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''Falstaff'' () is a comic
opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
in three acts by the Italian composer
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma ...
. The Italian-language
libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
was adapted by
Arrigo Boito Arrigo Boito (; born Enrico Giuseppe Giovanni Boito; 24 February 1842 10 June 1918) was an Italian librettist, composer, poet and critic whose only completed opera was ''Mefistofele''. Among the operas for which he wrote the libretto, libretti ar ...
from the play ''
The Merry Wives of Windsor ''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a ref ...
'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by
William Shakespeare William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
. The work premiered on 9 February 1893 at
La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa ...
, Milan. Verdi wrote ''Falstaff'', the last of his 26 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following ''
Macbeth ''The Tragedy of Macbeth'', often shortened to ''Macbeth'' (), is a tragedy by William Shakespeare, estimated to have been first performed in 1606. It dramatises the physically violent and damaging psychological effects of political ambiti ...
'' and ''
Otello ''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on William Shakespeare, Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the La Scala, Teatro alla Scala, M ...
''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight
Sir John Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays ''Henry IV, Part 1'' and '' Part 2'', w ...
to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused immense interest in Italy and around the world, ''Falstaff'' did not prove to be as popular as earlier works in the composer's canon. After the initial performances in Italy, other European countries and the US, the work was neglected until the conductor
Arturo Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orche ...
insisted on its revival at La Scala and the
Metropolitan Opera The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred ...
in New York from the late 1890s into the next century. Some felt that the piece suffered from a lack of the full-blooded melodies of the best of Verdi's previous operas, a view that Toscanini strongly opposed. Conductors of the generation after Toscanini who championed the work included
Herbert von Karajan Herbert von Karajan (; born ''Heribert Adolf Ernst Karajan''; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, ...
,
Georg Solti Sir Georg Solti ( , ; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt, and London, and as a long-servi ...
and
Leonard Bernstein Leonard Bernstein ( ; born Louis Bernstein; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was th ...
. The work is now part of the standard operatic repertory. Verdi made numerous changes to the music after the first performance, and editors have found difficulty in agreeing on a definitive score. The work was first recorded in 1932 and has subsequently received many studio and live recordings. Singers closely associated with the title role have included
Victor Maurel Victor Maurel (17 June 184822 October 1923) was a French baritone who enjoyed an international reputation in opera. He sang in opera houses in Paris and London, Milan, Moscow, New York, St Petersburg and many other venues. He was particularly asso ...
(the first Falstaff),
Mariano Stabile Mariano Stabile (12 May 1888 in Palermo, Italy – 11 January 1968 in Milan, Italy) was an Italian baritone, particularly associated with the Italian repertory, especially the role of Falstaff. Career Stabile's vocal studies took place at t ...
,
Giuseppe Valdengo Giuseppe Valdengo (May 24, 1914, Turin – October 3, 2007, Aosta) was an Italian operatic baritone. '' Opera News'' said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were ...
,
Tito Gobbi Tito Gobbi (24 October 19135 March 1984) was an Italian operatic baritone with an international reputation. He made his operatic debut in Gubbio in 1935 as Count Rodolfo in Bellini's '' La sonnambula'' and quickly appeared in Italy's major oper ...
,
Geraint Evans Sir Geraint Llewellyn Evans CBE (16 February 1922 – 19 September 1992) was a Welsh bass-baritone noted for operatic roles including Figaro in ''Le nozze di Figaro'', Papageno in ''Die Zauberflöte'', and the title role in '' Wozzeck''. Evans ...
,
Bryn Terfel Bryn Terfel Jones (; born 9 November 1965), is a Welsh bass-baritone opera and concert singer. Terfel was initially primarily associated with the roles of Mozart, particularly '' Figaro'', '' Leporello'' and ''Don Giovanni,'' but he has subsequ ...
and
Ambrogio Maestri Ambrogio Maestri (born 1970) is an Italian operatic baritone. He is especially known for his portrayal of the title character in Giuseppe Verdi's ''Falstaff''. He studied piano and singing in his home town, Pavia. In Italy he has performed at the ...
.


