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Frank Harvey (22 December 1885 – 10 October 1965) was a British-born actor, producer, and writer, best known for his work in Australia.


Early life

Frank Harvey was born Harvey Ainsworth Hilton on 22 December 1885 in Earls Court, London. He was the son of playwright John Ainsworth Hilton (1842–1903), who also wrote under the
pen name A pen name or nom-de-plume is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen name may be used to make the author's na ...
Frank Harvey, and Elizabeth Hilton. He had three sisters, Maria, Cora, and Caroline.


Career

Harvey studied acting under Sir Herbert Beerbohm Tree and performed Shakespearean roles in the Lyceum Theatre in London. In 1914, he was engaged by J. C. Williamson to play in Australia with Nancye Stewart, and did not return to Britain until 1926. In 1922 and 1923, he played the leading man in several J & N Tait productions with the Emélie Polini troupe, touring Australia and New Zealand. When Harvey returned to Britain, after several months he was cast in ''The Transit of Venus'' and then had little difficulty finding work. He was praised for his role in ''Jew Suss''. While acting in this role, he had a nervous breakdown and was told to take three months off. Harvey had two plays produced, '' The Last Enemy'' and '' Cape Forlorn''.


Return to Australia

By 1931, he was back in
Melbourne Melbourne ( , ; Boonwurrung language, Boonwurrung/ or ) is the List of Australian capital cities, capital and List of cities in Australia by population, most populous city of the States and territories of Australia, Australian state of Victori ...
to appear in a series of plays for J. C. Williamson's, including ''On the Spot'' and a production of his own ''Cape Forlorn''. Harvey said he preferred working on stage to screen:
An actor on the screen is not an actor at all, but a robot. In the days of the silent films, an actor could have a distinct screen personality; but now that speech has come, all that is ended. After the novelty has worn off, talking films will settle down here, as they have abroad, into a mere substitute for the silent films, and will not interfere in any way with the prosperity of the legitimate theatre. The screen should stick to the sphere in which it is really capable – the sphere of spectacular production, such as Iies outside the ambit of the legitimate stage. It is really a glorified sideshow.
Harvey returned to London in October 1931, but was back in Australia in 1933 to work for F. W. Thring at Efftee Productions as an actor and screenwriter. In 1935, he moved to Sydney and began writing and acting for ABC radio. This led to a full-time appointment as senior drama producer in 1944, directing actors such as Queenie Ashton (in early episodes of Blue Hills), Lyndall Barbour and Nigel Lovell. He appeared as Nestor the story-teller in the '' Argonauts Club'' for most of the 1940s. His play '' False Colours'' was staged by Doris Fitton's Independent Theatre. In 1936 he founded a school of voice production and dramatic art with
Claude Flemming Claude Flemming (1884–1952) was an Australian actor, writer, producer and director of theatre and film whose varied stage career spanned the first half of the 20th century. He performed in Shakespeare and other drama, as well as opera, and bec ...
.


Cinesound

That year Harvey went to work for Ken G. Hall at Cinesound Productions as a studio dialogue director and in-house screenwriter. Starting with ''
It Isn't Done ''It Isn't Done'' is a 1937 Australian comedy film about a grazier ( Cecil Kellaway) who inherits a barony in England. Synopsis Hubert Blaydon, an Australian farmer, inherits a baronial estate and moves to England with his wife and daughter Patr ...
'' (1937), Harvey wrote or co-wrote nine produced feature film scripts for Cinesound over four years, often playing small roles in them. According to one observer, Harvey's work as an actor and writer showed his bias towards the theatrical: "his scripts tend towards fulsome dialogues with witty repartee and epigram-matical statements, and his acting, particularly in ''Tall Timbers'' (1937), tends to exploit dramatic gestures and facial expressions far more intensively than was then required for screen 'naturalism'. Under Hall's direction, Harvey's dialogues were simplified and images allowed to express more of the script's content; his acting too became increasingly restrained as he adjusted to the demands of the film medium."


Radio

In 1941, Harvey signed a contract with ABC to work on radio. During World War II, Harvey served in the Volunteer Defence Corps until 1944, when he left the army and went under contract to ABC as a radio actor and producer. He eventually became ABC's head of radio drama. By the time Harvey retired in 1952, he had directed hundreds of radio plays.


