Coppélia Pas De Trois
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''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a
comic ballet Comic ballet is a subcategory of narrative ballet, and denotes a dramatic work of a light or comic nature. Catherine de' Medici, Catherine d'Medici enjoyed the Italian custom of staging entertainments where classical or allegorical legends were re ...
from 1870 originally choreographed by
Arthur Saint-Léon Arthur Saint-Léon (17 September 1821, in Paris – 2 September 1870) was the '' Maître de Ballet'' of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet '' Coppélia''. Biography He ...
to the music of
Léo Delibes Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic music, Romantic composer, best known for his ballets and French opera, operas. His works include the ballets ''Coppélia'' (1870) and ''Sylvia (b ...
, with libretto by
Charles-Louis-Étienne Nuitter Charles-Louis-Étienne Nuitter was a French librettist, translator, writer and librarian born in Paris, France, on 24 April 1828. He died there on 23 February 1899 after suffering a stroke a few days before.Cooper J: Nuitter, Charles-Louis-Étie ...
. Nuitter's libretto and
mise-en-scène (; or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through ...
was based upon
E. T. A. Hoffmann Ernst Theodor Amadeus Hoffmann (born Ernst Theodor Wilhelm Hoffmann; 24 January 1776 – 25 June 1822) was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist.Penrith Goff, "E.T.A. Hoffmann" in ...
's
short story A short story is a piece of prose fiction. It can typically be read in a single sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the old ...
''
Der Sandmann "The Sandman" ( German: ''Der Sandmann'') is a short story by . It was the first in an 1817 book of stories titled ''Die Nachtstücke'' (''The Night Pieces''). Plot summary The story is told by a narrator who claims to have known Lothar. It beg ...
'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May
1870 Events January * January 1 ** The first edition of ''The Northern Echo'' newspaper is published in Priestgate, Darlington, England. ** Plans for the Brooklyn Bridge are completed. * January 3 – Construction of the Brooklyn Bridge be ...
at the
Théâtre Impérial de l'Opéra The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be kn ...
, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina
Eugénie Fiocre Eugénie Fiocre (b. Paris, 2 July 1845, d. 1908) was a principal dancer at the Paris Opéra 1864–75 where she often danced ''en travesti'', creating Frantz (Coppélia), Frantz in ''Coppélia'' in 1870, and, renowned for her beauty, was sculpted ...
playing the part of Frantz ''
en travesti Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be use ...
''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by
Charles-Antoine Cambon Charles-Antoine Cambon (; 21 April 1802 – 22 October 1875) was a French scenographer, theatrical production designer, who acquired international renown in the Romanticism, Romantic Era. Career Little biographical information exists on Cambo ...
(Act I, scene 1; Act II, scene 1), and
Édouard Desplechin Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for ...
and
Jean-Baptiste Lavastre Jean-Baptiste Lavastre (24 August 1839 – 24 April 1891) was a French landscape painter and scenic designer. Biography A student of Édouard Desplechin as soon as 1854 when he was only fifteen (and then his associate from 1864 to 1870), Je ...
(Act I, scene 2). The ballet's first flush of success was interrupted by the
Franco-Prussian War The Franco-Prussian War or Franco-German War, often referred to in France as the War of 1870, was a conflict between the Second French Empire and the North German Confederation led by the Kingdom of Prussia. Lasting from 19 July 1870 to 28 Janua ...
and the siege of Paris (which also led to the early death of Giuseppina Bozzacchi, on her 17th birthday), but eventually it became the most-performed ballet at the
Opéra This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most co ...
. Modern-day productions are traditionally derived from the revivals staged by
Marius Petipa Marius Ivanovich Petipa (; born Victor Marius Alphonse Petipa; 11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer. He is considered one of the most influential ballet masters and choreographers in ballet history ...
for the
Imperial Ballet The Mariinsky Ballet () is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's ...
of
St. Petersburg Saint Petersburg, formerly known as Petrograd and later Leningrad, is the second-largest city in Russia after Moscow. It is situated on the River Neva, at the head of the Gulf of Finland on the Baltic Sea. The city had a population of 5,601, ...
in the late 19th century. Petipa's choreography was documented in the
Stepanov method of choreographic notation Vladimir Ivanovich Stepanov (1866–1896), was a dancer at the Mariinsky Theater in Saint Petersburg. His book, ''The Alphabet of Movements of the Human Body'' (French: ''L'Alphabet des Mouvements du Corps Humain) was'' published in Paris in 1892. ...
at the turn of the 20th century. These notations were later used to stage the St. Petersburg version for such companies as the
Vic-Wells Ballet The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded ...
(precursor of today's Royal Ballet).