Composition history


Conception

By 1889 Verdi had been an opera composer for more than fifty years. He had written 27 operas, of which only one was a comedy, his second work, ''
Un giorno di regno ''Un giorno di regno, ossia Il finto Stanislao'' (''A One-Day Reign, or The Pretend Stanislaus'', but often translated into English as ''King for a Day'') is an operatic '' melodramma giocoso'' in two acts by Giuseppe Verdi to an Italian libretto ...
'', staged unsuccessfully in 1840. His fellow composer
Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical and early Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano p ...
commented that he admired Verdi greatly, but thought him incapable of writing a comedy. Verdi disagreed and said that he longed to write another light-hearted opera, but nobody would give him the chance.Klein, John W
"Verdi and ''Falstaff''"
''
The Musical Times ''The Musical Times'' was an academic journal of classical music edited and produced in the United Kingdom. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Alfr ...
'', 1 July 1926, pp. 605–607
He had included moments of comedy even in his tragic operas, for example in '' Un ballo in maschera'' and '' La forza del destino''. For a comic subject Verdi considered
Cervantes Miguel de Cervantes Saavedra ( ; ; 29 September 1547 (assumed) – 22 April 1616 NS) was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his no ...
' ''
Don Quixote , the full title being ''The Ingenious Gentleman Don Quixote of La Mancha'', is a Spanish novel by Miguel de Cervantes. Originally published in two parts in 1605 and 1615, the novel is considered a founding work of Western literature and is of ...
'' and plays by
Goldoni Carlo Osvaldo Goldoni (, also , ; 25 February 1707 – 6 February 1793) was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays ...
,
Molière Jean-Baptiste Poquelin (; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, ; ), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world liter ...
and Labiche, but found none of them wholly suitable. The singer
Victor Maurel Victor Maurel (17 June 184822 October 1923) was a French baritone who enjoyed an international reputation in opera. He sang in opera houses in Paris and London, Milan, Moscow, New York, St Petersburg and many other venues. He was particularly asso ...
sent him a French libretto based on Shakespeare's ''
The Taming of the Shrew ''The Taming of the Shrew'' is a comedy by William Shakespeare, believed to have been written between 1590 and 1592. The play begins with a framing device, often referred to as the induction, in which a mischievous nobleman tricks a drunke ...
''. Verdi liked it, but replied that "to deal with it properly you need a Rossini or a
Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian Romantic composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera ...
". Following the success of ''
Otello ''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on William Shakespeare, Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the La Scala, Teatro alla Scala, M ...
'' in 1887 he commented, "After having relentlessly massacred so many heroes and heroines, I have at last the right to laugh a little." He confided his ambition to the librettist of ''Otello'',
Arrigo Boito Arrigo Boito (; born Enrico Giuseppe Giovanni Boito; 24 February 1842 10 June 1918) was an Italian librettist, composer, poet and critic whose only completed opera was ''Mefistofele''. Among the operas for which he wrote the libretto, libretti ar ...
. Boito said nothing at the time, but he secretly began work on a libretto based on ''
The Merry Wives of Windsor ''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a ref ...
'' with additional material taken from ''Henry IV'', parts 1 and 2. Many composers had set the play to music, with little success, among them
Carl Ditters von Dittersdorf Carl Ditters von Dittersdorf (2 November 1739 – 24 October 1799) was an Austrian composer and violinist. He was a friend of both Haydn and Mozart. (webpage has a translation button) His best-known works include the German singspiel '' Doktor un ...
(1796),
Antonio Salieri Antonio Salieri (18 August 17507 May 1825) was an Italian composer and teacher of the classical period (music), classical period. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subje ...
(
1799 Events January–March * January 9 – British Prime Minister William Pitt the Younger introduces an income tax of two shillings to the pound, to raise funds for Great Britain's war effort in the French Revolutionary Wars. * January ...
),
Michael William Balfe Michael William Balfe (15 May 1808 – 20 October 1870) was an Irish composer, best remembered for his operas, especially ''The Bohemian Girl''. After a short career as a violinist, Balfe pursued an operatic singing career, while he began to co ...
(1835) and
Adolphe Adam Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and ''Le corsaire'' (1856), his operas ''Le post ...
(1856). The first version to secure a place in the operatic repertoire was
Otto Nicolai Carl Otto Ehrenfried Nicolai (9 June 1810 – 11 May 1849) was a German composer, conductor, and one of the founders of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare's comedy ''The Merry Wives of Wi ...
's ''
The Merry Wives of Windsor ''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a ref ...
'' in 1849, but its success was largely confined to German opera houses. Boito was doubly pleased with ''The Merry Wives'' as a plot. Not only was it Shakespearian, it was based in part on
Trecento The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. The Trecento is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. The Trecento was als ...
Italian works – ''
Il Pecorone ''Il Pecorone'', often referred to in English as ''The Golden Eagle'', is an Italian collection of stories written between 1378 and 1385 by Giovanni Fiorentino. It was written in a style influenced by the '' Decameron'' of Giovanni Boccaccio, ...
'' by Ser
Giovanni Fiorentino Giovanni Fiorentino was a 14th-century Florentine writer, to whom is attributed the work ''Il Pecorone'' (''"The Simpleton"''). This was a collection of short stories, purportedly published in 1378. However, this date is disputed. The attributio ...
, and
Boccaccio Giovanni Boccaccio ( , ; ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was s ...
's ''
Decameron ''The Decameron'' (; or ''Decamerone'' ), subtitled ''Prince Galehaut'' (Old ) and sometimes nicknamed ''l'Umana commedia'' ("the Human comedy", as it was Boccaccio that dubbed Dante Alighieri's ''Comedy'' "''Divine''"), is a collection of ...
''. Boito adopted a deliberately archaic form of Italian to "lead Shakespeare's farce back to its clear Tuscan source", as he put it.Porter, Andrew. "Roll Up! Here We Come Again!", programme booklet, Royal Opera House, Covent Garden, 6 December 1999, pp. 10–14 He trimmed the plot, halved the number of characters in the play, and gave the character of
Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays ''Henry IV, Part 1'' and '' Part 2'', w ...
more depth by incorporating dozens of passages from ''Henry IV''. Verdi received the draft libretto a few weeks later, by early July 1889, at a time when his interest had been piqued by reading Shakespeare's play: "Benissimo! Benissimo! ... No one could have done better than you", he wrote back.Verdi to Boito, 6 and 7 July 1889, in Phillips-Matz 1993, p. 700. (punctuation used here are as in the book) Like Boito, Verdi loved and revered Shakespeare. The composer did not speak English, but he owned and frequently re-read Shakespeare's plays in Italian translations by Carlo Rusconi and , which he kept by his bedside. He had earlier set operatic adaptations of Shakespeare's ''
Macbeth ''The Tragedy of Macbeth'', often shortened to ''Macbeth'' (), is a tragedy by William Shakespeare, estimated to have been first performed in 1606. It dramatises the physically violent and damaging psychological effects of political ambiti ...
'' (in 1847) and ''
Othello ''The Tragedy of Othello, the Moor of Venice'', often shortened to ''Othello'' (), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulat ...
'' (in 1887) and had considered ''
King Lear ''The Tragedy of King Lear'', often shortened to ''King Lear'', is a Shakespearean tragedy, tragedy written by William Shakespeare. It is loosely based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his ...
'' as a subject; Boito had suggested ''
Antony and Cleopatra ''Antony and Cleopatra'' is a tragedy by William Shakespeare. The play was first performed around 1607, by the King's Men at either the Blackfriars Theatre or the Globe Theatre. Its first appearance in print was in the First Folio published ...
''. Verdi still had doubts, and on the next day sent another letter to Boito expressing his concerns. He wrote of "the large number of years" in his age, his health (which he admitted was still good) and his ability to complete the project: "if I were not to finish the music?" He said that the project could all be a waste of the younger man's time and distract Boito from completing his own new opera (which became '' Nerone''). Yet, as his biographer
Mary Jane Phillips-Matz Mary Jane Phillips-Matz (January 30, 1926 – January 19, 2013) was an American biographer and writer on opera. She is mainly known for her biography of Giuseppe Verdi, a result of 30 years' research and published in 1992 by Oxford University Press ...
notes, "Verdi could not hide his delight at the idea of writing another opera". On 10 July 1889 he wrote again:


