Amarna letter EA 147, titled ''A Hymn to the Pharaoh'', is a moderate length
clay tablet
In the Ancient Near East, clay tablets (Akkadian language, Akkadian ) were used as a writing medium, especially for writing in cuneiform, throughout the Bronze Age and well into the Iron Age.
Cuneiform characters were imprinted on a wet clay t ...
Amarna letter (mid 14th century BC) from
Abimilku
Abimilki (Amorite language, ''Amorite'': , ''LÚ, LÚa-bi-mil-ki'', ) around 1347 BC held the rank of Prince of Tyre, Lebanon, Tyre (called "Surru" in the letters), during the period of the Amarna letters Text corpus, correspondence (1360–1332 BC ...
of
Tyre-(called ''Ṣurru'' in the Abimilku letters, and an
island
An island or isle is a piece of land, distinct from a continent, completely surrounded by water. There are continental islands, which were formed by being split from a continent by plate tectonics, and oceanic islands, which have never been ...
, until the time of
Alexander the Great
Alexander III of Macedon (; 20/21 July 356 BC – 10/11 June 323 BC), most commonly known as Alexander the Great, was a king of the Ancient Greece, ancient Greek kingdom of Macedonia (ancient kingdom), Macedon. He succeeded his father Philip ...
, 330 BC). The letter is a twin letter to
EA 149, which is identical in length, and complexity, and EA 147 appears to precede EA 149.
General overview
The letter concerns the intrigues of neighboring
city-state
A city-state is an independent sovereign city which serves as the center of political, economic, and cultural life over its contiguous territory. They have existed in many parts of the world throughout history, including cities such as Rome, ...
s and their rulers; however the letter is a missive on the religious setting of Tyre, and the personal explanation of the view of the Pharaoh of Egypt, in a religious, and righteous 'way of life' of the people of Tyre towards Egypt, and the Pharaoh, as the Sun God.
The
clay tablet
In the Ancient Near East, clay tablets (Akkadian language, Akkadian ) were used as a writing medium, especially for writing in cuneiform, throughout the Bronze Age and well into the Iron Age.
Cuneiform characters were imprinted on a wet clay t ...
letter is written on the ''Obverse, Bottom, Reverse,'' ''Top (which is bottom of Reverse),'' and ''Left Side'', leaving no spaces, not inscribed. The
British Museum
The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human cu ...
website for the EA 147 letter (with photo of Reverse), gives the approximated dimensions as: × in ( / , or 8.3 cm × 5.7 cm).
EA 147 is located at the
British Museum
The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human cu ...
, no 29812.
The
Amarna letters, about 300, numbered up to EA 382, are mid-14th century BC, about
1360 BC and 35? years later,
correspondence. The initial corpus of letters were found at
Akhenaten
Akhenaten (pronounced ), also spelled Akhenaton or Echnaton ( ''ʾŪḫə-nə-yātəy'', , meaning 'Effective for the Aten'), was an ancient Egyptian pharaoh reigning or 1351–1334 BC, the tenth ruler of the Eighteenth Dynasty of Egypt, Eig ...
's city
Akhetaten, in the floor of the
Bureau of Correspondence of Pharaoh; others were later found, adding to the body of letters.
Categorization and characteristics
Amarna letter EA 147 is a missive (a letter sent), but more accurately, a
treatise
A treatise is a Formality, formal and systematic written discourse on some subject concerned with investigating or exposing the main principles of the subject and its conclusions."mwod:treatise, Treatise." Merriam-Webster Online Dictionary. Acc ...
or
essay
An essay ( ) is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a Letter (message), letter, a term paper, paper, an article (publishing), article, a pamphlet, and a s ...
, on the ''Role of the Pharaoh as Sun-God,'' and "Protector", etc.
Letter 147 is in the category of ''Amarna letters'', which has the following specifics:
# EA 147 is undamaged (with few minor surface scrapes).
# It is of moderate length, a single
clay tablet
In the Ancient Near East, clay tablets (Akkadian language, Akkadian ) were used as a writing medium, especially for writing in cuneiform, throughout the Bronze Age and well into the Iron Age.