Plot

Dr. Coppélius is a doctor who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his heart's true desire, Swanhilda. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him from an untimely end at the hands of the inventor. ;Act I The story begins during a town festival to celebrate the arrival of a new bell. The town crier announces that, when it arrives, anyone who becomes married will be awarded a special gift of money. Swanhilda and Franz plan to marry during the festival. However, Swanhilda becomes unhappy with Franz because he seems to be paying more attention to a girl named Coppélia, who sits motionless on the balcony of a nearby house. The house belongs to a mysterious and faintly diabolical inventor, Doctor Coppélius. Although Coppélia spends all of her time sitting motionless and reading, Franz is mesmerized by her beauty and is determined to attract her attention. Still upset with Franz, Swanhilda shakes an ear of wheat to her head: if it rattles, then she will know that Franz loves her. Upon doing this, however, she hears nothing. When she shakes it by Franz's head, he also hears nothing; but then he tells her that it rattles. However, she does not believe him and runs away heartbroken. Later on, Dr. Coppelius leaves his house and is heckled by a group of boys. After shooing them away, he continues on without realizing that he dropped his keys in the melée. Swanhilda finds the keys, which gives her the idea of learning more about Coppélia. She and her friends decide to enter Dr. Coppelius' house. Meanwhile, Franz develops his own plan to meet Coppélia, climbing a ladder to her balcony. ;Act II Swanhilda and her friends find themselves in a large room filled with people. However, the occupants aren't moving. The girls discover that, rather than people, these are life-size mechanical dolls. They quickly wind them up and watch them move. Swanhilda also finds Coppélia behind a curtain and discovers that she, too, is a doll. Dr. Coppelius returns home to find the girls. He becomes angry with them, not only for trespassing but for also disturbing his workroom. He kicks them out and begins cleaning up the mess. However, upon noticing Franz at the window, Coppélius invites him in. The inventor wants to bring Coppélia to life but, to do that, he needs a human sacrifice. With a magic spell, he will take Franz's spirit and transfer it to Coppélia. After Dr. Coppelius proffers him some wine laced with sleeping powder, Franz begins to fall asleep. The inventor then readies his magic spell. However, Dr. Coppelius did not expel all the girls: Swanhilda is still there, hidden behind a curtain. She dresses up in Coppélia's clothes and pretends that the doll has come to life. She wakes Franz and then winds up all the mechanical dolls to aid their escape. Dr. Coppelius becomes confused and then saddened when he finds a lifeless Coppélia behind the curtain. ;Act III Swanhilda and Franz are about to make their wedding vows when the angry Dr. Coppelius appears, claiming damages. Dismayed at having caused such an upset, Swanhilda offers Dr. Coppelius her dowry in return for his forgiveness. However, Franz tells Swanhilda to keep her dowry and offers to pay Dr. Coppelius instead. At that point, the mayor intervenes and gives Dr. Coppelius a bag of money, which placates him. Swanhilda and Franz are married and the entire town celebrates by dancing. (Note: In some Russian versions of the ballet, after getting caught, Swanhilda confesses to Dr. Coppelius about what she and her friends did and her situation with Franz. Coppelius decides to forgive Swanhilda and teach her how to act like a doll coming to life to fool Franz, thus ending Act 2 on a happier note.)