Composition

Boito's original sketch is lost, but surviving correspondence shows that the finished opera is not greatly different from his first thoughts. The major differences were that an act 2 monologue for Ford was moved from scene 2 to scene 1, and that the last act originally ended with the marriage of the lovers rather than with the lively vocal and orchestral
fugue In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford Universit ...
, which was Verdi's idea. He wrote to Boito in August 1889 telling him that he was writing a fugue: "Yes, Sir! A fugue... and a ''buffa'' fugue", which "could probably be fitted in". Verdi accepted the need to trim Shakespeare's plot to keep the opera within an acceptable length. He was sorry, nonetheless, to see the loss of Falstaff's second humiliation, dressed up as the Wise Woman of
Brentford Brentford is a suburban town in West (London sub region), West London, England and part of the London Borough of Hounslow. It lies at the confluence of the River Brent and the River Thames, Thames, west of Charing Cross. Its economy has dive ...
to escape from Ford. He wrote of his desire to do justice to Shakespeare: "To sketch the characters in a few strokes, to weave the plot, to extract all the juice from that enormous Shakespearian orange". Shortly after the premiere an English critic, R A Streatfeild, remarked on how Verdi succeeded: In November Boito took the completed first act to Verdi at Sant'Agata, along with the second act, which was still under construction: "That act has the devil on its back; and when you touch it, it burns", Boito complained. They worked on the opera for a week, then Verdi and his wife
Giuseppina Strepponi Clelia Maria Giuseppa (Giuseppina) Strepponi (Lodi, Lombardy, Lodi, 8 September 1815 – Villanova sull'Arda, 14 November 1897) was a nineteenth-century Italian operatic soprano of great renown and the second wife of composer Giuseppe Verdi ...
went to Genoa. No more work was done for some time. The writer Russ McDonald observes that a letter from Boito to Verdi touches on the musical techniques used in the opera – he wrote of how to portray the characters Nannetta and Fenton: "I can't quite explain it: I would like as one sprinkles sugar on a tart to sprinkle the whole comedy with that happy love without concentrating it at any one point." The first act was completed by March 1890; the rest of the opera was not composed in chronological order, as had been Verdi's usual practice. The musicologist
Roger Parker Roger Parker (born London United Kingdom, 2 August 1951) is an English musicologist who was previously Thurston Dart Professor of Music at King's College London. His work has centred on opera. Between 2006 and 2010, while Professor of Music at ...
comments that this piecemeal approach may have been "an indication of the relative independence of individual scenes". Progress was slow, with composition "carried out in short bursts of activity interspersed with long fallow periods" partly caused by the composer's depression. Verdi was weighed down by the fear of being unable to complete the score, and also by the deaths and impending deaths of close friends, including the conductors
Franco Faccio Francesco (Franco) Antonio Faccio (8 March 1840 – 21 July 1891) was an Italian composer and conductor. Born in Verona, he studied music at the Milan Conservatory from 1855 where he was a pupil of Stefano Ronchetti-Monteviti and, as scholar W ...
and
Emanuele Muzio Donnino Emanuele Muzio (or ''Mussio'') (24 August 1821 in Zibello – 27 November 1890 in Paris) was an Italian composer, conductor and vocal teacher. He was a lifelong friend and the only student of Giuseppe Verdi. Biography In April 1844, Ver ...
. There was no pressure on the composer to hurry. As he observed at the time, he was not working on a commission from a particular opera house, as he had in the past, but was composing for his own pleasure: "in writing ''Falstaff'', I haven't thought about either theatres or singers". He reiterated this idea in December 1890, a time when his spirits were very low after Muzio's death that November: "Will I finish it alstaff Or will I not finish it? Who knows! I am writing without any aim, without a goal, just to pass a few hours of the day". By early 1891 he was declaring that he could not finish the work that year, but in May he expressed some small optimism, which by mid-June, had turned into: Boito was overjoyed, and Verdi reported that he was still working on the opera. The two men met in October or November 1891, after which the Verdis were in Genoa for the winter. They were both taken ill there, and two months of work were lost. By mid-April 1892 the scoring of the first act was complete and by June–July Verdi was considering potential singers for roles in ''Falstaff''. For the title role he wanted Victor Maurel, the
baritone A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the ...
who had sung Iago in ''Otello'', but at first the singer sought contractual terms that Verdi found unacceptable: "His demands were so outrageous, exorbitant, ndincredible that there was nothing else to do but stop the entire project". Eventually they reached agreement and Maurel was cast. By September Verdi had agreed in a letter to his publisher
Casa Ricordi Casa Ricordi is a publisher of primarily European classical music, classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian com ...
that La Scala could present the premiere during the 1892–93 season, but that he would retain control over every aspect of the production. An early February date was mentioned along with the demand that the house would be available exclusively after 2 January 1893 and that, even after the dress rehearsal, he could withdraw the opera: "I will leave the theatre, and icordiwill have to take the score away". The public learned of the new opera towards the end of 1892, and intense interest was aroused, increased rather than diminished by the secrecy with which Verdi surrounded the preparations; rehearsals were in private, and the press was kept at arm's length. Apart from Verdi's outrage at the way that La Scala announced the season's programme on 7 December – "either a revival of ''
Tannhäuser Tannhäuser (; ), often stylized "The Tannhäuser", was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and 1265. His name ...
'' or ''Falstaff''" – things went smoothly in January 1893 up to the premiere performance on 9 February.