Cuneiform characters were imprinted on a wet clay t ...
(not part of a series, ex 2-tablet letter, or a listing like
EA 13,
14 or
22).
# It has clarity of
cuneiform
Cuneiform is a Logogram, logo-Syllabary, syllabic writing system that was used to write several languages of the Ancient Near East. The script was in active use from the early Bronze Age until the beginning of the Common Era. Cuneiform script ...
characters, probably for two reasons: A–The execution of the scribe; and B–The preparation of a
clay
Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolinite, ). Most pure clay minerals are white or light-coloured, but natural clays show a variety of colours from impuriti ...
mixture (probably with added ingredients), which caused a hardened
clay tablet
In the Ancient Near East, clay tablets (Akkadian language, Akkadian ) were used as a writing medium, especially for writing in cuneiform, throughout the Bronze Age and well into the Iron Age.
Cuneiform characters were imprinted on a wet clay t ...
. (The
scribe
A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of Printing press, automatic printing.
The work of scribes can involve copying manuscripts and other texts as well as ...
's story, demanded a higher performing clay tablet.(?))
# The Letter 147 story contains: ''Obverse:''—Introduction & Clause 1;
''Bottom''—An ending to the Obverse, and transition to Reverse;
''Reverse''-(Clause 2 & 3), which begins (line 30), with the
Akkadian word for "Help!" (and standing alone, with the next 2-words of ''line 30'' beginning the start of Clause 2), and with the Reverse ending with two
glossenkeils (line 56, only 2 words), translated as '
:gl "I am at rest"; and
:gl "I am confident" (end of line). (Note: there are multiple
paragraph
A paragraph () is a self-contained unit of discourse in writing dealing with a particular point or idea. Though not required by the orthographic conventions of any language with a writing system, paragraphs are a conventional means of organizing ...
s and sub-paragraphs in EA 147, a 4-section letter, & see the
Akkadian cuneiform section.)
# The story of EA 147, is that it is a missive (or
treatise
A treatise is a Formality, formal and systematic written discourse on some subject concerned with investigating or exposing the main principles of the subject and its conclusions."mwod:treatise, Treatise." Merriam-Webster Online Dictionary. Acc ...
or
essay
An essay ( ) is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a Letter (message), letter, a term paper, paper, an article (publishing), article, a pamphlet, and a s ...
), on ''A Hymn to the Pharaoh'' (in 3 "duplicating clauses"). Clause 4 is the information to the Pharaoh, and the EA 147 ending. (Note: one would have to predict whether the layout of the letter was totally planned. The actual ''information'' in the letter (to the
Pharaoh
Pharaoh (, ; Egyptian language, Egyptian: ''wikt:pr ꜥꜣ, pr ꜥꜣ''; Meroitic language, Meroitic: 𐦲𐦤𐦧, ; Biblical Hebrew: ''Parʿō'') was the title of the monarch of ancient Egypt from the First Dynasty of Egypt, First Dynasty ( ...
, or his post office—''
Bureau of Correspondence''), only begins after the Reverse Side (beginning of the closing-(tablet ending) Clause 4 section), continuing from lines ''57-60'', and then continuing to the ''Left Side'', for 8 lines, lines ''64-71'', (longer lines, due to the tallness of the
tablet). The very last line (''71''), the Scribe writes: ''Enūma idû'', "Now (at this time), know!" ("Now, be informed!").
# The reverse (Clauses 2 – 3), is separated by an ''Exclamation'', (an
Interjection
An interjection is a word or expression that occurs as an utterance on its own and expresses a spontaneous feeling, situation or reaction. It is a diverse category, with many different types, such as exclamations ''(ouch!'', ''wow!''), curses (''da ...
), line 40:
glossenkeil):back-mine!">ine 39: "Upon front-mine, upon (
glossenkeil):back-mine! "I carry (bring), the Causes (intentions) (Akkadian: amatu (word, matter)), King-Lord
Li-mine!" (Almost certainly, the
scribe
A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of Printing press, automatic printing.
The work of scribes can involve copying manuscripts and other texts as well as ...