Influence and background

Doctor Coppelius is not unlike Hoffmann's sinister Herr Drosselmeyer in ''
The Nutcracker ''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. Th ...
'' or the macabre
Svengali Svengali () is a character in the novel ''Trilby'' which was first published in 1894 by George du Maurier. Svengali is a Jewish man who seduces, dominates and exploits Trilby, a young half-Irish girl, and makes her into a famous singer. Defini ...
-like travelling magician of the same name in Offenbach's ''
The Tales of Hoffmann ''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in ...
''. The part of Franz was danced ''
en travesti Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be use ...
'' by
Eugénie Fiocre Eugénie Fiocre (b. Paris, 2 July 1845, d. 1908) was a principal dancer at the Paris Opéra 1864–75 where she often danced ''en travesti'', creating Frantz (Coppélia), Frantz in ''Coppélia'' in 1870, and, renowned for her beauty, was sculpted ...
, a convention that pleased the male members of the
Jockey-Club de Paris The Jockey Club de Paris is a traditional gentlemen's club and is regarded as the most prestigious of private clubs in Paris. It is best remembered as a gathering place of the elite of nineteenth-century French society. Today it is decidedly but ...
and was retained in Paris until after
World War II World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the wo ...
. The festive wedding-day ''
divertissement ''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th an ...
s'' in the village square that occupy Act III are often deleted in modern danced versions. Some influence on this story comes from travelling shows of the late 18th and early 19th centuries starring mechanical
automata An automaton (; : automata or automatons) is a relatively self-operating machine, or control mechanism designed to automatically follow a sequence of operations, or respond to predetermined instructions. Some automata, such as bellstrikers i ...
. This field of entertainment has been under-documented, but a recent survey of the field is contained in '' The Mechanical Turk'' by
Tom Standage Tom Standage (born 1969) is a British journalist, author, and editorial executive currently working as the Deputy Editor of ''The Economist'' newspaper under editor-in-chief, Zanny Minton Beddoes. As head of the newspaper's digital strategy, S ...
(2002).


Alternative versions


Opera Variant

A variation of the ''Coppélia'' story is contained in
Jacques Offenbach Jacques Offenbach (; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a p ...
's opera, ''
The Tales of Hoffmann ''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in ...
'', a fictional work about the same Hoffmann who wrote the story that inspired ''Coppélia''. The opera consists of a
prologue A prologue or prolog (from Ancient Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "speech") is an opening to a story that establishes the context and gives background details, often some earlier st ...
, three fantastic tales in which Hoffmann is a participant, and an
epilogue An epilogue or epilog (from Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the ...
. In the first story, based on ''Der Sandmann'', Hoffmann falls in love with a mechanical doll, Olympia, but in this case, the story has a melancholy tinge as the doll was destroyed by Dr. Coppelius, who share the same name as Coppelius who wants Coppélia to come to life, after he didn't get a check from Spalanzani for Olympia's eyes.


San Francisco Ballet

In 1939,
San Francisco Ballet San Francisco Ballet is the oldest ballet company in the United States, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Fra ...
produced a version of ''Coppélia'' choreographed by
Willam Christensen Willam Farr Christensen (August 27, 1902 – October 14, 2001)Was born Christian William Christensen, until his mother changed his name to William Farr Christensen, to include her maiden name. As a professional dancer in San Francisco, Christense ...
which was the first American complete version of the ballet. It starred Willam Christensen as Franz, Earl Riggins as Dr. Coppelius, and Janet Reed as Swanhilda and was an instant hit.


Balanchine

In 1974,
George Balanchine George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze;, Romanization of Georgian, : April 30, 1983) was a Georgian-American ballet choreographer, recognized as one of the most influential choreographers ...
choreographed a version of ''Coppélia'' for the
New York City Ballet New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's fir ...
. He was assisted by
Alexandra Danilova Aleksandra Dionisyevna Danilova (''Russian'': Александра Дионисьевна Данилова; November 20, 1903 – July 13, 1997) was a Russian-born prima ballerina, who became an American citizen. In 1989, she was recognized f ...
, who had performed the title role many times during her dancing career. She staged the Petipa choreography for Act II. Balanchine created new choreography for Act III and for the
mazurka The Mazurka ( Polish: ''mazurek'') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the seco ...
, czardas and Franz's variation in Act I.
Patricia McBride Patricia McBride (born August 23, 1942) is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company's youngest principal. ...
danced the role of Swanhilda the friendliest girl; Helgi Tomasson danced the role of Franz; Shaun O'Brian portrayed Dr. Coppélius. In Act III, Balanchine added 24 young girls to dance and be in the scene during Waltz of the Hours, Dawn (L'aurore), Prayer, and Work (Le travail) variations.


