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Leonardo Leo
Leonardo Leo (5 August 1694 – 31 October 1744), more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque music, Baroque composer. Biography Leo was born in San Vito degli Schiavoni (currently known as San Vito dei Normanni, province of Brindisi) in the Apulia region, then part of the Kingdom of Naples. He became a student at the Music conservatories of Naples#Conservatorio della Pietà dei Turchini, Conservatorio della Pietà dei Turchini at Naples in 1703, and was a pupil first of Francesco Provenzale and later of Nicola Fago. It has been supposed that he was a pupil of Giuseppe Ottavio Pitoni, Pitoni and Alessandro Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions. His earliest known work was a sacred drama, ''L'infedeltà abbattuta'', performed by his fellow-students in 1712. In 1714 he produced, at the court theatre, an opera, ''Pisistrato'', which was much admired. He hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amor Vuol Sofferenza
''Amor vuol sofferenza'' is a 1739 commedia per musica in three acts by Leonardo Leo to a libretto by Antonio Federico Gennaro (d.1744). It was first performed at Naples, Teatro Nuovo. Leo was working on a revision to be entitled ''La finta Frascatana'' in 1744 when he died, which was completed by Matteo Capranica. Stefano Capone, Carmela Lombardi - L'opera comica napoletana (1709-1749) 2007 G.A. Federico, opera comica, Napoli, Teatro dei Fiorentini] 1739 - Amor vuol sofferenza ibr. G.A. Federico, opera comica, Napoli, Teatro Nuovo sopra Toledo1 740 - Alidoro ibr. ... Teatro dei Fiorentini1 744 - La finta frascatana bass, premiered by Gioacchino Corrado *Alessandro - young Romano, lover of Eugenia, the enamoured with Camilla, contralto Travesti (theatre), travesti, premiered by Antonia Colasanti *Camilla - innamorata di Ridolfo, soprano, premiered by Maddalena Frizzi *Vastarella - della villa di Portici, enamoured first with Mosca, then with Fazio, soprano, premiered by Margher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Angelo
The Teatro San Angelo (in Venetian) or Teatro Sant'Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro Goldoni (Venice), Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667. The Teatro San Angelo was located in the Campo San[t'] Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera ''Helena rapita da Paride'' of Domenico Freschi, (1677) and continued with operas by Freschi, Francesco Gasparini, Gasparini, Tomaso Albinoni, Albinoni and Giovanni Battista Bononcini, Bononcini. From around 1715 onwards the house was best known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Palace Of Naples
The Royal Palace of Naples () is a historic building located in Piazza del Plebiscito, in the historic center of Naples, Italy. Although the main entrance is located in this square, there are other accesses to the complex, which also includes the gardens and the Teatro di San Carlo, from the Piazza Trieste e Trento, Piazza del Municipio and Via Acton. The palace was built from 1600 onwards by the architect Domenico Fontana as the residence of the Spanish List of viceroys of Naples, viceroys, and in the mid-17th century Francesco Antonio Picchiatti made numerous improvements and interventions, such as the staircase and the chapel. Charles III of Spain, Charles of Bourbon made it, from 1734, the main residence of the House of Bourbon-Two Sicilies, Bourbons of Naples for more than a hundred years, first as Kingdom of Naples, kings of Naples and Sicily (1734–1816) and later as Kingdom of the Two Sicilies, kings of the Two Sicilies (1816–1861). It was also the residence of Joseph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggio Emilia
Reggio nell'Emilia (; ), usually referred to as Reggio Emilia, or simply Reggio by its inhabitants, and known until Unification of Italy, 1861 as Reggio di Lombardia, is a city in northern Italy, in the Emilia-Romagna region. It has about 172,518 inhabitants and is the main ''comune'' (municipality) of the province of Reggio Emilia.The inhabitants of Reggio nell'Emilia are called ''Reggiani'', while the inhabitants of Reggio di Calabria, in the southwest of the country, are called ''Reggini''. The old town has a hexagonal form, which derives from the ancient walls, and the main buildings are from the 16th–17th centuries. The commune's territory lies entirely on a plain, crossed by the Crostolo stream. History Ancient and early Middle Ages Reggio began as a historical site with the construction by Marcus Aemilius Lepidus (consul 187 BC), Marcus Aemilius Lepidus of the Via Aemilia, leading from Piacenza to Rimini (187 BC). Reggio became a judicial administration centre, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic
In physics, acoustics, and telecommunications, a harmonic is a sinusoidal wave with a frequency that is a positive integer multiple of the ''fundamental frequency'' of a periodic signal. The fundamental frequency is also called the ''1st harmonic''; the other harmonics are known as ''higher harmonics''. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. The set of harmonics forms a '' harmonic series''. The term is employed in various disciplines, including music, physics, acoustics, electronic power transmission, radio technology, and other fields. For example, if the fundamental frequency is 50 Hz, a common AC power supply frequency, the frequencies of the first three higher harmonics are 100 Hz (2nd harmonic), 150 Hz (3rd harmonic), 200 Hz (4th harmonic) and any addition of waves with these frequencies is periodic at 50 Hz. In music, harmonics are used on string instruments and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apoplexy
Apoplexy () refers to the rupture of an internal organ and the associated symptoms. Informally or metaphorically, the term ''apoplexy'' is associated with being furious, especially as "apoplectic". Historically, it described what is now known as a hemorrhagic stroke, typically involving a ruptured blood vessel in the brain; modern medicine typically specifies the anatomical location of the bleeding, such as cerebral apoplexy, ovarian apoplexy, or pituitary apoplexy. Historical meaning From the late 14th to the late 19th century, the diagnosis ''apoplexy'' referred to any sudden death that began with abrupt loss of consciousness, especially when the victim died within seconds after losing consciousness. The word ''apoplexy'' was sometimes used to refer to the symptom of sudden loss of consciousness immediately preceding death. Strokes, ruptured aortic aneurysms, and even heart attacks were referred to as apoplexy in the past, because before the advent of biomedical scienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Olimpiade
''L'Olimpiade'' is an opera libretto in three acts by Metastasio originally written for an operatic setting by Antonio Caldara of 1733. Metastasio’s plot vaguely draws upon the narrative of "The Trial of the Suitors" provided from Book 6 of '' The Histories'' of Herodotus, which had previously been the base for Apostolo Zeno's libretto ''Gli inganni felici'' (1695). The story, set in Ancient Greece at the time of the Olympic Games, is about amorous rivalry and characters' taking places to gain the loved one. The story ends with the announcement of two marriages. Background Metastasio, as Imperial court poet at the court of Vienna, was requested to write the libretto to help celebrate the birthday of Empress Elisabeth Christine of Brunswick-Wolfenbüttel in 1733. The court composer Caldara was assigned to compose the music. The libretto attracted attention immediately and productions were soon mounted across Europe. Metastasio himself commented to Saverio Mattei that ''L’Oli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
