''Clockwork Immortality'' is the second studio album by Japanese heavy metal band
Lovebites. The album was released in Japan on December 5, 2018 by
Victor Entertainment
, also known as in Japan, is a subsidiary of JVCKenwood that produces and distributes music, movies and other entertainment products such as anime and television shows in Japan. It is known as JVC Entertainment in countries where Sony Music E ...
, and in Europe, Australia, and New Zealand two days later by
Arising Empire.
JPU Records released it in the
United Kingdom
The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the European mainland, continental mainland. It comprises England, Scotlan ...
on January 18, 2019. It reached number 21 on the
Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in N ...
chart and number 23 on ''
Billboard Japan
''Billboard Japan'' is a sister organization of the U.S.-based music magazine '' Billboard''. It is operated by the Japanese Osaka-based company Hanshin Contents Link (a subsidiary of Hanshin Electric Railway
is a Japanese private railway compa ...
''.
Background
Lovebites started recording ''Clockwork Immortality'' before the June 6, 2018 release of their second EP, ''
Battle Against Damnation''.
Several of the songs began during the making of the EP. The band created a list of what "qualities" they wanted to include on the album before Miho, Miyako, and Asami started writing in their own teams with their frequent collaborator, Light Bringer keyboardist Mao.
Miyako recorded all of her guitar parts at her home studio using a
Dean USA Icon guitar before
re-amping, using a
Peavey 6505 for the lead and solos and a
Marshall for backing.
Bassist and bandleader Miho described ''Clockwork Immortality'' as featuring "the strongest, most powerful elements" of ''Battle Against Damnation'', with the "speedy and melodic elements" of their first album, ''
Awakening from Abyss
''Awakening from Abyss'' is the first studio album by Japanese heavy metal band Lovebites. The album was released on October 25, 2017 in Japan by Victor Entertainment and in North America by Sliptrick Records, and in Europe two days later by JP ...
''.
Guitarist Midori described it as still rooted in
power metal and featuring "notable influences from
thrash metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . ...
and
speed metal."
But she noted that they did experiment with acoustic guitars and adopted a different approach to some songs in order to add a "little variation" to their sound in addition to including their first
ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or '' ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...
.
Like all of their releases, it was mixed by Mikko Karmila and mastered by Mika Jussila at
Finnvox Studios in Helsinki, Finland.
Also returning, The EasyRabbit CreArtions provided the cover art of a wolf smashing through an hourglass; illustrated by Spanish artist David López Gómez and designed by Gómez and Carlos Vincente León.
The wolf, which also appeared on the band's previous two releases, symbolizes that by playing the non-mainstream genre of heavy metal Lovebites are a "lone wolf" in the music scene.
Midori described the art as visualizing the meaning of the album title; "treasure every moment of your time."
Themes
Miho described the opening riff of "Pledge of the Saviour" as a good mixture between melodic power metal and the musicality from Midori and Miyako's
metalcore
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use ...
backgrounds.
For the piano and vocal part in the middle of "Rising", Miyako wanted to pay respect to
Chopin.
The slightly
progressive metal
Progressive metal (sometimes shortened to prog metal) is a broad fusion music genre melding heavy metal and progressive rock, combining the loud "aggression" and amplified guitar-driven sound of the former with the more experimental, cerebral ...
track "Empty Daydream" was originally made for ''Battle Against Damnation'', but did not pass the EP's final song selection and was instead kept for the album.
"Mastermind 01" was the last song that Miyako wrote for the album and Miho compared it to "Scream for Me" off of ''Awakening from Abyss''. Asami's fast vocal delivery slightly reminded both of them of
rap music
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The ...
.
"M.D.O." was made specifically so an audience could sing along live. Its title stands for "Most Destructive Outset" and its lyrical theme was inspired by the Resurrection arc of the manga series ''
Phoenix'' by
Osamu Tezuka
Osamu Tezuka (, born , ''Tezuka Osamu''; – 9 February 1989) was a Japanese manga artist, cartoonist, and animator. Born in Osaka Prefecture, his prolific output, pioneering techniques, and innovative redefinitions of genres earned him suc ...
.
Miho wrote the lyrics to "Journey to the Otherside" about her family, while those of "The Final Collision" seek to inspire from a personal suffering she was going through at the time.
The bassist also said that with "Journey to the Otherside" she was partially able to create a chorus that could be sung in unison with a live audience, inspired by an experience she had playing
Grim Reaper's "See You in Hell" at an event she was disc jockeying for.
The final ballad track "Epilogue" is the first metal song Asami has ever written. Miyako admitted that despite its few notes, it was the song that took the most takes to record her guitars for as the slightest mistake was noticeable. Its outro subtly includes the theme from the opening track, "Addicted".