Second Life - LPBA

From 2011 the Little Princess Ballet Academy (LPBA) has performed ''Coppélia'' on the virtual platform ''
Second Life ''Second Life'' is a multiplayer virtual world that allows people to create an Avatar (computing), avatar for themselves and then interact with other users and user-created content within a multi-user online environment. Developed for person ...
''. The adaptation follows the original in three acts, but the mime parts are problematic to perform in Second Life and has been changed, together with some changes in the sequences. All parts are played by individual avatars.


Louisville Ballet

In 2015, the
Louisville Ballet The Louisville Ballet is a ballet school and professional ballet company based in Louisville, Kentucky. It is the official state ballet of the Commonwealth of Kentucky. The Ballet was established in 1952 and currently employs 25 professional danc ...
produced a version of ''Coppélia'', choreographed by Robert Curran, that is set in Louisville's Germantown neighborhood in 1917, just months after the United States has entered
World War I World War I or the First World War (28 July 1914 – 11 November 1918), also known as the Great War, was a World war, global conflict between two coalitions: the Allies of World War I, Allies (or Entente) and the Central Powers. Fighting to ...
. In this version, Franz and a handful of other enlistees stationed at Camp Taylor all plan to marry their fiancées the next day, right before they depart for Europe.A man in love with a giant doll. How Louisville Ballet puts Germantown twist on a classic
/ref>


Monte Carlo Ballet Company - Coppel-I-A

In 2019
Jean-Christophe Maillot Jean-Christophe Maillot (born 1960) is a Monaco-based, French-born dancer and choreographer. He has been the choreographer-director of Les Ballets de Monte-Carlo since 1993. Early life and education Maillot was born in Tours. He studied at the ...
created a modernized version of ''Coppélia'' for the
Les Ballets de Monte-Carlo Les Ballets de Monte-Carlo (The Monte Carlo Ballet) is a classical ballet company established in 1985 by Caroline, Princess of Hanover in accordance with the wishes of her mother, Grace Kelly, Princess Grace of Monaco. It is the national company ...
'','' calling it ''Coppél-i-A''. In it, Coppelia is an android with artificial intelligence. The original music was rewritten by Maillot's brother Bertrand Maillot to suit the dystopian theme.


Coppelia - feature film

A family feature film, ''Coppelia'', was released in 2021, directed and written by Jeff Tudor, Steven De Beul and Ben Tesseur. The film has no dialogue and mixes live action dance with animation. It was inspired by choreographer Ted Brandsen's 2008 production created for
Dutch National Ballet The Dutch National Ballet ( Dutch: Het Nationale Ballet) is the official and largest ballet company in the Netherlands. Its forerunners were Ballet Der Lage Landen, Ballet of the Nederlandse Opera, Amsterdam Ballet, and Netherlands Ballet (Nederl ...
. In Brandsen's production, and in the film, Doctor Coppelius is updated from toymaker to cosmetic surgeon and Coppelia is a robot. The movie deals with issues such as the pressures of social media, the lure of superficial beauty and the importance of being yourself. The film stars ballerina, author and activist
Michaela DePrince Michaela Mabinty DePrince (born Mabinty Bangura; January 6, 1995 – September 10, 2024) was a Sierra Leonean–American ballet dancer who danced with the Boston Ballet, the Dance Theatre of Harlem, and the Dutch National Ballet. DePrince rose ...
,
Daniel Camargo Daniel Camargo (born September 1991) is a Brazilian ballet dancer. He joined the Stuttgart Ballet in 2009, and was promoted to principal dancer in 2013. In 2016, he left to join the Dutch National Ballet, before leaving in 2019 to pursue a freel ...
, Vito Mazzeo,
Darcey Bussell Dame Darcey Andrea Bussell (born Marnie Mercedes Darcey Pemberton Crittle; 27 April 1969) is a retired English ballet dancer, ballerina and a former judge on the BBC television dance contest ''Strictly Come Dancing''. Trained at the Arts Educ ...
, Irek Mukahmedov, Sasha Mukahmedov, Jan Kooijman,
Igone de Jongh Igone de Jongh (born 9 September 1979) is a Dutch ballerina and a former principal dancer with the Dutch National Ballet. She is featured in the music video for Anouk (singer), Anouk's song Birds (Anouk song), ''Birds'', the official Netherlands i ...
and artists of Dutch National Ballet. Composer Maurizio Malagnini wrote the original score. The movie premiered at
Annecy Festival The Annecy International Animation Film Festival (, officially abbreviated in English as the Annecy Festival, or simply Annecy) was created in 1960 and takes place at the beginning of June in the town of Annecy, France. Initially occurring ever ...
2021 and won the Golden Punt for Best Fiction Feature at the 40th
Cambridge Film Festival The Cambridge Film Festival is the third-longest-running film festival in the UK. Historically, the festival took place in early July, but now it occurs annually during autumn in Cambridge. It is organised by the registered charity Cambridge ...
.