Performance history


Premieres

The first performance of ''Falstaff'' was at
La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa ...
in Milan on 9 February 1893, nearly six years after Verdi's previous premiere. For the first night, official ticket prices were thirty times greater than usual. Royalty, aristocracy, critics and leading figures from the arts all over Europe were present.Hepokoski, pp. 55–56 The performance was a huge success under the baton of
Edoardo Mascheroni Edoardo Mascheroni (born Milan, Austrian Empire, 4 September 1852 – died Valganna, 4 March 1941) was an Italian composer and conductor. He is remembered for conducting the world premiere of Giuseppe Verdi's ''Falstaff''; he also composed two ...
; numbers were encored, and at the end the applause for Verdi and the cast lasted an hour. That was followed by a tumultuous welcome when the composer, his wife and Boito arrived at the Grand Hotel de Milan. Over the next two months the work was given twenty-two performances in Milan and then taken by the original company, led by Maurel, to Genoa, Rome, Venice, Trieste, Vienna and, without Maurel, to Berlin. Verdi and his wife left Milan on 2 March; Ricordi encouraged the composer to go to the planned Rome performance of 14 April, to maintain the momentum and excitement that the opera had generated. The Verdis, along with Boito and Giulio Ricordi, attended together with
King Umberto I Umberto I (; 14 March 1844 – 29 July 1900) was King of Italy from 9 January 1878 until his assassination in 1900. His reign saw Italy's expansion into the Horn of Africa, as well as the creation of the Triple Alliance among Italy, Germany and ...
and other major royal and political figures of the day. The king introduced Verdi to the audience from the Royal Box to great acclaim, "a national recognition and apotheosis of Verdi that had never been tendered him before", notes Phillips-Matz. During these early performances Verdi made substantial changes to the score. For some of these he altered his manuscript, but for others musicologists have had to rely on the numerous full and piano scores put out by Ricordi. Further changes were made for the Paris premiere in 1894, which are also inadequately documented. Ricordi attempted to keep up with the changes, issuing new edition after new edition, but the orchestral and piano scores were often mutually contradictory. The Verdi scholar James Hepokoski considers that a definitive score of the opera is impossible, leaving companies and conductors to choose between a variety of options.Hepokoski, p. 83 In a 2013 study Philip Gossett disagrees, believing that the autograph is essentially a reliable source, augmented by contemporary Ricordi editions for the few passages that Verdi omitted to amend in his own score. The first performances outside the Kingdom of Italy were in
Trieste Trieste ( , ; ) is a city and seaport in northeastern Italy. It is the capital and largest city of the Regions of Italy#Autonomous regions with special statute, autonomous region of Friuli-Venezia Giulia, as well as of the Province of Trieste, ...
and Vienna, in May 1893. The work was given in the Americas and across Europe. The Berlin premiere of 1893 so excited
Ferruccio Busoni Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary ...
that he drafted a letter to Verdi, in which he addressed him as "Italy's leading composer" and "one of the noblest persons of our time", and in which he explained that "''Falstaff'' provoked in me such a revolution of spirit that I can ... date o the experiencethe beginning of a new epoch in my artistic life."
Antonio Scotti Antonio Scotti (25 January 1866 – 26 February 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 33 seasons, but also sang with great success at London's Royal Opera House, Covent Garden, a ...
played the title role in
Buenos Aires Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
in July 1893;
Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and ...
conducted the opera in
Hamburg Hamburg (, ; ), officially the Free and Hanseatic City of Hamburg,. is the List of cities in Germany by population, second-largest city in Germany after Berlin and List of cities in the European Union by population within city limits, 7th-lar ...
in January 1894; a Russian translation was presented in St Petersburg in the same month. Paris was regarded by many as the operatic capital of Europe, and for the production there in April 1894 Boito, who was fluent in French, made his own translation with the help of the Parisian poet Paul Solanges.Hepokoski, pp. 76–77 This translation, approved by Verdi, is quite free in its rendering of Boito's original Italian text. Boito was content to delegate the English and German translations to William Beatty-Kingston and
Max Kalbeck Max Kalbeck (January 4, 1850May 4, 1921) was a German writer, critic and translator. He became one of the most influential critics in Austria and was bitterly opposed to the music of Richard Wagner, Anton Bruckner and Hugo Wolf. Early life Kalbe ...
respectively. The London premiere, sung in Italian, was at Covent Garden on 19 May 1894. The conductor was
Luigi Mancinelli Luigi Mancinelli (; 5 February 1848 – 2 February 1921) was an Italian Conducting, conductor, cello, cellist and composer. His early career was in Italy, where he established a reputation in Perugia and then Bologna. After 1886 he worked mostl ...
, and Zilli and Pini Corsi repeated their original roles. Falstaff was sung by Arturo Pessina; Maurel played the role at Covent Garden the following season. On 4 February 1895 the work was first presented at the
Metropolitan Opera The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred ...
, New York;Kimbell, p. 461 Mancinelli conducted and the cast included Maurel as Falstaff,
Emma Eames Emma Eames (August 13, 1865 – June 13, 1952) was an American first lyric soprano, later dramatic soprano renowned for the beauty of her voice. She sang major lyric and lyric-dramatic roles in opera and had an important career in New York City ...
as Alice,
Zélie de Lussan Zélie de Lussan (21 December 1861 – 18 December 1949) was an American opera singer of French descent who was successful in her native country but made most of her career in England. The wide range of her voice allowed her to sing both mezzo-so ...
as Nannetta and
Sofia Scalchi Sofia Scalchi (November 29, 1850 – August 22, 1922) was an Italian operatic contralto who could also sing in the mezzo-soprano range. Her career was international, and she appeared at leading theatres in both Europe and America. Singing c ...
as Mistress Quickly.


Neglect

After the initial excitement, audiences quickly diminished. Operagoers were nonplussed by the absence of big traditional arias and choruses. A contemporary critic summed it up: "'Is this our Verdi?' they asked themselves. 'But where is the ''motive''; where are the broad melodies ... where are the usual ''ensembles''; the ''finales''?'"Hepokoski, p. 129 By the time of Verdi's death in 1901 the work had fallen out of the international repertoire, though
Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and ...
, an admirer of Verdi, led a production of "exceptional quality" in 1904 at the Vienna Court Opera. The rising young conductor
Arturo Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orche ...
was a strong advocate of the work, and did much to save it from neglect. As musical director of La Scala (from 1898) and the Metropolitan Opera (from 1908), he programmed ''Falstaff'' from the start of his tenure. Richard Aldrich, music critic of ''
The New York Times ''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of ...
'', wrote that Toscanini's revival "ought to be marked in red letters in the record of the season. ''Falstaff'', which was first produced here on February 4, 1895, has not been given since the following season, and was heard in these two seasons only half a dozen times in all." Aldrich, Richard
"To be Given at a Special Saturday Night Performance at the Metropolitan"
''
The New York Times ''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of ...
'', 7 March 1909
Aldrich added that though the general public might have had difficulty with the work, "to connoisseurs it was an unending delight". In Britain, as in continental Europe and the US, the work fell out of the repertoire.
Sir Thomas Beecham Sir Thomas Beecham, 2nd Baronet, (29 April 18798 March 1961) was an English conductor and impresario best known for his association with the London Philharmonic Orchestra, London Philharmonic and the Royal Philharmonic Orchestra, Royal Philh ...
revived it in 1919, and recalling in his memoirs that the public had stayed away he commented: Toscanini recognised that this was the view of many, but he believed the work to be Verdi's greatest opera; he said, "I believe it will take years and years before the general public understand this masterpiece, but when they really know it they will run to hear it like they do now for ''Rigoletto'' and ''La traviata''."Civetta, Chapter 3: "Falstaff" section.


