Georgios Kalliergis or Kallergis ( el, Γεώργιος Καλλ
��ργης, 13th century – 14th century) was a
Byzantine Greek
Medieval Greek (also known as Middle Greek, Byzantine Greek, or Romaic) is the stage of the Greek language between the end of classical antiquity in the 5th–6th centuries and the end of the Middle Ages, conventionally dated to the Ottoman c ...
painter. He is one of the few Greek painters of the
Byzantine empire
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantin ...
known by name. Other Byzantine painters include:
Theodore Apsevdis
Theodore Apsevdis ( el, Θεόδωρος Αψευδής) was a Greek painter assumed to be from Constantinople. He is one of the few Byzantine painters known by name. His contemporary in Italy was Alberto Sotio; both painters were active during t ...
,
Kokkinobaphos Master, and
Ioannis Pagomenos. Kalliergis was one of the masters of Thessaloniki. He was part of the
Macedonian School of painting. His last name
Kallergis
The Kallergis family ( el, Καλλέργης) is a Crete, Cretan Greeks, Greek aristocratic family which claims descent from Byzantine Emperor Nikephoros II Phokas, and were at one stage the most powerful noblemen of Crete.
Origin
According ...
was associated with a noble family from the island of Crete. Two other very famous Greek painters
Nikolaos Kallergis
Nikolaos Kallergis ( el, Νικόλαος Καλλέργης, 1699 – 1747), also known as Kalergis. He was a Greek painter during the Greek Rococo and the Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos. His ar ...
and
Christodoulos Kalergis
Christodoulos Kalergis ( el, Χριστόδουλος Καλέργης, 1678-1683 –1740), also known as Christodoulos Kallergis. He is one of the few Greek painters that were not from Crete or the Ionian Islands. He was from the Cyclades. ...
shared the same last name. Georgios was associated with Mount Athos, Veria, and Thessaloniki. His most notable frescos are in the Church of the Resurrection of Christ in
Veria
Veria ( el, Βέροια or Βέρροια), officially transliterated Veroia, historically also spelled Berea or Berœa, is a city in Central Macedonia, in the geographic region of Macedonia, northern Greece, capital of the regional unit of ...
, Greece.
History
He was born in Thessaloniki sometime in the 13th century. He was a very prominent painter. Records exist about the painter at Mount Athos, Thessaloniki, and Veria. His family name was very important. The family name
Kallergis
The Kallergis family ( el, Καλλέργης) is a Crete, Cretan Greeks, Greek aristocratic family which claims descent from Byzantine Emperor Nikephoros II Phokas, and were at one stage the most powerful noblemen of Crete.
Origin
According ...
was affiliated with the island of Crete. They were nobles. The original family name was Phokas. The name was changed to Kallergis during the Venetian dominion over Crete. There is a strong resemblance between
Manuel Fokas's fresco painting of the Crucifixion in Crete and the Kalliergis Crucifixion.
A famous poet from Thessaloniki named Manuel Philis wrote a poem about one of his paintings. Historians have deduced that Kalliergis lived and worked in the region. Some historians believe he was a student of famous painter
Manuel Panselinos
Manuel Panselinos ( el, Μανουήλ Πανσέληνος) was a Byzantine painter and writer of the Palaeologan Renaissance, known for introducing pathos into frescos, murals and especially icons from the 13th and 14th centuries. He was active ...
. The figures of Joseph in the Nativity of Christ in the Church of the Resurrection of Christ,
Veria
Veria ( el, Βέροια or Βέρροια), officially transliterated Veroia, historically also spelled Berea or Berœa, is a city in Central Macedonia, in the geographic region of Macedonia, northern Greece, capital of the regional unit of ...
, are similar to the work of
Manuel Panselinos
Manuel Panselinos ( el, Μανουήλ Πανσέληνος) was a Byzantine painter and writer of the Palaeologan Renaissance, known for introducing pathos into frescos, murals and especially icons from the 13th and 14th centuries. He was active ...
. Kalliergis does not follow the style of the first phase of the
Palaeologan Renaissance.
In a document discovered at
Mount Athos
Mount Athos (; el, Ἄθως, ) is a mountain in the distal part of the eponymous Athos peninsula and site of an important centre of Eastern Orthodox monasticism in northeastern Greece. The mountain along with the respective part of the peni ...
in the monastery of
Hilandar
The Hilandar Monastery ( sr-cyr, Манастир Хиландар, Manastir Hilandar, , el, Μονή Χιλανδαρίου) is one of the twenty Eastern Orthodox monasteries in Mount Athos in Greece and the only Serbian monastery there. It wa ...