—(or
Abimilku
Abimilki (Amorite language, ''Amorite'': , ''LÚ, LÚa-bi-mil-ki'', ) around 1347 BC held the rank of Prince of Tyre, Lebanon, Tyre (called "Surru" in the letters), during the period of the Amarna letters Text corpus, correspondence (1360–1332 BC ...
):–A, intended to get to the reverse side in the manner that he did; B, had to get through "Clause 3" to the ending of the ''Reverse'', with its 2 closing
glossenkeils). How he continued to the end of the letter would have to be speculation. And,.. remembering whether
Abimilku
Abimilki (Amorite language, ''Amorite'': , ''LÚ, LÚa-bi-mil-ki'', ) around 1347 BC held the rank of Prince of Tyre, Lebanon, Tyre (called "Surru" in the letters), during the period of the Amarna letters Text corpus, correspondence (1360–1332 BC ...
played a part in the formation of this '' great story'', letter 147.
(Another minor Exclamation occurs on line 24.6: "Look at this!"
he start of Paragraph 2-c
# Because Letter 147 contains ''3-duplicating clauses'',
Akkadian language
Akkadian ( ; )John Huehnergard & Christopher Woods, "Akkadian and Eblaite", ''The Cambridge Encyclopedia of the World's Ancient Languages''. Ed. Roger D. Woodard (2004, Cambridge) Pages 218–280 was an East Semitic language that is attested ...
words, and some phrases, are repeated. For example 3 times for the phrase ''day-by-day'' ("day and day", in the letter). It is used twice in Clause 1, ''Obverse'' (paragraph I-b) & the ''Bottom'' transition to the ''Reverse'' (the ending of Clause 1). The third usage is in the letter's ending, (Clause 4).
Other repeated words are for example: "returns" (Akkadian ''sahāru'', (3 times)), "breath" (''hašû'', (5)), "emerges/returns" (''aṣû'', (5)), and "now" (''enūma'', (numerous)).
# Letter 147 uses 7
glossenkeils (a high number usage).
Summary of glossenkeils used
Text (minus obverse and reverse (hymn omitted))
;Reverse: bottom to side:
:(57-60) I indeed said to the Sun, the father of the king, my lord, "When shall I see the face of the king my lord?"
;Side (left)
:(61-71) I am indeed guarding Tyre, the principal city,
11 for the king, my lord, until the powerful arm of the king comes forth over me, to give me water to drink and wood to warm myself. Moreover, Zimredda, the king of Sidon, writes daily to the rebel
Aziru, the son of 'Abdi-Ašratu, about every word he has heard from Egypt. I herewith write to my lord, and it is good that he knows.
12 (end of letter (few, or no lacunae))
Text: ''A Hymn to the Pharaoh''
EA 147, letter two of ten from
Abimilku
Abimilki (Amorite language, ''Amorite'': , ''LÚ, LÚa-bi-mil-ki'', ) around 1347 BC held the rank of Prince of Tyre, Lebanon, Tyre (called "Surru" in the letters), during the period of the Amarna letters Text corpus, correspondence (1360–1332 BC ...
. (Not a linear, line-by-line translation.)
;Obverse
:(Lines 1-8) the king, my lord, my god, my Sun: Message of
Abi-Milku, your servant. I fall at the feet of the king, my lord, 7 times and 7 times. I am the dirt under the sandals (and "shoes") of the king, my lord. My lord is the Sun who comes forth over all lands day by day,
1 according to the way (of being) of the Sun, his gracious father.
:(9-15) who gives life by his sweet breath and returns with his north wind;
2 who establishes the entire land in peace, by the power of his arm
:(gl–) ''
ha-
ap-
ši''; who gives forth his cry in the sky like
Baal
Baal (), or Baʻal, was a title and honorific meaning 'owner' or 'lord
Lord is an appellation for a person or deity who has authority, control, or power (social and political), power over others, acting as a master, chief, or ruler. The ...
,
3 and all the land is frightened
4 at his cry.
:(16-21) The servant herewith writes to his lord that he heard the gracious messenger of the king who came to his servant, and the sweet breath that came forth from the mouth of the king, my lord, to his servant—his breath came back!
