The Civic Opera Company (1922–1931) was a

Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = List of sovereign states, Count ...

company that produced seven seasons of

grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...

in the

Auditorium Theatre The Auditorium Theatre is a music and performance venue located inside the Auditorium Building at 50 Ida B. Wells Drive in Chicago, Illinois. Inspired by the Richardsonian Romanesque Style of architect Henry Hobson Richardson, the building was d ...

from 1922 to 1928, and three seasons at its own

Civic Opera House The Civic Opera House, also called Lyric Opera House is an opera house located at 20 North Wacker Drive in Chicago. The Civic's main performance space, named for Ardis Krainik, seats 3,563, making it the second-largest opera auditorium in N ...

from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression. The company consisted largely of the remnants of the Chicago Opera Association, a company that produced seven seasons of grand opera in the Auditorium Theatre from 1915 until its bankruptcy in 1921.

Chicago Opera Association

The Chicago Opera Association produced seven seasons of

in Chicago's

from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick. When Campanini died in December 1919 he was replaced by the composer

Gino Marinuzzi Gino Marinuzzi (24 March 188217 August 1945) was an Italian conductor and composer, particularly associated with the operas of Wagner and the Italian repertory. Biography Marinuzzi was born and studied in Palermo, and began his career there as ...

, who staged his own ''

Jacquerie The Jacquerie () was a popular revolt in late-medieval Europe, popular revolt by peasants that took place in northern France in the early summer of 1358 during the Hundred Years' War. The revolt was centred in the valley of the Oise (river), O ...

'' as the opening production of the 1920–21 season. In January 1921, operatic diva

Mary Garden A Mary garden is a small sacred garden enclosing a statue or shrine of the Virgin Mary, who is known to many Christians as the Blessed Virgin, Our Lady, or the Mother of God. In the New Testament, Mary is the mother of Jesus of Nazareth. Mary ...

was appointed music director (or "Directa" as she styled it) and the recently divorced McCormick promised to pay that year's difference exceeding $100,000, the previous high being $300,000. He planned on this being his last season, and he called in Mary Garden to finish the company with style. The subsequent blow-out season was finished with the hugely expensive world premiere of Sergei Prokofiev's ''

The Love for Three Oranges ''The Love for Three Oranges'', Op. 33, also known by its French language title ' (russian: Любовь к трём апельсинам, links=no, ''Lyubov' k tryom apel'sinam''), is a satirical opera by Sergei Prokofiev. Its French libretto ...

'', which had been commissioned by the Opera Association. This, and other extravagances on Mary Garden's part, ended the season with a deficit of $1,100,000, most of which was paid for by the McCormick fund. Mary Garden as "Directa" for one season cost $750,000 more than any single season of opera in Chicago at that time. Coming as it did during a business recession, these deficits bankrupted the company.

Notable singers

Georges Baklanoff Georgy Andreyevich Baklanoff, known as Georges Baklanoff (sometimes spelled Baklanov; 6 December 1938) was a Russian operatic baritone who had an active international career from 1903 until his death in 1938. Possessing a powerful and flexible v ...

* Charles Dalmorès * Alice D'Hermanoy *

Hector Dufranne Hector Dufranne (25 October 1870 – 4 May 1951) was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing an ...

Florence Easton Florence Easton (25 October 1882 – 13 August 1955) was a popular English dramatic soprano in the early 20th century. She was one of the most versatile singers of all time. She sang more than 100 parts, covering a wide range of styles and p ...

* Anna Fitziu *

Amelita Galli-Curci Amelita Galli-Curci (18 November 1882 – 26 November 1963) was an Italian coloratura soprano. She was one of the most popular operatic singers of the 20th century, with her recordings selling in large numbers. Early life She was born as Am ...

* Gustave Huberdeau * Frances Ingram *

Nina Koshetz Nina Koshetz ( uk, Ніна Павлівна Кошиць; russian: Нина Павловна Кошиц; née Poray-Koshetz ( :uk:Порай-Кошиці); 30 December 1891 – 14 May 1965) was a Russian-Ukrainian, later American opera soprano, ...

* Edith Mason *

Mary McCormic Mary McCormic (November 11, 1889DOB is from her grave marker; the DOD listed in thSocial Security Death Indexstates November 12, 1895; the grave marker is consistent with archival records, namely the 1910 US Census, which, places her DOB around ...

Carmen Melis Carmen Melis (15 August 1885 – 19 December 1967) was an Italian operatic soprano who had a major international career during the first four decades of the 20th century. She was known, above all, as a verismo soprano, and was one of the most int ...

* Tamaki Miura * Lucien Muratore *

Claudia Muzio Claudia Muzio (7 February 1889 – 24 May 1936) was an Italian operatic soprano who enjoyed an international career during the early 20th century. Early years Claudina Emilia Maria Muzzio was born in Pavia, the daughter of Carlo Muzio, an opera ...