Re-emergence

Toscanini returned to La Scala in 1921 and remained in charge there until 1929, presenting ''Falstaff'' in every season. He took the work to Germany and Austria in the late 1920s and the 1930s, conducting it in Vienna, Berlin and at three successive
Salzburg Festival The Salzburg Festival () is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of ...
s. Among those inspired by Toscanini's performances were
Herbert von Karajan Herbert von Karajan (; born ''Heribert Adolf Ernst Karajan''; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, ...
and
Georg Solti Sir Georg Solti ( , ; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt, and London, and as a long-servi ...
, who were among his ''
répétiteur A (; from the French verb meaning 'to repeat, to go over, to learn, to rehearse') is an accompanist, tutor or coach of ballet dancers or opera singers. The feminine form is . Opera In opera, a is the person responsible for coaching singers ...
s'' at Salzburg. Toscanini's younger colleague
Tullio Serafin Tullio Serafin (1 September 18782 February 1968) was an Italian conductor and former Musical Director at La Scala. Biography Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19t ...
continued to present the work in Germany and Austria after Toscanini refused to perform there because of his loathing of the Nazi regime.Osborne, pp. 150–151 When Karajan was in a position to do so he added ''Falstaff'' to the repertoire of his opera company at
Aachen Aachen is the List of cities in North Rhine-Westphalia by population, 13th-largest city in North Rhine-Westphalia and the List of cities in Germany by population, 27th-largest city of Germany, with around 261,000 inhabitants. Aachen is locat ...
in 1941, and he remained a proponent of the work for the rest of his career, presenting it frequently in Vienna, Salzburg and elsewhere, and making audio and video recordings of it. Solti also became closely associated with ''Falstaff'', as did
Carlo Maria Giulini Carlo Maria Giulini (; 9 May 1914 – 14 June 2005) was an Italian conductor. From the age of five, when he began to play the violin, Giulini's musical education was expanded when he began to study at Italy's foremost conservatory, the Conserv ...
; they both conducted many performances of the work in mainland Europe, Britain and the US and made several recordings.
Leonard Bernstein Leonard Bernstein ( ; born Louis Bernstein; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was th ...
conducted the work at the Met and the
Vienna State Opera The Vienna State Opera (, ) is a historic opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by ...
, and on record. The advocacy of these and later conductors has given the work an assured place in the modern repertoire. Among revivals in the 1950s and later, Hepokoski singles out as particularly notable the
Glyndebourne Glyndebourne () is an English country house, the site of an opera house that, since 1934, has been the venue for the annual Glyndebourne Festival Opera. The house, located near Lewes in East Sussex, England, is thought to be about six hundre ...
productions with
Fernando Corena Fernando Corena (22 December 1916 – 26 November 1984) was a Swiss bass who had a major international opera career from the late 1940s through the early 1980s. He enjoyed a long and successful career at the Metropolitan Opera between 1954 and ...
and later
Geraint Evans Sir Geraint Llewellyn Evans CBE (16 February 1922 – 19 September 1992) was a Welsh bass-baritone noted for operatic roles including Figaro in ''Le nozze di Figaro'', Papageno in ''Die Zauberflöte'', and the title role in '' Wozzeck''. Evans ...
in the title role; three different stagings by
Franco Zeffirelli Gian Franco Corsi Zeffirelli (; 12 February 1923 – 15 June 2019) was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post–World War II e ...
, for the
Holland Festival The Holland Festival () is the oldest and largest performing arts festival in the Netherlands. It takes place every June in Amsterdam. It comprises theatre, music, opera and modern dance. In recent years, multimedia, visual arts, film and architec ...
(1956), Covent Garden (1961) and the Metropolitan Opera (1964); and
Luchino Visconti Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of Italian neorealism, cinematic neorealism, but later ...
's 1966 version in Vienna. A 1982 production by
Ronald Eyre Ronald Eyre (13 April 1929 – 8 April 1992) was an English theatre director, actor and writer. Biography Eyre was born at Mapplewell, near Barnsley, Yorkshire and he taught at Queen Elizabeth's Grammar School, Blackburn and Giggleswick Scho ...
, more reflective and melancholy than usual, was staged in
Los Angeles Los Angeles, often referred to by its initials L.A., is the List of municipalities in California, most populous city in the U.S. state of California, and the commercial, Financial District, Los Angeles, financial, and Culture of Los Angeles, ...
, London and
Florence Florence ( ; ) is the capital city of the Italy, Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in Metropolitan City of Florence, its metropolitan province as of 2025. Florence ...
;
Renato Bruson Renato Bruson (born 13 January 1936) is an Italian operatic baritone. Bruson is widely considered one of the most important Verdi baritones of the late 20th and early 21st century. Life and career Bruson was born in Granze near Padua on 13 Jan ...
was Falstaff and Giulini conducted. Among more recent players of the title role
Bryn Terfel Bryn Terfel Jones (; born 9 November 1965), is a Welsh bass-baritone opera and concert singer. Terfel was initially primarily associated with the roles of Mozart, particularly '' Figaro'', '' Leporello'' and ''Don Giovanni,'' but he has subsequ ...
has taken the part at Covent Garden in 1999, in a production by
Graham Vick Sir Graham Vick (30 December 1953 – 17 July 2021) was an English opera director known for his experimental and revisionist stagings of traditional and modern operas. He worked in many of the world's leading opera houses and was artistic di ...
, conducted by
Bernard Haitink Bernard Johan Herman Haitink (; 4 March 1929 – 21 October 2021) was a Dutch conductor and violinist. He was the principal conductor of several international orchestras, beginning with the Royal Concertgebouw Orchestra in 1961. He moved to Lond ...
. and at the Metropolitan Opera in a revival of the Zeffirelli production, conducted by
James Levine James Lawrence Levine ( ; June 23, 1943 – March 9, 2021) was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016. He was terminated from all his positions and affiliations with the Met on March ...
in 2006. Although ''Falstaff'' has become a regular repertoire work there nonetheless remains a view expressed by John von Rhein in the ''
Chicago Tribune The ''Chicago Tribune'' is an American daily newspaper based in Chicago, Illinois, United States. Founded in 1847, it was formerly self-styled as the "World's Greatest Newspaper", a slogan from which its once integrated WGN (AM), WGN radio and ...
'' in 1985: "''Falstaff'' probably always will fall into the category of 'connoisseur's opera' rather than taking its place as a popular favorite on the order of ''La traviata'' or ''Aida.''"