:(22-28) Before the arrival of the messenger of the king, my lord, breath had not come back; my nose was blocked.
5
;(Obverse)-Bottom
:(25-29) Now that the breath of the king has come forth to me, I am very happy and
:(gl–) '':
ha-
ru-
u'' (he is satisfied), day by day.
6
:(29-38) Because I am happy, does the earth not ''pr
spr?''
7 (i.e. (minus 3 cuneiform characters for "Help!"), "Don't worry, just be happy")
;Reverse
7-(minus 3 cuneiform characters)
:''(30-30.4)'' ''Help—!'' (i.e: "Help—!, us now, please")
:(30.4-38) When I heard the gracious me
seger from my lord, all the land was in fear of my lord, when I heard the sweet breath and the gracious messenger who came to me. When the king, my lord, said
:(gl–) ''ku-na'' "(Prepare)
8 before the arrival of a large army," then the servant said to his lord
:(gl–) ''ia-a-i—ia'' ("Yes, yes, yes"__(( Yaaay ! )) )
9
:(39-51) On my front and on ''sú-ri-ia'' (my back) I carry the word of the king, my lord. Whoever gives heed to the king, his lord, and serves him in his place, the Sun com(e)s forth over him, and the sweet breath comes back from the mouth of his lord. If he does not heed the word of the king, his lord, his
city
A city is a human settlement of a substantial size. The term "city" has different meanings around the world and in some places the settlement can be very small. Even where the term is limited to larger settlements, there is no universally agree ...
is destroyed, his house is destroyed, never (again) does his name exist in all the land. (But) look at the servant who gives heed to ((to)) his lord. His city prospers, his house prospers, his name exists forever.
:(52-60) You are the Sun who comes forth over me, and a brazen wall set up for him,
10 and because of the powerful arm '':nu-uh—ti'' (I am at rest) '': ha-ti-i-ti'' (I am confident).
Cuneiform score, Akkadian, English
Cuneiform score (per CDLI, ''Chicago Digital Library Initiative''), and
Akkadian, and
English.
Obverse
:''Introduction and start of Obverse''
1. A- na _lugal_ lí- ia _dingir
''Dingir'' ⟨⟩, usually transliterated DIĜIR, () is a Sumerian word for 'god' or 'goddess'. Its cuneiform sign is most commonly employed as the determinative for religious names and related concepts, in which case it is not pronounced and ...
- meš_- ia _dingir
''Dingir'' ⟨⟩, usually transliterated DIĜIR, () is a Sumerian word for 'god' or 'goddess'. Its cuneiform sign is most commonly employed as the determinative for religious names and related concepts, in which case it is not pronounced and ...
utu_- ia
___ A na Šarru lí- ia, dingir
''Dingir'' ⟨⟩, usually transliterated DIĜIR, () is a Sumerian word for 'god' or 'goddess'. Its cuneiform sign is most commonly employed as the determinative for religious names and related concepts, in which case it is not pronounced and ...
- meš- ia, dingir
''Dingir'' ⟨⟩, usually transliterated DIĜIR, () is a Sumerian word for 'god' or 'goddess'. Its cuneiform sign is most commonly employed as the determinative for religious names and related concepts, in which case it is not pronounced and ...
utu- ia
___To King
King is a royal title given to a male monarch. A king is an Absolute monarchy, absolute monarch if he holds unrestricted Government, governmental power or exercises full sovereignty over a nation. Conversely, he is a Constitutional monarchy, ...
- mine, (of) gods pl.- mine, dSun-god- mine
2. um- ma A- Bi-_lugal ARAD2_- ka
___ um ma A- Bi-_lugal ARAD2_- ka
___message (of) Abimilki-(servant)- yours
3. ( 7) u ( 7) a- na _giri3 meš Šarru EN_ lí- ia
___( 7) u ( 7) a na GIRI3 meš, Šarru EN lí- ia, — ma qātu – !
___7-and-7 (times) at feet pl., —King
King is a royal title given to a male monarch. A king is an Absolute monarchy, absolute monarch if he holds unrestricted Government, governmental power or exercises full sovereignty over a nation. Conversely, he is a Constitutional monarchy, ...
