Henryk Wars

Henry Vars (born Henryk Warszawski; December 29, 1902 September 1, 1977) was a Polish-American composer, arranger and conductor whose compositions spanned popular, jazz and classical genres. He is regarded as the most important musical theatre, pop and film music composer of the interwar Poland.

Known in Poland as Henryk Wars, he is widely considered a pioneer of Polish jazz with his first composition "New York Times" (1927) being regarded as the very first jazz song in the history of Polish music. His other jazz and pop songs from the period include "Miłość ci wszystko wybaczy" (1933), "Umówiłem się z nią na dziewiątą", "Sex appeal" (both from 1937), "Ach, jak przyjemnie" and "Już nie zapomnisz mnie" (both from 1939).

In the United States, Henry Vars is best remembered for scoring westerns '' Seven Men From Now'' (1956) and '' Escort West'' (1959), with an adventure film '' Flipper'' (1963) being his most famous work. His other American works include a Margaret Whiting song "Over and Over and Over", Mel Tormé's "I Owe A Kiss To A Girl In Iowa" (both from 1950), Brenda Lee's "Speak to Me Pretty" (1961) and Doris Day's Walk With Him (1962).

Biography

Henryk Warszawski was born to a Jewish musical family in the Russian partition of Poland. He began studies at the Academy of Fine Arts, but soon obtained a scholarship to the Music Conservatory in Warsaw, from which he graduated in 1925, having studied composition with Professor Roman Statkowski and Emil Młynarski. In 1927 he composed a song called "New York Times" that was sung in the ''Karuzela'' Theatre by Tadeusz Olsza and recorded by Henryk Gold's Orchestra for Syrena-Rekord. His first big hit, though, was "Zatańczmy tango", composed in 1928 for Stanisława Nowicka and Eugeniusz Bodo. He was hired as a pianist for the ''Morskie Oko'' theater and joined Henryk Gold's band.

During the 1930s, he composed songs for a string of musical comedies in Poland, and his importance there is comparable to that of Irving Berlin in America. His melodies from this period (along with those of Jerzy Petersburski and Zygmunt Wiehler) are still popular in Poland to this day, with his most popular songs often associated with pre-war Lwów. He was a long-time music director for Syrena-Rekord.Fater, Isaschar (1970). Jewish Music in Poland between the Two World Wars, p. 296 He composed his first film score for ''Na Sybir'' in 1930, after gaining fame as a conductor and performer at various Warsaw cabarets and theaters including Morskie Oko, Hollywood, and Wielka Rewia. He composed scores for such films as ''Paweł i Gaweł'', ''Szpieg w masce'', '' Piętro wyżej'' (''Neighbors''), and '' Zapomniana melodia''. He was the pioneer of jazz and swing music in Poland."

Shortly before the outbreak of World War II, he was drafted into the Polish Army and served in the defense of Poland in 1939. He was taken prisoner of war by the German army but managed to escape from a stopped train. He organized a big band Tea-Jazz Orchestra in Soviet-occupied Lwów in 1940. He composed his first symphony at this time. In late 1941, he and his musicians joined the Polish II Corps of General Anders as part of the ''Polska Parada'' cabaret. After being demobilized from the army in 1947, he emigrated to the United States.

In the U.S., he changed his name to Henry Vars and after a period of struggling and poverty, managed to resume his musical career. He was John Wayne's friend. His new songs were sung by such well-known stars as Margaret Whiting, Mel Tormé, Doris Day and Brenda Lee. He composed the score and the title song for the '' Flipper'' (1963–1967) film and television franchise, as well as ''Daktari''. He also composed scores for numerous western films such as '' Seven Men From Now'', '' Gun the Man Down'' (both from 1956) and '' Escort West'' (1959).

Concert Music

* ''Symphony No. 1'' (1949)
* '' Concerto for Piano and Orchestra'' (1950)
* ''City Sketches'' (1951)
* ''Maalot. Elegy for Orchestra in Memory of Murdered Children'' (1974)

Selected filmography

* '' Na Sybir'' (1930)
* '' Jego ekscelencja subiekt'' (1933)
* ''Pieśniarz Warszawy'' (1934)
* '' Neighbors'' (''Piętro wyżej'', 1937)
* '' Zapomniana melodia'' (1939)
* '' Chained for Life'' (1951)
* ''The Big Heat'' (1953)
* '' Seven Men From Now'' (1956)
* '' Gun the Man Down'' (1956)
* ''The Unearthly'' (1957)
* '' China Doll'' (1958)
* '' The Little Shepherd of Kingdom Come'' (1961)
* '' Battle at Bloody Beach'' (1961)
* '' House of the Damned'' (1963)
* '' Flipper'' (1963)
* ''Flipper's New Adventure'' (1964)
* '' Fools' Parade'' (1971)

References

External links

*
* lyrics by Emanuel Schlechter, sung by Tadeusz Olsza

''Lwowskie Piosenki,''
Lyrics in Polish with Lwów accent for ''Dobranoc, oczka zmruż'', ''Serce batiara'', ''My dwaj, obacwaj'', and ''Tylko we Lwowie''. Any actual performance may vary significantly from these words.

''Piosenki z plecaka Helenki,''
book by Feliks Konarski (alias REF-REN), Rome, 1946; in Polish.

"Film Scores of Henry Vars in the United States: An Overview"
by Linda Schubert in ''Polish Music Journal'', Vol. 4, No. 1.


"Swiss passport to Siberia" by Diana Poskuta-Włodek in Nowy Dziennik, New York, 23 July 2004; in Polish.

Polish Tangos: The Unique Inter-War Soundtrack to Poland’s Independence

When Henryk Wars took on Hollywood

{{DEFAULTSORT:Vars, Henry
Polish composers
Polish film score composers
Polish male film score composers
American male composers
Musicians from Warsaw
20th-century Polish Jews
1902 births
1977 deaths
Polish military personnel of World War II
Polish prisoners of war
World War II prisoners of war held by Germany
Escapees from German detention
Polish cabaret performers
Polish emigrants to the United States
20th-century American composers
20th-century Polish comedians
20th-century American male musicians