Roles


Synopsis

:Time: The reign of Henry IV, 1399 to 1413 :Place:
Windsor Windsor may refer to: Places *Detroit–Windsor, Michigan-Ontario, USA-Canada, North America; a cross-border metropolitan region Australia New South Wales *Windsor, New South Wales ** Municipality of Windsor, a former local government area Queen ...
, England


Act 1

''A room at the Garter Inn'' Falstaff and his servants, Bardolfo and Pistola, are drinking at the inn. Dr Caius bursts in and accuses Falstaff of burgling his house and Bardolfo of picking his pocket. Falstaff laughs at him; he leaves, vowing only to go drinking with honest, sober companions in future. When the innkeeper presents a bill for the wine, Falstaff tells Bardolfo and Pistola that he needs more money, and plans to obtain it by seducing the wives of two rich men, one of whom is Ford. Falstaff hands Bardolfo a love-letter to one of the wives (Alice Ford), and hands Pistola an identical letter addressed to the other (Meg). Bardolfo and Pistola refuse to deliver the letters, claiming that honour prevents them from obeying him. Falstaff loses his temper and rants at them, saying that "honour" is nothing but a word, with no meaning (Monologue: "L'onore! Ladri ... !" / "Honour! You rogues ... !") Brandishing a broom, he chases them out of his sight. ''Ford's garden'' Alice and Meg have received Falstaff's letters. They compare them, see that they are identical and, together with Mistress Quickly and Nannetta Ford, resolve to punish Falstaff. Meanwhile, Bardolfo and Pistola warn Ford of Falstaff's plan. Ford resolves to disguise himself and visit Falstaff and set a trap for him. A young, handsome fellow called Fenton is in love with Ford's daughter Nannetta, but Ford wants her to marry Dr. Caius, who is wealthy and respected. Fenton and Nannetta enjoy a moment of privacy, but are interrupted by the return of Alice, Meg and Mistress Quickly. The act ends with an ensemble in which the women and the men separately plan revenge on Falstaff, the women gleefully anticipating an enjoyable prank, while the men angrily mutter dire threats.


Act 2

''A room at the Garter Inn'' Falstaff is alone at the inn. Bardolfo and Pistola, now in the pay of Ford, enter and beg Falstaff to allow them to re-enter his service, secretly planning to spy on him for Ford. Mistress Quickly enters and tells him that Alice is in love with him and will be alone in Ford's home that afternoon, from two o'clock until three o'clock, just time for an amorous dalliance. Falstaff celebrates his potential success ("Va, vecchio John" / "Go, old Jack, go your own way"). Ford arrives, masquerading as a wealthy stranger, using the false name "Signor Fontana". He tells Falstaff that he is in love with Alice, but she is too virtuous to entertain him. He offers to pay Falstaff to use his impressive title and (alleged) charms to seduce her away from her virtuous convictions, after which he ("Fontana") might have a better chance of seducing her himself. Falstaff, delighted at the prospect of being paid to seduce the wealthy and beautiful woman, agrees, and reveals that he already has a rendezvous arranged with Alice for two o'clock – the hour when Ford is always absent from home. Ford is consumed with jealousy, but conceals his feelings. Falstaff withdraws to a private room to change into his finest clothes, and Ford, left alone, reflects on the evil of an uncertain marriage and vows to have revenge ("È sogno o realtà?" / "Is it a dream or reality?"). When Falstaff returns in his finery, they leave together with elaborate displays of mutual courtesy. ''A room in Ford's house'' The three women plot their strategy ("Gaie Comari di Windsor" / "Merry wives of Windsor, the time has come!"). Alice notices that Nannetta is too unhappy and anxious to share their gleeful anticipation. This is because Ford plans to marry her to Dr Caius, a man old enough to be her grandfather; the women reassure her that they will prevent it. Mistress Quickly announces Falstaff's arrival, and Mistress Ford has a large laundry basket and a screen placed in readiness. Falstaff attempts to seduce Alice with tales of his past youth and glory ("Quand'ero paggio del Duca di Norfolk" / "When I was page to the Duke of Norfolk I was slender"). Mistress Quickly rushes in, shouting that Ford has returned home unexpectedly with a retinue of henchmen to catch his wife's lover. Falstaff hides first behind the screen, but realizes that Ford will likely look for him there. The women urge him to hide in the laundry basket, which he does. In the meantime Fenton and Nannetta hide behind the screen for another moment of privacy. Ford and his men storm in and search for Falstaff, and hear the sound of Fenton and Nannetta kissing behind the screen. They assume it is Falstaff with Alice, but instead they find the young lovers. Ford orders Fenton to leave. Badly cramped and almost suffocating in the laundry hamper, Falstaff moans with discomfort while the men resume the search of the house. Alice orders her servants to throw the laundry basket through the window into the
River Thames The River Thames ( ), known alternatively in parts as the The Isis, River Isis, is a river that flows through southern England including London. At , it is the longest river entirely in England and the Longest rivers of the United Kingdom, s ...
, where Falstaff endures the jeers of the crowd. Ford, seeing that Alice had never intended to betray him, smiles happily.


Act 3

''Before the inn'' Falstaff, cold and discouraged, glumly curses the sorry state of the world. Some
mulled wine Mulled wine, also known as spiced wine, is an alcoholic drink usually made with red wine, along with various mulling spices and sometimes raisins, served hot or warm. It is a traditional drink during winter, especially around Christmas. It is ...
soon improves his mood. Mistress Quickly arrives and delivers another invitation to meet Alice. Falstaff at first wants nothing to do with it, but she persuades him. He is to meet Alice at midnight at Herne's Oak in
Windsor Great Park Windsor Great Park is a Royal Park of to the south of the town of Windsor, Berkshire, Windsor on the border of Berkshire and Surrey in England. It is adjacent to the private Home Park, Windsor, Home Park, which is nearer the castle. The park ...
dressed up as the ghost of
Herne the Hunter In English folklore, Herne the Hunter is a ghost associated with Windsor Forest and Great Park in the English county of Berkshire. He is said to have antlers growing from his head, ride a horse, torment cattle, and rattle chains. The earliest ...
who, according to local superstition, haunts the area near the tree, and appears there at midnight with a band of supernatural spirits. He and Mistress Quickly go inside the inn. Ford has realized his error in suspecting his wife, and they and their allies have been watching secretly. They now concoct a plan for Falstaff's punishment: dressed as supernatural creatures, they will ambush and torment him at midnight. Ford draws Dr. Caius aside and privately proposes a separate plot to marry him to Nannetta: Nannetta will be disguised as Queen of the Fairies, Caius will wear a monk's costume, and Ford will join the two of them with a nuptial blessing. Mistress Quickly overhears and quietly vows to thwart Ford's scheme. ''Herne's Oak in Windsor Park on a moonlit midnight'' Fenton arrives at the oak tree and sings of his happiness ("Dal labbro il canto estasiato vola" / "From my lips, a song of ecstasy flies") ending with "Lips that are kissed lose none of their allure." Nannetta enters to finish the line with "Indeed, they renew it, like the moon." The women arrive and disguise Fenton as a monk, telling him that they have arranged to spoil Ford's and Caius's plans. Nannetta, as the Fairy Queen, instructs her helpers ("Sul fil d'un soffio etesio" / "On the breath of a fragrant breeze, fly, nimble spirits") before all the characters arrive on the scene. Falstaff's attempted love scene with Alice is interrupted by the announcement that witches are approaching, and the men, disguised as elves and fairies, soundly thrash Falstaff. In the middle of the beating, he recognizes Bardolfo in disguise. The joke is over, and Falstaff acknowledges that he has received his due. Ford announces that a wedding will ensue. Caius and the Queen of the Fairies enter. A second couple, also in masquerade, ask Ford to deliver the same blessing for them as well. Ford conducts the double ceremony. Caius finds that instead of Nannetta, his bride is the disguised Bardolfo, and Ford has unwittingly blessed the marriage of Fenton and Nannetta. Ford accepts the ''fait accompli'' with good grace. Falstaff, pleased to find himself not the only dupe, proclaims that all the world is folly, and all are figures of fun ("Tutto nel mondo è burla ... Tutti gabbati!...Ma ride ben chi ride La risata final." / "Everything in the world is a jest ... but he laughs well who laughs the final laugh"). The entire company repeats his proclamation in an exuberant ten-voice fugue.