Lord
Lord is an appellation for a person or deity who has authority, control, or power (social and political), power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the Peerage o ...
-mine, — I bow – !
4. A- na- ku '' ip- ru iš- tu šu- pa- li''
___ A nā ku ( Abimilki), ep eru iš tu šu pa lû
___I ( Abimilki), the dirt(dust) from "the feet"-((two))
5. ši- ní EN- lí- ia be- li
___ ši na, — EN- ia, bē lu, –
___(two), —Lord
Lord is an appellation for a person or deity who has authority, control, or power (social and political), power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the Peerage o ...
- mine, Lord, –
6. _dingir
''Dingir'' ⟨⟩, usually transliterated DIĜIR, () is a Sumerian word for 'god' or 'goddess'. Its cuneiform sign is most commonly employed as the determinative for religious names and related concepts, in which case it is not pronounced and ...
utu_ ša it- ta- ṣí i- na _ UGU_- hi
___ d- utu ša a ṣ û i na UGU- hi
___(the) (god)Sun-God, Who Emerges ("returns") ''"Upon"''
7. _KUR
The ancient Mesopotamian underworld (known in Sumerian language, Sumerian as ''Kur'', ''Irkalla'', ''Kukku'', ''Arali'', or ''Kigal'', and in Akkadian language, Akkadian as ''Erṣetu''), was the lowermost part of the Ancient near eastern cosmol ...
_ ma- ta- ti i- na _u4_- mi ù _u4_- mi- ma
___mātu immatima? i na _u4_- mi ù _u4_- mi- ma
___(the) Land (+''Matching''?), for Day-by-Day-(daily,-!)(day-and-day)
8. ki- ma ši- ma- at _ d utu_ a- bu- šu _SAGA_
___ kī ma Šī m tu d utu a bu- šu SAGA
___"As-Like",-- "Way of Being"(Fate, Destiny),-- (the) dSun-God,- Father-His
His or HIS may refer to:
Computing
* Hightech Information System, a Hong Kong graphics card company
* Honeywell Information Systems
* Hybrid intelligent system
* Microsoft Host Integration Server
Education
* Hangzhou International School, ...
, "Gracious" !
9. ša i- ba- li- it i- na še- hi- šu _du10- ga_
___ ša a bā l u i na še- hi- šu du10- ga –!
___who brings(arrives), by ''Breath-His-Sweet –!''
10. ù i- sà- hír i- na ṣa- pa- ni- šu
___ u s a hāru i na ṣa- pa- ni- šu – !
___ and "Returns" by "North-wind"-His
His or HIS may refer to:
Computing
* Hightech Information System, a Hong Kong graphics card company
* Honeywell Information Systems
* Hybrid intelligent system
* Microsoft Host Integration Server
Education
* Hangzhou International School, ...
– !
segue
A segue ( , ; ) is a transition from one topic or section to the next.
In music
In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term ''attacca'' is used synonymously. For writ ...
11. ša it- ta ṣa- ab
___ ša it ti ṣā bu –
___who with troops –
11.5------------------ gáb- bi _kur
The ancient Mesopotamian underworld (known in Sumerian language, Sumerian as ''Kur'', ''Irkalla'', ''Kukku'', ''Arali'', or ''Kigal'', and in Akkadian language, Akkadian as ''Erṣetu''), was the lowermost part of the Ancient near eastern cosmol ...
_- ti
___--------------------- gab bu mā ti
___---------------------all land
12. i- na pa- ša- hi i- na du- ni- zà : (gl)–) '': ha- ap- ši''
___ i na pa šā hu i na da nn u(=danānu) : (gl)–) '': ha- ap- ši''
___into "Submission"("relenting"),.. By "Strength"(power) : (gl)–) '':(of his) "arm" !!''
13. ša id-din
DIN or Din or din may refer to:
People and language
* Din (name), people with the name
* Dīn, an Arabic word with three general senses: judgment, custom, and religion from which the name originates
* Dinka language (ISO 639 code: din), spoken ...
ri- ig- ma- šu i- na ša10- me
___ ša id û, r ig mu- šu i na ša10- me
___who "makes known", Voice-his, in "the Sky"
14. ki- ma diškur ù tar-gu5- ub gáb- bi
___ kī ma diškur u tar-gu5- ub(eṭēru) gab bu – !
___Like god
In monotheistic belief systems, God is usually viewed as the supreme being, creator, and principal object of faith. In polytheistic belief systems, a god is "a spirit or being believed to have created, or for controlling some part of the un ...
