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''Five Easy Pieces'', also referred to by its original French title ', is a collection of pieces for
four hands Piano four hands (, , ) is a type of piano duet involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a '' piano duo''.Bellingham, Jane"piano duet" ''The O ...
by Russian composer
Igor Stravinsky Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century c ...
. It was finished in 1917 and was published as a set in the winter of 1917/18.


Composition

The ''Five Easy Pieces'' were commissioned by French patroness Eugène Murat in November 1916. The original offer was to publish Stravinsky's Three Pieces for String Quartet, which he refused to do. However, he agreed to publish several short pieces, among them ''
Renard Renard may refer to: Engineering and design * Renard series, a system of preferred numbers divided into intervals from 1 to 10, and with 5, 10, 20 or 40 steps Fictional characters and art *Reynard, anthropomorphic fox of European folklore *Ren ...
'', ''
Berceuses du chat ''Berceuses du chat'', K022 (Russian: Колыбельные, ''Kolibelniye'', English: ''(Cat) Lullabies'') by Igor Stravinsky is a 1915 cycle of four songs for a medium voice, usually a contralto, and three clarinetists. The work is usually re ...
'' and the soon to be composed ''Five Easy Pieces'' under the
Geneva Geneva ( , ; ) ; ; . is the List of cities in Switzerland, second-most populous city in Switzerland and the most populous in French-speaking Romandy. Situated in the southwest of the country, where the Rhône exits Lake Geneva, it is the ca ...
-based company run by Adolphe Henn. Stravinsky composed each of the
movements Movement may refer to: Generic uses * Movement (clockwork), the internal mechanism of a timepiece * Movement (sign language), a hand movement when signing * Motion, commonly referred to as movement * Movement (music), a division of a larger c ...
of the collection in only one day in his house in
Morges Morges (; , Plurale tantum, plural, probably Ablative (Latin), ablative, else dative; ) is a Municipalities of Switzerland, municipality in the Switzerland, Swiss Cantons of Switzerland, canton of Vaud and the seat of the Morges District, distri ...
. The first movement, ''Andante'' was composed on January 4, 1917; the third movement, ''Balalaika'', which was also Stravinsky's favorite piece in the set, was composed on February 6, 1917; the fourth one, ''Napolitana'', was composed on February 21, 1917; the fifth one, ''Galop'', was composed on February 28, 1917. After this, he took a break which took him more than expected, and finished the second piece, ''Española'', on April 3, 1917, just one day before shipping all the compositions for publication. All the compositions were published later that same year, and this set was premiered in Paris on February 9, 1918.


Analysis

A typical performance of the compositions lasts approximately five to six minutes. The movement list is as follows: #''Andante'' #''Española'' #''Balalaika'' #''Napolitana'' #''Galop'' As with his other twin set, '' Three Easy Pieces'', these five pieces have been acknowledged by scholar and fellow musicians as
Gebrauchsmusik () is a German term, meaning "utility music", for music that exists not only for its own sake, but which was composed for some specific, identifiable purpose. This purpose can be a particular historical event, like a political rally or a militar ...
, that is, music that was not initially thought to be performed, but which serves one purpose. In this case, both compositions were meant to be used as educational tools for Stravinsky's children. Here, the ''primo'' voice is much easier than the ''secondo'', contrary to ''Three Easy Pieces'', in which the ''secondo'' was the easy part. For this composition, Stravinsky was inspired by the styles of different regions, cultures, and cultural movements. The first movement, ''Andante'', is a homage to
Erik Satie Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undi ...
, and accordingly, uses a similar style. The second movement, ''Española'', was inspired by Stravinsky's recollections of his visit to Spain on the previous summer. The third movement, ''Balalaika'', presents a strong reminiscence to Stravinsky's Russian roots. The fourth movement, ''Napolitana'', was inspired in his first visit to Italy and tries to imitate the Napolitan style. Some musicians, as fellow pianist Paul Jacobs, have acknowledged an indirect reference (or "misquotation", as Jacobs said) to the popular song "
Funiculì, Funiculà "" () is a Neapolitan song composed in 1880 by Luigi Denza to lyrics by Peppino Turco. It was written to commemorate the opening of the first funicular railway on Mount Vesuvius. It was presented by Turco and Denza at the Piedigrotta festiva ...
". Finally, the fifth movement, ''Galop'', tries to resemble a French
Can-can The can-can (also spelled cancan as in the original French /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally dance ...
and is based on sketches that were first conceived when composing the ''Three Easy Pieces''.


Arrangements

The first four movements were reworked,
arranged In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestratio ...
for small orchestra, and published as Suite No. 1. However, he decided to leave ''Galop'' out and arranged it for small orchestra for Suite No. 2, possibly taking into account when it was first conceived. Suite No. 1 was published in 1921, but was first performed in 1926, whereas Suite No. 2 was published in 1925.


References


External links

* {{Authority control 1917 compositions Piano compositions by Igor Stravinsky Compositions for piano four-hands Contemporary classical compositions