Music and drama

Verdi scored ''Falstaff'' for three
flute The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In th ...
s (third doubling
piccolo The piccolo ( ; ) is a smaller version of the western concert flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" or piccolo flute, the modern piccolo has the same type of fingerings as the ...
), two
oboe The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, ...
s,
English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn (mainly North America), is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially ...
, two
clarinet The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instrume ...
s,
bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common Soprano clarinet, soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays no ...
, two
bassoon The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...
s, four
horns Horns or The Horns may refer to: * Plural of Horn (anatomy) * Plural of Horn (instrument), a group of musical instruments all with a horn-shaped bells * The Horns (Colorado), a summit on Cheyenne Mountain * Horns (novel), ''Horns'' (novel), a dar ...
, three
trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...
s, three
trombone The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air c ...
s,
cimbasso The cimbasso ( , ) is a low brass instrument that covers the same range as a tuba or contrabass trombone. First appearing in Italy in the early 19th century as an upright serpent, the term ''cimbasso'' came to denote several instruments that ...
,
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, ...
, percussion (
triangle A triangle is a polygon with three corners and three sides, one of the basic shapes in geometry. The corners, also called ''vertices'', are zero-dimensional points while the sides connecting them, also called ''edges'', are one-dimension ...
,
cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sou ...
s,
bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The head ...
),
harp The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...
, and
strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...
. In addition, a
guitar The guitar is a stringed musical instrument that is usually fretted (with Fretless guitar, some exceptions) and typically has six or Twelve-string guitar, twelve strings. It is usually held flat against the player's body and played by strumming ...
,
natural horn The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the tr ...
, and bell are heard from offstage. Unlike most of Verdi's earlier operatic scores, ''Falstaff'' is
through-composed In the theory of musical form, through-composed music is a continuous, non- sectional, and non- repetitive piece of music. The term is typically used to describe songs, but can also apply to instrumental music. While most musical forms such as te ...
. No list of numbers is printed in the published full score.Boito and Verdi, introductory pages The score differs from much of Verdi's earlier work by having no overture: there are seven bars for the orchestra before the first voice (Dr Caius) enters. The critic
Rodney Milnes Rodney Milnes Blumer OBE (26 July 1936 – 5 December 2015) was an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.Rodney Milnes. ''The New Grove Dictionary of Opera''. Macmillan, ...
comments that "enjoyment... shines from every bar in its irresistible forward impulse, its effortless melody, its rhythmic vitality, and sureness of dramatic pace and construction." In ''The New Grove Dictionary of Opera'', Roger Parker writes that: The opera was described by its creators as a ''commedia lirica''. McDonald commented in 2009 that ''Falstaff'' is very different – a stylistic departure – from Verdi's earlier work.McDonald 2009, p. 7 In McDonald's view most of the musical expression is in the dialogue, and there is only one traditional aria. The result is that "such stylistic economy – more sophisticated, more challenging than he had employed before – is the keynote of the work." McDonald argues that consciously or unconsciously, Verdi was developing the idiom that would come to dominate the music of the 20th century: "the lyricism is abbreviated, glanced at rather than indulged. Melodies bloom suddenly and then vanish, replaced by contrasting tempo or an unexpected phrase that introduces another character or idea". In McDonald's view the orchestral writing acts as a sophisticated commentator on the action. It has influenced at least one of Verdi's operatic successors: in 1952
Imogen Holst Imogen Clare Holst (; 12 April 1907 – 9 March 1984) was a British composer, arranger, conductor, teacher, musicologist, and festival administrator. The only child of the composer Gustav Holst, she is particularly known for her education ...
, musical assistant to
Benjamin Britten Edward Benjamin Britten, Baron Britten of Aldeburgh (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, o ...
, wrote, after a performance of ''Falstaff'', "I realised for the first time how much Ben owes to [Verdi]. There are orchestral bits which are ''just'' as funny to listen to as the comic instrumental bits in ''Albert Herring, A. Herring''!" The extent to which ''Falstaff'' is a "Shakespearian" opera has often been debated by critics. Although the action is taken from ''The Merry Wives of Windsor'', some commentators feel that Boito and Verdi have transmuted Shakespeare's play into a wholly Italian work. The soprano Elisabeth Schwarzkopf believed there was nothing English or Shakespearian about the comedy: "it was all done through the music". In 1961 Peter Heyworth wrote in ''The Observer'', "Because of Shakespeare we like to think of ''Falstaff'' as a work that has a certain Englishness. In fact the opera is no more English than ''Aida'' is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of ''opera buffa''."Heyworth, Peter. "Falstaff and the Verdi canon", ''The Observer'', 14 May 1961, p. 26 Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian ''buffo'' character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the ''Henry IV'' plays: "My Falstaff is not merely the hero of ''The Merry Wives of Windsor'', who is simply a buffoon, and allows himself to be tricked by the women, but also the Falstaff of the two parts of ''Henry IV''. Boito has written the libretto in accordance." A contemporary critic argued that the text "imitated with marvellous accuracy the metre and rhythm of Shakespeare's verse", but Hepokoski notes Boito's use of traditional Italian metric conventions. Another recurrent question is how much, if at all, Verdi was influenced by Wagner's comic opera ''Die Meistersinger''. At the time of the premiere this was a sensitive subject; many Italians were suspicious of or hostile to Wagner's music, and were protective in a nationalistic way of Verdi's reputation. Nevertheless, Verdi's new style was markedly different from that of his popular works of the 1850s and 1860s, and it seemed to some to have Wagnerian echoes.Hepokoski, pp. 138–139 In 1999 the critic Andrew Porter (music critic), Andrew Porter wrote, "That ''Falstaff'' was Verdi's and Boito's answer to Wagner's ''Meistersinger'' seems evident now. But the Italian ''Falstaff'' moves more quickly." Toscanini, who did more than anyone else to bring ''Falstaff'' into the regular operatic repertoire, commented: Verdi scholars including Julian Budden have analysed the music in symphonic terms – the opening section "a perfect little sonata form, sonata movement", the second act concluding with a variant of the classic slow concertante ensemble leading to a fast stretto, and the whole opera ending with "the most academic of musical forms", a fugue. Milnes suggests that this shows "a wise old conservative's warning about the excesses of the ''verismo'' school of Italian opera" already on the rise by the 1890s.Milnes, p. 8 Among the solo numbers woven into the continuous score are Falstaff's "honour" monologue, which concludes the first scene, and his reminiscent wikt:arietta, arietta ("Quand'ero paggio") about himself as a young page. The young lovers, Nannetta and Fenton, are given a lyrical and playful duet ("Labbra di foco") in act 1; in act 3, Fenton's impassioned love song, "Dal labbro il canto estasiato vola" briefly becomes a duet when Nannetta joins him. She then has the last substantial solo section of the score, the "fairy" aria, "Sul fil d'un soffio etesio", described by Parker as "yet another aria suffused with the soft orchestral colours that characterize this scene". The score is seen by the critic Richard Osborne as rich in self-parody, with sinister themes from ''Rigoletto'' and '' Un ballo in maschera'' transmuted into comedy. For Osborne the nocturnal music of act 3 draws on the examples of Carl Maria von Weber, Weber, Berlioz and Mendelssohn, creating a mood akin to that of Shakespeare's ''A Midsummer Night's Dream''. Osborne views the whole opera as an ensemble piece, and he comments that grand soliloquy in the old Verdian style is reserved for Ford's "jealousy" aria in act 2, which is almost tragic in style but comic in effect, making Ford "a figure to be laughed at." Osborne concludes his analysis, "''Falstaff'' is comedy's musical apogee: the finest opera, inspired by the finest dramatist, by the finest opera composer the world has known".


