlights from the album included the first single, " Secret Love", an up-tempo ballad, which was a top five hit in the U.K.; " When He's Gone", a heavier pop song, issued as the album's second single, featuring Alan Kendall's guitar solo ending on that song; and the sentimental ballad " The Only Love", released as the third and final single from the album. The soft ballad " Happy Ever After" was released as a cassette-only single. "True Confessions" was the bonus cut available only on the CD version; it was also issued only in the U.S. as the B-side of "When He's Gone". The album's length was 60 minutes for only eleven songs. Both ''High Civilization'' and '' Size Isn't Everything'' were the only post-RSO era albums not to feature concert dates in the U.S., presumably due to health issues with Barry Gibb and lackluster record sales. The band did play three dates in the U.K. and toured Europe. Despite the album's failure in the U.S., the brothers would work with Femi Jiya again on the follow-up, '' Size Isn't Everything''.


Track listing


Alternate release

#"Human Sacrifice" #"When He's Gone" #"Secret Love" #"Ghost Train" #"Evolution" #"Party With No Name" #"True Confessions" #"High Civilization" #"The Only Love" #"Happy Ever After" #"Dimensions"


Personnel

Bee Gees * Barry Gibb – lead and harmony vocals, guitar *
Robin Gibb Robin Hugh Gibb (22 December 1949 – 20 May 2012) was a British singer and songwriter. He gained worldwide fame as a member of the Bee Gees pop group with elder brother Barry and fraternal twin brother Maurice. Robin Gibb also had his o ...
– lead and harmony vocals * Maurice Gibb – backing vocals, keyboards, synthesizer, guitars, lead vocals on "Dimensions" Additional personnel * Alan Kendall – guitar *Tim Cansfield - guitar * George "Chocolate" Perry – bass guitar *Tim Moore – keyboards, synthesizer,
programmer A computer programmer, sometimes referred to as a software developer, a software engineer, a programmer or a coder, is a person who creates computer programs — often for larger computer software. A programmer is someone who writes/creates ...
*
Mike Murphy Michael James Murphy (born 20 October 1941) is an Irish broadcaster, actor and property developer. He is best known for his long broadcasting career with RTÉ, presenting many TV shows such as ''The Live Mike'', ''Winning Streak'' and '' The Big ...
- drums * Trevor Murrell - drums *
Scott F. Crago Scott Francis Crago (born July 26, 1963) is an American session drummer, songwriter, and producer. He has worked with the Eagles as their backup and touring drummer since 1994. Other artists he has played with include Venice, Sheryl Crow, Bo ...
- drums ''(on "When He's Gone" and "The Only Love")'' (uncredited) *Lenny Castro – percussion *Julia and Maxine Waters – backing vocals and percussion Production *Femi Jiya – sound engineer *John Merchant – sound engineer *Barry Gibb, Robin Gibb, Maurice Gibb – producer


Charts and certifications


Weekly charts


Year-end charts


Certifications


References

{{Authority control Bee Gees albums 1991 albums Warner Records albums Albums produced by Barry Gibb Albums produced by Robin Gibb Albums produced by Maurice Gibb