* Giovanni Polese *

Rosa Raisa Rosa Raisa (30 May 189328 September 1963) was a Polish-born and Italian-trained Russian-Jewish dramatic operatic soprano who became a naturalized American. She possessed a voice of remarkable power and was the creator of the title role of Puccin ...

* Tito Schipa *

Emilio Venturini Emilio Venturini (1878–1952) was an Italian operatic lyric tenor known for his portrayal of character roles. He made his professional opera debut in 1900 in Italy where he remained for the next several years. In 1901 he sang the role of Brighell ...

* Alice Verlet * Olivia Monona

Formation of the Civic Opera Company

The Civic Opera was formed by reorganizing the bankrupt of the Chicago Opera Association in 1921. Opera Association general manager Harold F. McCormick resigned and was replaced by utilities magnate

Samuel Insull Samuel Insull (November 11, 1859 – July 16, 1938) was a British-born American business magnate. He was an innovator and investor based in Chicago who greatly contributed to create an integrated electrical infrastructure in the United States ...

, while sixteen of the eighteen directors were carried over from the old company. The new Civic Opera also fell heir to

as musical director as well as all of the costumes, scenery, and other resources of the defunct Opera Association. The Civic Opera Company was Chicago's first real world class Opera Company, it was also a "democratic" opera company, aiming for a popular audience. Productions were supposed to based upon what the people wanted, though they turned out to be the Italian repertory that the sponsors and the executives favored and the modern French operas beloved of reigning diva Mary Garden, while German works and operetta were sadly neglected. The Civic Opera Company opened on November 13, 1922 with a stunning performance of ''

Aïda ''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 Decembe ...

''. This was a traditional opera to start with and was obviously the choice of Insull and not Mary Garden, who was the champion of French opera and had a more modern taste in music. Typical of what she would have chosen would have been '' Pelléas et Mélisande'', a role

Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most infl ...

had written for her. This is almost the opposite of Insull's taste in opera, he preferred older pieces in Italian, such as works by

Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...

Puccini Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long li ...

, and

Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...

. This tension was resolved by having an almost equal number of Italian and French operas a year, contrary to practice at virtually any other opera house outside France, with other languages wildly under represented. Sometimes even Russian operas, such as ''

Boris Godunov Borís Fyodorovich Godunóv (; russian: Борис Фёдорович Годунов; 1552 ) ruled the Tsardom of Russia as ''de facto'' regent from c. 1585 to 1598 and then as the first non-Rurikid tsar from 1598 to 1605. After the end of hi ...

'', were performed in French.

New Opera House

Originally, like Chicago Opera Association, the Civic Opera Company was housed in the Auditorium theater. This theater was superlative for singing, the acoustics were and are second to none, but there was no back stage to speak of. This limits the productions possible to put on and that can be housed at one point in time, a limit that both Insull and Garden chafed under, so very early on, Insull decided that there would be a new opera house. The new

would be marginally smaller in seat capacity than the auditorium, but this was out-weighed by the back stage space which was to be larger than any other back stage space at that time, and the acoustics were not quite as good as that of the auditorium, but they are still very good. The building of the new opera house was to be semi-financed by Insull, and the rest would be leveraged in with bonds to be held by the

Metropolitan Life Insurance Company MetLife, Inc. is the holding corporation for the Metropolitan Life Insurance Company (MLIC), better known as MetLife, and its affiliates. MetLife is among the largest global providers of insurance, annuities, and employee benefit programs, ...

. The original plan was that the Civic Opera would retire these bonds over the next eighty years with rents from a 28-story office tower above the theatre. Thus they would completely own the building and rentals from the office space would subsidize the Civic Opera Company. In the 1950s the theater became the home of the

Lyric Opera of Chicago Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria ...

Bankruptcy

This was a magnificent plan and would have worked wonderfully, except that opening night ironically fell on November 4, 1929 (again with a delightful performance of Aida) less than a month after the

Black Tuesday The Wall Street Crash of 1929, also known as the Great Crash, was a major American stock market crash that occurred in the autumn of 1929. It started in September and ended late in October, when share prices on the New York Stock Exchange colla ...

stock crash. This catastrophe, coupled with the extravagance of the new house, were body blows at the financial health of the civic Opera, starting a chain reaction. Soon Insull, the financial mainstay, lost control of his utilities and transportation companies and became unable to under-write Civic Opera. Mary Garden, the star-power and resident genius of Civic, never happy with the new opera house, retired abruptly after a performance of Massenet's '' Le jongleur de Notre-Dame'' at the end of the 1931/2 season. Finally, on June 23, 1932, Civic Opera declared bankruptcy and was forced to liquidate.

References

Bibliography

* Davis, Ronald L., ''Opera in Chicago'', Appleton, New York City, 1966. * Marsh, Robert C. and

Norman Pellegrini Norman Pellegrini (July 18, 1929 – July 2, 2009) was an American radio executive, producer, and personality. He was the program director for WFMT radio in Chicago from 1953 to 1996. On air he led WFMT's internationally syndicated broadcasts ...

, ''150 Years of Opera in Chicago'', Northern Illinois University Press, Chicago 2006.