Recordings

There are two early recordings of Falstaff's short arietta "Quand'ero paggio". Pini Corsi, the original Ford, recorded it in 1904, and Maurel followed in 1907.Walker, Malcolm. "Discography" in Hepokoski, pp. 176–177 The first recording of the complete opera was made by Italian Columbia in March and April 1932. It was conducted by Lorenzo Molajoli with the chorus and orchestra of
La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa ...
, and a cast including Giacomo Rimini as Falstaff and Pia Tassinari as Alice.Notes to Naxos Historical CD 8.110198–99 (2002) Some live stage performances were recorded in the 1930s, but the next studio recording was that conducted by
Arturo Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orche ...
for the 1950 NBC radio broadcast released on disc by RCA Red Seal, RCA Victor. The first stereophonic recording was conducted by
Herbert von Karajan Herbert von Karajan (; born ''Heribert Adolf Ernst Karajan''; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, ...
for EMI Classics, EMI in 1956. Among the singers whose performances of the title role are on live or studio recordings, Italians include
Renato Bruson Renato Bruson (born 13 January 1936) is an Italian operatic baritone. Bruson is widely considered one of the most important Verdi baritones of the late 20th and early 21st century. Life and career Bruson was born in Granze near Padua on 13 Jan ...
,
Tito Gobbi Tito Gobbi (24 October 19135 March 1984) was an Italian operatic baritone with an international reputation. He made his operatic debut in Gubbio in 1935 as Count Rodolfo in Bellini's '' La sonnambula'' and quickly appeared in Italy's major oper ...
, Rolando Panerai, Ruggero Raimondi,
Mariano Stabile Mariano Stabile (12 May 1888 in Palermo, Italy – 11 January 1968 in Milan, Italy) was an Italian baritone, particularly associated with the Italian repertory, especially the role of Falstaff. Career Stabile's vocal studies took place at t ...
, Giuseppe Taddei and
Giuseppe Valdengo Giuseppe Valdengo (May 24, 1914, Turin – October 3, 2007, Aosta) was an Italian operatic baritone. '' Opera News'' said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were ...
; Francophone singers include Gabriel Bacquier, Jean-Philippe Lafont and José van Dam; Germans include Walter Berry (bass-baritone), Walter Berry, Dietrich Fischer-Dieskau and Hans Hotter; and UK and US singers include
Geraint Evans Sir Geraint Llewellyn Evans CBE (16 February 1922 – 19 September 1992) was a Welsh bass-baritone noted for operatic roles including Figaro in ''Le nozze di Figaro'', Papageno in ''Die Zauberflöte'', and the title role in '' Wozzeck''. Evans ...
, Donald Gramm,
Bryn Terfel Bryn Terfel Jones (; born 9 November 1965), is a Welsh bass-baritone opera and concert singer. Terfel was initially primarily associated with the roles of Mozart, particularly '' Figaro'', '' Leporello'' and ''Don Giovanni,'' but he has subsequ ...
, Leonard Warren and Willard White."Falstaff Discography"
Opera Discography. Retrieved 21 July 2013


Notes, references and sources

Notes References Sources * * Antony Beaumont, Beaumont, Antony, ed. (1987). ''Busoni: Selected Letters''. New York: Columbia University Press. * * * * * * * * * * * * * * * * * * * * * *


Further reading

* * *


External links

*
Libretto
at giuseppeverdi.it * Kingston, W. Beatty (translator)
''Falstaff: A Lyrical Comedy in Three Acts''
Libretto with original English translation at archive.org.
Detailed information on the key arias
at aria-database.com
Detailed ''Falstaff'' discography
at operadis-opera-discography.org.uk
Victor Maurel's 1907 recording of "Quand'ero paggio"
at the Bibliothèque nationale de France {{DEFAULTSORT:Falstaff (Opera) 1893 operas Operas set in the 15th century Italian-language operas Opera world premieres at La Scala Operas by Giuseppe Verdi Operas Operas based on The Merry Wives of Windsor Libretti by Arrigo Boito John Falstaff