Release
''Clockwork Immortality'' was released in Japan on December 5, 2018 by
Victor Entertainment
, also known as in Japan, is a subsidiary of JVCKenwood that produces and distributes music, movies and other entertainment products such as anime and television shows in Japan. It is known as JVC Entertainment in countries where Sony Music E ...
. Limited editions of the album include either a DVD or Blu-ray of the concert video ''Battle in the East'', which was recorded on June 28, 2018 at
Tsutaya O-East
is a music venue in Dogenzaka Chome, Shibuya, Tokyo, where every week, mostly Japanese bands and musicians perform. The venue was renamed Spotify O-East in December 2021, after a deal with the music-streaming service. It had previously been named ...
. The album was supported by the six-date Clockwork Immortality Tour in Japan 2019, from January 12 to February 23.
Victor released a limited edition 2-disc vinyl
LP record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and ...
version of the album, titled in Japanese, on November 6, 2019 with new
liner notes
Liner notes (also sleeve notes or album notes) are the writings found on the record sleeve, sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes.
Origin
Liner n ...
by
Masanori Ito.
Lovebites' performance at Germany's
Wacken Open Air in August 2018 earned them a contract with
Arising Empire.
The label released the album in Europe, Australia, and New Zealand two days after its Japanese release. While
JPU Records released it in the United Kingdom on January 18, 2019.
Reception
''Clockwork Immortality'' reached number 21 on the
Oricon Albums Chart
The Oricon Albums Chart is the Japanese music industry standard albums popularity chart issued daily, weekly, monthly and yearly by Oricon. Oricon originally published LP, CT, Cartridge and CD charts prior to the establishment of the Oricon ...
and stayed on the chart for six weeks.
It peaked at number 23 on ''
Billboard Japan
''Billboard Japan'' is a sister organization of the U.S.-based music magazine '' Billboard''. It is operated by the Japanese Osaka-based company Hanshin Contents Link (a subsidiary of Hanshin Electric Railway
is a Japanese private railway compa ...
''s Hot Albums chart.
However, it reached number 21 on ''Billboard Japan''s Top Albums Sales chart, which is based only on physical sales.
Giving the album a near perfect 9.5/10, Andy Thorley of Maximum Volume Music believes it proves Lovebites are one of the finest metal bands around and suggested that ''Clockwork Immortality'' might be the greatest metal album ever recorded by an all-woman group.
Dead Rhetoric's Matt Coe wrote that the album reminds him of the best of ''
Visions''-era
Stratovarius,
Helloween
Helloween is a German power metal band founded in 1984 in Hamburg by members of bands Iron Fist, Gentry, Second Hell and Powerfool. Its first lineup consisted of singer and guitarist Kai Hansen, bassist Markus Grosskopf, guitarist Michael W ...
's classic ''
Keeper of the Seven Keys'' records, and "the magnificence of early
Angra." He called Lovebites one of the strongest Japanese bands that "could seriously make a solid dent into international success based on their output."
Citing "Mastermind 01" and "Pledge of the Saviour" as highlights, Dannii Leivers of ''
Metal Hammer
''Metal Hammer'' is a heavy metal music magazine and website founded in 1983, published in the United Kingdom by Future, with other language editions available in numerous other countries. ''Metal Hammer'' features news, reviews and long-form ...
'' claimed ''Clockwork Immortality'' is without a bad song as each "stands tall and defiant, brilliantly crafted and memorable in its own right." They finished by stating "Believe the hype, ladies and gentlemen. Lovebites are the full package."
Jovan Ristić of ''Hardwired'' wrote that "From the first notes of the opener "Addicted" down to the cheesy power ballad in "Epilogue", the album invokes the glory days of power metal, but with a fresh take." Feeling that all of the songs are recognizable and catchy, he cited "The Final Collision" and "Rising" as standouts showing the musicians' musical capabilities.
Calling the songs engaging, inventive and inspiring, ''Hysteria''s Audrey Gerrard believes ''Clockwork Immortality'' represents another step closer towards Lovebites finding its unique blend of power metal "with a range of stylistic strengths at the core of the various tracks."
Ali Cooper of ''Distorted Sound'' gave the album a 7/10 and praised the skills of the guitarists and Asami's vocals, but felt several aspects were predictable and "cookie-cutting."
Track listing
Personnel
Lovebites
*Asami – vocals
*Midori – guitars
*Miyako – guitars, acoustic guitars and keyboards
*Miho – bass guitar
*Haruna – drums
Other
*Mao – keyboards and programming
*Steve Jacobs – production
*Mikko Karmila – mixing
*Mika Jussila – mastering
Charts
References
External links
*
*
{{Authority control
2018 albums
Lovebites (band) albums
Victor Entertainment albums