The da capo aria () is a

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for

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s that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and oratorio. According to Randel, a number of Baroque composers (he lists Scarlatti,

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Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...

Porpora Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers ...

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, and

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) composed more than a thousand da capo arias during their careers.Randel (2003:54)

Form

A da capo aria is in ternary form, meaning it is composed of three sections. The first section is a complete song with accompaniment, ending in the tonic key, and could in principle be sung by itself. The second section contrasts with the first in its musical key, texture, mood, and sometimes also tempo. The third section was usually not written out by the composer, who would instead simply note the instruction " da capo" (Italian for "from the head") - meaning from the beginning, i.e., the first section is to be repeated. The text for a da capo aria was typically a poem or other verse sequence written in two strophes, the first for the A section (hence repeated later) and the second for B. Each strophe consisted of from three to six lines, and terminated in a line containing a masculine ending.

Improvisation

The singer was often expected to improvise variations and

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s during the third section, to keep it from being a mere repetition of the first. This was especially so for da capo arias written in slower tempos, where the opportunity to improvise, as well as the risk of dullness, were greater. The ability to improvise variations and ornaments was a skill learned by, and expected of, all solo singers. The decline in this ability following the Baroque era is perhaps the reason why the da capo aria ultimately acquired a reputation as a musically dull form. The authentic performance movement, starting in the mid twentieth century, restored

improvisation Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...

to the performance of da capo arias, although the practice has yet to become universal even among authentic performance artists.

Famous examples

's oratorio '' Messiah'' (1742) includes two well-known da capo arias, "He Was Despised" (for alto voice) and "The Trumpet Shall Sound" (for bass). J. S. Bach's cantata '' Jauchzet Gott in allen Landen, BWV 51'' (1730) begins with a flamboyant da capo aria for soprano, trumpet soloist, and strings.

Notes

References

*Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I''. Seventh Edition. McGraw-Hill Higher Education. . *Randel, Don Michael, ed. (2003) "Aria," in ''The Harvard Dictionary of Music''. Cambridge, MA: Harvard University Press. (Author: "CG".)

External links