Baal
Baal (), or Baʻal, was a title and honorific meaning 'owner' or 'lord
Lord is an appellation for a person or deity who has authority, control, or power (social and political), power over others, acting as a master, chief, or ruler. The ...
– and (eṭēru) ''"Finds and saves"'' All – !
''Bottom:'' (lines 26-30.3)
26. še- hu _ Ŝarru_ a- na _ ugu_- hi#- ia#
___ še- hu Ŝarru a na _ ugu_- hi#- ia#
___"breath" (of) King
King is a royal title given to a male monarch. A king is an Absolute monarchy, absolute monarch if he holds unrestricted Government, governmental power or exercises full sovereignty over a nation. Conversely, he is a Constitutional monarchy, ...
"upon us"
27. ù ha- ad- ia- ti ma- gal
___ u, – h a d û — ma- gal—!
___ and-("then"), – "to be Happy"(to be glad=hadû) — great—!
28. ù : (gl)–) '': a- ru- ú'' i- na _u4_- mi u _u4_- mi "> mi ma
___ u, — '' : (gl)–)'' a- ru- ú, — i na _u4_- mi u _u4_- mi "> mi ma
___ And, — '' : (gl)–)'' "He-is-satisfied, — for "Day-by-Day" —! (day-and-day)
29. aš- šum ha- dì- ia- ti la- a ti- ši "> ši ir#
___ aš šum h a d û, — '' l ā''
___"because of" "to-be-happy", — NOT sad
segue
A segue ( , ; ) is a transition from one topic or section to the next.
In music
In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term ''attacca'' is used synonymously. For writ ...
''Reverse''
30.3 er- ṣé- tum
___ rē ṣū tu[Parpola, 1971. ''The Standard Babylonian ]Epic of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of ...
'', Glossary, pp. 119-145, rēṣūtu, p. 138; English, "help".
___''Help — !'' (rēṣūtu)
See also
*
Amarna letter EA 149 Amarna letter EA 149, titled: ''"Neither Water nor Wood"'' is a moderate- to extended-length clay tablet Amarna letter (mid 14th century BC) from Abimilku of Tyre-(called ''Ṣurru'' in the letters), written to the Pharaoh of Egypt.
The letter co ...
*
Glossenkeil (Amarna letters)
*
List of Amarna letters by size
Notes
References
*
Moran, William L. ''The Amarna Letters.'' Johns Hopkins University Press, 1987, 1992. (softcover, {{ISBN, 0-8018-6715-0)
* Parpola, 1971. ''The Standard Babylonian
Epic of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of ...
'',
Parpola, Simo,
Neo-Assyrian Text Corpus Project
The Neo-Assyrian Text Corpus Project is an international scholarly project aimed at collecting and publishing ancient Assyrian texts of the Neo-Assyrian Empire and studies based on them. Its headquarters are in Helsinki in Finland.
State Archives ...
, c 1997, Tablet I thru Tablet XII, Index of Names, Sign List, and Glossary-(pp. 119–145), 165 pages.
External links
;British Museum
British Museum page for EA 147, tablet Reversesame, Large imageBritish Museum, group of 4, shown adjacent EA 149
;CDLI
CDLI entry of EA 147 ( ''Chicago Digital Library Initiative'' )EA 147: Obverse & Reverse CDLI no. P270914 (''Chicago Digital Library Initiative'')
CDLI listing of all EA Amarna letters, 1-382
Amarna letters
Ancient Lebanon
History of Tyre, Lebanon
Middle Eastern objects in the British Museum