Later Career

Harvey continued to write. He also published a short lived magazine on theatre in Australia, ''Theatregoer'', that published five Australian plays including '' A Fox in the Night'', '' The One Day of the Year'', ''
The Well The Whole Earth 'Lectronic Link, normally shortened to The WELL or The Well, is a virtual community founded in 1985. It is one of the oldest continuously operating virtual communities. By 1993 it had 7,000 members, a staff of 12, and gross annu ...
'', '' The Multi-Coloured Umbrella'', and '' Pacific Paradise''.


Personal

He married Grace Ackerman in 1910 and divorced her in 1923 on grounds of desertion. On 3 April 1924 he married Helen Rosamond "Bobbie" McMillan, an actress with the Emélie Polini troupe and daughter of Sir William McMillan, Minister for Railways in New South Wales, Australia. A son (1912–1981) by his first marriage, named Frank Harvey, was a British playwright and novelist who wrote the play ''Saloon Bar'' and screenplays for British movies, including '' Seven Days to Noon'' (1950) and '' I'm Alright Jack'' (1960). He had a daughter, Helen, by his second wife.


Plays


As writer

* '' The Last Enemy'' (1929) (later played by a young
Laurence Olivier Laurence Kerr Olivier, Baron Olivier ( ; 22 May 1907 – 11 July 1989) was an English actor and director. He and his contemporaries Ralph Richardson and John Gielgud made up a trio of male actors who dominated the British stage of the m ...
) * '' Cape Forlorn'' (1930) * '' False Colours'' (1935) *'' The Love Story of Anne'' (1936) * '' Murder Tomorrow'' (1937)


As actor

* '' Joseph and His Brethren'' (1914) w/ Nancye Stewart (her debut) * '' The Man Who Stayed at Home (1915 in Australia and New Zealand) * ''Within the Law'' (1915)w/ Muriel Starr * ''The Marriage of Kitty'' (1916) w/ Marie Tempest * ''Annabelle'' (1916) w/ Marie Tempest * ''A Pair of Silk Stockings'' (1917) w/ Marie Tempest and Nancye Stewart * ''The Easiest Way'' (1918) w/ Muriel Starr * ''The Silent Witness'' (1919) w/ Muriel Starr * ''Adam and Eva'' (1921) w/ Maud Hannaford * ''Scandal'' (1922 in New Zealand) w/ Emélie Polini * ''My Lady's Dress'' (1923 in New Zealand) w/ Emélie Polini * ''The Flaw'' (1923 in New Zealand) w/ Emélie Polini * ''De Luxe Annie'' (1923 in New Zealand) w/ Emélie Polini * ''The Bird of Paradise'' (1923) w/ Muriel Starr * ''The Garden of Allah'' (1924) w/ Muriel Starr * ''A Royal Divorce'' (1925) w/ Muriel Starr * ''So This Is London'' (1925) w/ Muriel Starr and Mayne Lynton * '' Secrets'' (1925) * ''Within the Law'' (1925) * '' Monsieur Beaucaire'' (1925) w/ Mary Hinton * ''Seventh Heaven'' (1925) w/ Remy Carpen * ''The Silver King'' (1926) w/ Remy Carpen and Mayne Lynton * '' East Lynne'' (1929) in New Zealand w/ Muriel Starr *''The Transit of Venus'' – in London *''Jew Suss'' as the Duke *''Cape Forlorn'' (1930) in London * ''The Calendar'' (1931) w/ Campbell Copelin and Coral Brown (her debut) * '' On the Spot'' (1931) in Melbourne w/ Campbell Copelin * ''Cape Forlorn'' – start 29 August 1930 – Criterion Theatre, Sydney – w/ Harvey Adams and Charles Wheeler * ''My Lady's Dress'' (1931) playing seven different roles w/ Iris Darbyshire *''The Man with a Load of Mischief'' (November 1931) – Haymarket, London * ''
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'' (1932) w/ Campbell Copelin * ''Mother of Pearl'' (1934) starring
Alice Delysia Alice Henriette Lapize (3 March 1889 – 10 February 1979), better known by her stage name, Alice Delysia and sometimes Elise Delisia, was a French actress and singer who made her career in English musical theatre. After performing in the cho ...
and Campbell Copelin, (also written and directed by him) * ''Her Past'' (1934) starring
Alice Delysia Alice Henriette Lapize (3 March 1889 – 10 February 1979), better known by her stage name, Alice Delysia and sometimes Elise Delisia, was a French actress and singer who made her career in English musical theatre. After performing in the cho ...
and Campbell Copelin (also directed) * ''Black Limelight'' (1939) w/ Henry Mollison and Lina Basquette at newly opened Minerva Theatre