. On November 9, 1322, Kalliergis witnessed the sale of three houses in Thessaloniki to some monks from
Mount Athos
Mount Athos (; el, Ἄθως, ) is a mountain in the distal part of the eponymous Athos peninsula and site of an important centre of Eastern Orthodox monasticism in northeastern Greece. The mountain along with the respective part of the peni ...
. Kalliergis proudly signed his paintings. According to an inscription Kalliergis refers to himself as the greatest painter in all of Thessaly. His work is dated around 1315.
Painting style
His work follows the traditional prototype of Greek-Italian Byzantine art. His name was common in Cretan noble circles. Cretan painter
Manuel Fokas may have been influenced by his work or possibly be one of his descendants. The Fokas family consisted of a large number of fresco painters in Crete.
Clearly, the two Crucifixions exhibit many similarities. Both backgrounds feature planets. There are four figures visiting the Crucifixion of Christ. His head is tilted left in both frescos. The building behind the cross is closer in the Fokas version.
Both Fokas and Kalliergis Crucifixion influenced Cretan artists.
Frescos completed by
Theophanes the Cretan
Theophanis Strelitzas ( el, Θεοφάνης Στρελίτζας 1490–1559), also known as Theophanes the Cretan (, pronounced ''Theophanes O Krees'') or Theophanes Bathas () was a Greek painter of icons and frescos in the style of the Creta ...
testify to the influence of the craftsmanship of Byzantine masters. Pavias's
Crucifixion
Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Cartha ...
was also influenced by local Cretan artists and the new movement in Italian art. Italian painters
Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter ...
and
Duccio
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Du ...
were active during the same period. Clearly, Kalliergis influenced countless Greek and Italian painters.
Kalliergis has a painting of the Virgin and Child Hodogatria attributed to him. The art form was the framework for the
Cretan School
Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becomi ...
. Countless artists were influenced by the style namely:
Angelos Akotantos,
Nikolaos Tzafouris,
Nikolaos Lampoudis and
Andreas Ritzos
Andreas Ritzos ( el, Ανδρέας Ρίτζος 1421-1492) also known as (Rico, Ricio, Rizo). He was a Greek icon painter, from Crete. Ritzos is considered one of the founding fathers of the Cretan School. He was affiliated with Angelos Akota ...
.
Gallery
File:Christ Church in Veria Dormition Fresco by Georgios Kalliergis, 1315.jpg, Dormition of Virgin Mary
File:Christ Church in Veria Resurrection Fresco on the Southern Wall by Georgios Kalliergis, 1315.gif, Resurrection Fresco
Market
In 2019, a painting of one of Kalliergis's Italian contemporaries
Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter ...
was found in the kitchen of an elderly French woman in northern France. The painting was called ''
Christ Mocked
''Christ Mocked'' is a small 13th-century panel painting by the Italian artist Cimabue, in tempera on a poplar panel. It depicts the Mocking of Jesus and is one of three panels known from a polyptych depicting the passion of Jesus. It was ...
''. It resembled the works of Kalliergis and other Greek contemporaries. The Italians refer to the style as the
maniera greca owing to the fact that the Greeks continued to refine the technique. Italian art transitioned from the
Byzantine style
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire.
The Byzantine era is usually dated from 330 AD, when Constantine the Great moved the Roman capital to Byzantium, which became Constantinople, until th ...
into the more refined
Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the tra ...
. The Greek Renaissance continued to utilize the
maniera greca observed in ''
Christ Mocked
''Christ Mocked'' is a small 13th-century panel painting by the Italian artist Cimabue, in tempera on a poplar panel. It depicts the Mocking of Jesus and is one of three panels known from a polyptych depicting the passion of Jesus. It was ...
''. Although the
maniera greca was Venetian influenced its roots are shared with
Byzantine art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted ...
.
The painting by
Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter ...
called ''
Christ Mocked
''Christ Mocked'' is a small 13th-century panel painting by the Italian artist Cimabue, in tempera on a poplar panel. It depicts the Mocking of Jesus and is one of three panels known from a polyptych depicting the passion of Jesus. It was ...
'' sold for €24m (£20m; $26.6m) at auction, setting a new record. The sale price was four times the estimate. The action house Acteon said it was a new record for a Greek-Italian Byzantine painting. It was purchased by an anonymous buyer from northern France.
References
{{reflist
Byzantine painters
Christian iconography
Year of birth unknown
Byzantine Thessalonians
13th-century births
14th-century deaths
Christianity in medieval Macedonia
13th-century Byzantine people
14th-century Byzantine people
13th-century Greek painters
14th-century Greek painters