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Berceuses Du Chat
''Berceuses du chat'', K022 (Russian: Колыбельные, ''Kolibelniye'', English: ''(Cat) Lullabies'') by Igor Stravinsky is a 1915 cycle of four songs for a medium voice, usually a contralto, and three clarinetists. The work is usually referred to by its French title. Although it is often sung in Russian, Stravinsky assisted his friend, the Swiss author C. F. Ramuz, to make a translation into French at the time of publication. The cycle is set for contralto and three clarinettists: E clarinet; A clarinet (normally played by a B clarinet), and a B bass clarinet. Songs The titles of the four songs are: The French titles for songs 2 to 4 are not translations; nos 2 and 3 are poetic titles, no. 4 is the French incipit. The cat is a male cat – кот, not кошка (koshka). History The ''Berceuses du chat'' were composed in 1915/16 while Stravinsky was living in Clarens, Switzerland, during World War I. Walsh, Stephen. ''Stravinsky: A Creative Spring: Russia and France, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Kirchmeyer
Helmut Franz Maria Kirchmeyer (born 30 June 1930) is a German musicologist, philologist and historian. Career Kirchmeyer was born in Düsseldorf. After grammar school, he studied musicology, German literature and philosophy at the University of Cologne, where he presented what is probably the first thesis in Germany on a living composer, Igor Stravinsky, in 1954. He then studied legal affairs, concentrating on medieval law and legal history, criminology and sociology in Cologne and church history at the University of Bonn. Starting in 1947 he attended classes at the Robert-Schumann-Institut in Düsseldorf (whose director he became in 1972), Franzpeter Goebels (piano) and Jürg Baur (composition) were among his teachers, later Bernd Alois Zimmermann introduced him to instrumentation. In 1982 he qualified as a university lecturer on musicology and musicological media studies at the University of Düsseldorf, he taught musicological bibliography and history at the Institut fü ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natalia Goncharova
Natalia Sergeevna Goncharova (, ; 3 July 188117 October 1962) was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (artists), Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death. Her painting vastly influenced the Avant-garde, avant-garde in Russia. Her exhibitions held in Moscow and St Petersburg (1913 and 1914) were the first promoting a "new" artist by an independent gallery. When it came to the pre-revolutionary period in Russia, where decorative painting and icons were a secure profession, her modern approach to rende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Song Cycles
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 *Classical Indian dance, various codified art forms whose theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Clarinet
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music By Igor Stravinsky
Chamber or The Chamber may refer to: Organizations and government *Chamber of commerce, a form of business network *Legislative chamber, a deliberative assembly within a legislature *Debate chamber, a room for people to discuss and debate Arts and entertainment *Chamber (character), in Marvel comics * ''The Chamber'' (game show), an American TV show * ''The Chamber'' (novel), by John Grisham, 1994 ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film * , a German musical ensemble Business * Barristers' chamber - office used by Lawyers Other uses * Chamber (firearms), part of a weapon * Combustion chamber, part of an engine in which fuel is burned * Environmental chamber, used in testing environmental conditions * Execution chamber, where capital punishment is carried out * Gas chamber, apparatus for killing humans or animals * Chambar, or Chamber, a town in Pakistan See also * Chambers (other) * Chamber music (disam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs With Music By Igor Stravinsky
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denise Scharley
Denise Scharley (born Neuilly-en-Thelle, 15 February 1917 – died Versailles (city), Versailles, 26 July 2011) was a French contralto who made her debut in 1942, singing ''Pelléas et Mélisande (opera), Pelléas et Mélisande'' at the Opéra-Comique.Europe 1 (28 July 2011)"Décès de la cantatrice Denise Scharley" Accessed 31 July 2011 Long associated with French opera, she starred as Madame de Croissy in the Paris première of Poulenc's ''Dialogues of the Carmelites''. She was also associated with the female lead roles of ''Carmen'' and ''Samson and Delilah (opera), Samson and Delilah''. Recording * Francis Poulenc: ''Dialogues of the Carmelites'' (Denise Duval, Denise Scharley, Régine Crespin, Liliane Berton, Rita Gorr, and others; National Theater of the Paris Opera orchestra and chorus; Pierre Dervaux, conductor) EMI 62768 References External links * Pines, Roger, "Four Glories of Interwar French Vocalism", ''The Opera Quarterly'' - Volume 19, Number 3, Summer 2003 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society For Private Musical Performances
The Society for Private Musical Performances (in German, the ) was an organization founded in Vienna in the autumn of 1918 by Arnold Schoenberg with the intention of making carefully rehearsed and comprehensible performances of newly composed music available to genuinely interested members of the musical public. History In the three years between February 1919 and 5 December 1921 (when the ''Verein'' had to cease its activities due to Austrian hyperinflation), the organization gave 353 performances of 154 works in 117 concerts that involved a total of 79 individuals and pre-existing ensembles. Circumstances permitting, concerts were given at the rate of one per week, with each programme consisting entirely of works from the period "Mahler to the present". The range of music included was very wide, the "allowable" composers not being confined to the Schoenberg circle but drawn from all those who had (as Schoenberg himself put it) "a real face or name". During the Society's first tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motive (music), motives as a means of coherence. He propounded concepts like developing variation, the emancipation of the dissonance, and the "unified field, unity of musical space". Schoenberg's early works, like ''Verklärte Nacht'' (1899), represented a Brahmsian–Wagnerian synthesis on which he built. Mentoring Anton Webern and Alban Berg, he became the central figure of the Second Viennese School. They consorted with visual artists, published in ''Der Blaue Reiter'', and wrote atonal, expressionist music, attracting fame and stirring debate. In his String Quartets (Schoenberg)#String Quartet No. 2, Op. 10, String Quartet No. 2 (1907–1908), ''Erwartung'' (1909), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pribaoutki
''Pribaoutki'' () is a Song cycle, cycle of four songs composed by Igor Stravinsky in 1914 to Russian texts by Alexander Afanasyev. Its Russian title has no direct English equivalent, although Richard Taruskin suggests "nonsense rhymes" or "jingles." (The French subtitle appearing in the score, ', is descriptive, not a translation.) ''Pribaoutki'' takes about four minutes to perform. Songs The titles of the four songs are: # "Kornílo" ("Uncle Kornilo") # "Natashka" ("Little Natalie") # "Polkovnik" ("The Colonel") # "Starets i zayats" ("The Old Man and the Hare") Instrumentation ''Pribaoutki'' is written for low voice and instrumental ensemble. Stravinsky is said to have preferred a male singer, although the work is commonly performed by mezzo-soprano or contralto. The eight-member ensemble consists of: flute, oboe (doubling English horn), clarinet, bassoon, violin, viola, cello, and double bass. History ''Pribaoutki'' was composed between June and September 1914, just as World W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Larionov
Mikhail Fyodorovich Larionov (; – May 10, 1964) was a Russian avant-garde painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art. He was founding member of two important artistic groups Knave of Diamonds and the more radical Donkey's Tail. His lifelong partner was fellow avant-garde artist, Natalia Goncharova, with whom they worked on Sergei Diaghilev's Ballets Russes in France and Switzerland. Life and work Larionov was born at Tiraspol, in the Kherson Governorate of the Russian Empire. In 1898 he entered the Moscow School of Painting, Sculpture and Architecture under Isaac Levitan and Valentin Serov. He was suspended three times for his radical outlook. In 1900 he met fellow avant-garde artist Natalia Goncharova and formed a lifelong relationship with her. From 1902 his style was Impressionism. After a visit to Paris in 1906 he moved into Post-Impressionism and then a Neo-primitive style which derived partly from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