Filmography

* '' Within Our Gates'' (1915) – director * '' Cape Forlorn'' (1931) – original play, actor * '' The Mayor's Nest'' (1932) actor * '' The Love Contract'' (1932) actor * '' Up for the Derby'' (1933) actor * '' The Streets of London'' (1934) – actor * '' A Ticket in Tatts'' (1934) – actor * '' Sheepmates'' (1934) (abandoned) – actor * '' Clara Gibbings'' (1934) – writer * ''
Heritage Heritage may refer to: History and society * A heritage asset A heritage asset is an item which has value because of its contribution to a nation's society, knowledge and/or culture. Such items are usually physical assets, but some countries also ...
'' (1935) – actor * '' White Death'' (1936) * ''
It Isn't Done ''It Isn't Done'' is a 1937 Australian comedy film about a grazier ( Cecil Kellaway) who inherits a barony in England. Synopsis Hubert Blaydon, an Australian farmer, inherits a baronial estate and moves to England with his wife and daughter Patr ...
'' (1937) cowriter Carl Dudley, actor * '' Tall Timbers'' (1937) – writer, actor * '' Lovers and Luggers'' aka ''Vengeance of the Deep'' (1937) – writer, actor * '' The Broken Melody'' aka ''The Vagabond Violinist'' (1938) – writer, actor * '' Dad and Dave Come to Town'' (1938) – writer, actor * '' Let George Do It'' (1938) – writer, actor * '' Murder Tomorrow'' (1938) - original play * '' Mr. Chedworth Steps Out'' (1939) – writer * '' Gone to the Dogs'' (1939) – writer, actor * ''
Dad Rudd, MP ''Dad Rudd, M.P.'' is a 1940 comedy that was the last of four films made by Ken G. Hall starring Bert Bailey as Dad Rudd. It was the last feature film directed by Hall prior to the war and the last made by Cinesound Productions, Bert Bailey and F ...
'' (1940) – writer, actor


Unproduced projects

*musical version of '' Robbery Under Arms'' (1934) *film version of '' Collits' Inn'' (circa 1934)


Radio credits

;As actor * '' Monsieur Beaucaire'' (1935) * ''Scandal'' (1935) * ''My Lady's Dress'' (1935) * ''Dead or Alive'' by Edmund Barclay (1936) * '' The Fire on the Snow'' (1941 original production by Frank Clewlow) as
Robert Falcon Scott Captain Robert Falcon Scott (6 June 1868 – ) was a British Royal Navy officer and explorer who led two expeditions to the Antarctic regions: the Discovery Expedition, ''Discovery'' expedition of 1901–04 and the Terra Nova Expedition ...
;As director * ''
Macbeth ''The Tragedy of Macbeth'', often shortened to ''Macbeth'' (), is a tragedy by William Shakespeare, estimated to have been first performed in 1606. It dramatises the physically violent and damaging psychological effects of political ambiti ...
'' (1948) with Lloyd Berrell and Lyndall Barbour * ''Waterloo Bridge'' (1948) with Max Osbiston ;As actor *'' Diary of a Plain Citizen'' (1940)


Sources

*''The Golden Age of Australian Drama'' Richard Lane, Melbourne University Press 1994
Biography by Stephen Vagg
*
Frank Harvey Australian theatre credits
at
AusStage AusStage: The Australian Live Performance Database is an online database which records information about live performances in Australia, providing records of productions from the first recorded performance in Australia (1789, by convicts) up unt ...

Frank Harvey
at the
National Film and Sound Archive The National Film and Sound Archive of Australia (NFSA), known as ScreenSound Australia from 1999 to 2004, is Australia's audiovisual archive, responsible for developing, preserving, maintaining, promoting, and providing access to a national c ...


Notes


References

{{DEFAULTSORT:Harvey, Frank (radio producer) 1885 births 1965 deaths Australian male stage actors Australian male film actors Australian screenwriters Australian male radio actors Australian radio producers 20th-century Australian male actors Australian film studio executives 20th-century Australian screenwriters Volunteer Defence Corps soldiers British emigrants to Australia Actors from the Royal Borough of Kensington and Chelsea