Ballet

Below is the résumé of scenes and dances taken from the theatre program of the St. Petersburg Imperial Ballet. It is the Imperial Ballet's production as staged by Marius Petipa that serves as the basis for all modern-day productions. Act I *no. 01 ''Prélude et Mazurka'' *no. 02 ''Valse et jalousie'' *no. 03 ''Scène'' *no. 04 ''Mazurka *no. 05 ''Scène'' *no. 06 ''Ballade de l'Épi'' *no. 07 ''Thème slave varié'' *no. 08 ''Csárdás'' *no. 09 ''Finale'' Act II *no. 10 ''Introduction et scène'' *no. 11 ''Jeux avec les automates'' *no. 12 ''Scène à boire: Franz et Dr. Coppélius'' *no. 13 ''Scène et valse de la Poupée'' *no. 14 ''L'espièglerie de Swanhilde'' *no. 15 ''Boléro: Danse espagnol'' *no. 16 ''Gigue: Danse écossaise'' *no. 17 ''Scène finale'' Act III *no. 18 ''Marche de la cloche'' ''La Fête de la cloche'' *no. 19 ''Valse des heures'' *no. 20 ''Variation: "L'aurore"'' *no. 21 ''Variation: "La prière"'' *no. 22 ''"Le travail—La fileuse"'' *no. 23 ''"L'hymen—Noce villageoise"'' *no. 24 ''"La discorde et la guerre"'' ''Grand Pas de deux -'' **no. 25 ''Grand adage: "La paix"'' **supplement - ''Variation pour le début de Léontine Beaugrand'' (music: Léo Delibes; 1872) **supplement - ''Variation: "Danse du marié"'' (music: Ernest Guiraud, from the ballet ''Gretna Green'') **supplement - ''Variation Mlle. Dionesiia Potapenko: "Travail"'', 1904 (music: Léo Delibes, from the ballet ''Sylvia'') **no. 26 ''Variation: "Danse de Fête"'' **no. 27 ''Finale: Galop générale''


Scoring

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Further reading

* Ingo Müller: Die Rezeption E.T.A. Hoffmanns in der klassischen Musik des 19. bis 21. Jahrhunderts. In: “Unheimlich Fantastisch – E.T.A. Hoffmann 2022”. Begleitbuch zur Ausstellung der Staatsbibliothek Berlin in Zusammenarbeit mit dem Deutschen Romantik-Museum Frankfurt a. M. und der Staatsbibliothek Bamberg, hg. von Benjamin Schlodder, Christina Schmitz, Bettina Wagner und Wolfgang Bunzel, Leipzig 2022, ISBN 3959055730 S. 315-322.


Notes


External links

* *Visual evidence of the premiere and subsequent Parisian productions o
GallicaLong Beach BalletMichigan Ballet TheatreSwanhilde costume
* (2021) * {{DEFAULTSORT:Coppelia Ballets by Marius Petipa Ballets by Léo Delibes 1870 works 1870s ballets Ballets by Charles Nuitter 1870 compositions Ballets by George Balanchine Ballets premiered at the Paris Opera Ballet Works based on The Sandman (short story) Fiction about dolls