
Felice de Giardini (12 April 1716 – 8 June 1796) was an Italian composer and violinist.
Early life
Felice Giardini was born in
Turin. When it became clear that he was a child prodigy, his father sent him to
Milan. There he studied singing,
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
and violin but it was on the latter that he became a famous virtuoso. By the age of 12, he was already playing in theatre orchestras. In a famous incident about this time, Giardini, who was serving as assistant concertmaster (i.e. leader of the orchestra) during an opera, played a solo passage for violin which the composer
Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including redu ...
had written. He decided to show off his skills and improvised several bravura variations which Jommelli had not written. Although the audience applauded loudly, Jommelli, who happened to be there, was not pleased and suddenly stood up and slapped the young man in the face. Giardini, years later, remarked, "it was the most instructive lesson I ever received from a great artist."
In London
During the 1750s, Giardini toured Europe as a violinist, scoring successes in Paris, Berlin, and especially in England, where he eventually settled. For many years, he served as the orchestra leader and director of the
Italian Opera in London and gave solo concerts under the auspices of
J. C. Bach
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach move ...
with whom he was a close friend. He directed the orchestra at the
London Pantheon. From the mid-1750s to the end of the 1760s, he was widely regarded as the greatest musical performing artist before the public. His identity with the Signor Giardini, who in 1774 sought with Dr
Charles Burney
Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist a ...
to form a public music school associated with the
Foundling Hospital
The Foundling Hospital in London, England, was founded in 1739 by the philanthropic sea captain Thomas Coram. It was a children's home established for the "education and maintenance of exposed and deserted young children." The word "hospital" w ...
is uncertain. In 1784, he returned to Naples to run a theatre, but encountered financial setbacks. In 1793, he returned to England to try his luck. But times had changed, and he was no longer remembered. He then went to Russia, but again had little luck, dying in
Moscow in 1796.
Compositions
Giardini was a prolific composer, writing for virtually every genre which then existed. His two main areas, however, were opera and
chamber music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numb ...
. Virtually all of his music is out of print with the exception of a few songs and works of chamber music. As a string player, he knew how to make string instruments sound their best. His chamber music combines the so-called ''
Style Galant'' with the mid-18th-century classicism of J.C. Bach, the Stamitzes and the
Mannheim school. In the ''Style Galant'', the writing emphasises the soloistic qualities of the instruments, rather than integrated part-writing, to create a whole. Giardini, although he did write string quartets and quartets for other instruments – a new and evolving form at the time – concentrated on writing trios, primarily those for violin, viola and cello, of which he wrote at least 18.
Giardini is known among Protestant churches for his "Italian Hymn" or "Moscow", which often accompanies the text to the hymn "
Come, Thou Almighty King
"Come Thou Almighty King" is a Christianity, Christian hymn of unknown authorship, which is often attributed to Charles Wesley.
History and authorship
The earliest known publication of this hymn is a leaflet that was bound into the 6th edition ...
" and also
John Marriott's hymn "Thou whose almighty word". It is the tune for "Glory to God on High", which is in the
Latter-day Saint hymnal.
Family
He married Maria Caterina Violante Vistris, a minor Italian singer, in August 1753 in Bramham. Both parties listed their residence at the time as
Bramham Park, near
Leeds; Bramham was a seat of
George Fox-Lane, later created Baron Bingley. His wife Harriet was Giardini's most consistent patron.
''DNB'' : Felice Giardini
References
* The New Grove Dictionary of Music & Musicians, Ed. Stanley Sadie, London: Macmillan 1980. .
* Some of the information on this page appears on the website of Edition Silvertrust but permission has been granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License.
External links
*
*
Free scores
at the Mutopia Project
The Mutopia Project is a volunteer-run effort to create a library of free content sheet music, in a way similar to Project Gutenberg's library of public domain books. It started in 2000.Portal page at thInternet ArchiveRetrieved January 24, 20 ...
Felice Giardini (Person page at www.hymnary.org)
with i.a. references to over 170 hymnals containing his compositions
{{DEFAULTSORT:Giardini, Felice
1716 births
1796 deaths
Italian emigrants to the Kingdom of Great Britain
Italian British musicians
Italian male classical composers
Italian violinists
Male violinists
English people of Italian descent
People from the Kingdom of Sardinia
Italian opera composers
Male opera composers
18th-century Italian composers
18th-century Italian male musicians
18th-century violinists