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Gino Marinuzzi
Gino Marinuzzi (24 March 188217 August 1945) was an Italian conductor and composer, particularly associated with the operas of Wagner and the Italian repertory. Biography Marinuzzi was born and studied in Palermo, and began his career there as well, conducting the local premieres of '' Tristan und Isolde'' in 1909, and '' Parsifal'' in 1914. He then appeared in Rome and Milan, where he conducted several local premieres (mostly Wagner operas) and many revivals of rarely performed operas such as ''Lucrezia Borgia'', '' La straniera'', ''Beatrice di Tenda'' and '' L'incoronazione di Poppea''. In 1930 he conducted the world premiere of Ildebrando Pizzetti's ''Lo straniero''. He made guest appearances at the Paris Opéra, the Royal Opera House in London, and the Monte Carlo Opera, where he conducted the world premiere of Puccini's ''La rondine'' in 1917. He was artistic director of the Chicago Opera Association from 1919 to 1921, and the Rome Opera from 1928 to 1934. He cond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palermo, Italy
Palermo ( , ; scn, Palermu , locally also or ) is a city in southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old. Palermo is in the northwest of the island of Sicily, by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in 734 BC by the Phoenicians as ("flower"). Palermo then became a possession of Carthage. Two Greek colonies were established, known collectively as ; the Carthaginians used this name on their coins after the 5th centuryBC. As , the town became part of the Roman Republic and Empire for over a thousand years. From 831 to 1072 the city was under Arab rule in the Emirate of Sicily when the city became the capital of Sicily for the first time. During this time the city was known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a '' monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturno Meletti
Saturno Meletti (1906 in Fano – 23 September 1985 in Rome) was an Italian operatic bass-baritone particularly associated with the standard Italian repertory and contemporary works. Meletti began his career in his native city as Escamillo, in 1929, later appearing in several small theatres throughout Italy. He made his debut at the Rome Opera in 1932, and sang there until 1976. He then appeared at the Teatro Comunale in Bologna, the Teatro Regio Parma, the San Carlo in Naples, the Teatro Massimo in Palermo, the Maggio Musicale Fiorentino in Florence, and La Scala in Milan, etc. He also made guest appearances in Germany, Switzerland, Egypt, and South America. He took part in many creations, notably Gian Francesco Malipiero's ''Antonio e Cleopatra'' (Florence, 1938), Ildebrando Pizzetti's ''Vanna Lupa'' (Rome, 1947), Adriano Lualdi's ''La Luna di Cairibi'' (Milan, 1953), Renzo Rossellini's ''La Guerra'' (Naples, 1956). He can be heard on several recordings with Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tancredi Pasero
Tancredi Pasero (11 January 1893 in Turin – 17 February 1983 in Milan) was an Italian bass who enjoyed a long and distinguished singing career in his native country and abroad. Career & recordings After studying with the baritone Arturo Pessina in Turin, Pasero made his debut there, during 1917, as Ramphis in Verdi's ''Aida''—although he always considered his official operatic debut to have taken place in Vicenza, on 15 December 1918, as Rodolfo in Vincenzo Bellini's ''La sonnambula''. According to ''The Concise Oxford Dictionary of Opera'', Pasero went on to make guest appearances in London, Paris, Barcelona, Berlin, Hamburg, Brussels, Buenos Aires and New York City. La Scala, Milan, where he made his debut in 1926, would become his main artistic home, but American audiences did get to hear him from 1929 until 1933, when he sang at the Metropolitan Opera. His roles at the Met included Oroveso, Raimondo, Ferrando, Fiesco, Padre Guardiano and Alvise. A performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ebe Stignani
Ebe Stignani (10 July 1903 – 5 October 1974) was an Italian opera singer, who was pre-eminent in the dramatic mezzo-soprano roles of the Italian repertoire during a stage career of more than thirty years. Career Born in Naples in 1903 (some sources cite her year of birth as 1904Obituary in ''The Times'', 11 Oct 1904, p. 16, col. E), Stignani studied music for five years at the San Pietro a Majella Conservatory in Naples, including piano and composition as well as singing. The date of her singing début is usually said to have been in 1925 at the San Carlo opera house in Naples, in the role of Amneris in Verdi's '' Aida'', but there is evidence that she may have sung a number of roles in the previous year. In 1926, she was invited to La Scala Milan by Arturo Toscanini to sing the part of Princess Eboli in Verdi's '' Don Carlos'', and Milan continued to be a principal stage for her during the rest of her career. She sang all of the major Italian mezzo-soprano roles, but also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Tagliabue
Carlo Pietro Tagliabue (January 13, 1898 in Mariano Comense – April 5, 1978 in Monza) was an Italian baritone. After studies with Leopoldo Gennai and Annibale Guidotti he made his debut in Lodi, Lombardy, in ''Loreley'' and ''Aida''. His debuts in Genoa (1923), Torino, La Scala (1930), Rome (1931), and Naples (1931) were all in ''Tristan und Isolde'' (sung in Italian). He also performed in Wagner's ''Götterdämmerung'', ''Tannhäuser'' and ''Lohengrin''. However, Tagliabue would go on to excel in the Verdian repertoire, especially ''La forza del destino'', ''Aida'', ''Rigoletto'', ''La traviata'', ''Nabucco'', and ''Otello''. He created the role of Basilio in Respighi's ''La fiamma'' in 1934. His international career included Buenos Aires' Teatro Colón (1934), the Metropolitan Opera, New York City (1937–39), and San Francisco Opera and Covent Garden, London (1938). Tagliabue's last performance was in 1955 at La Scala, at the famous performance of ''La traviata'' condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galliano Masini
Galliano Masini (7 February 1896 – 15 February 1986) was a leading Italian operatic tenor, particularly associated with the ''spinto'' (lyric-dramatic) roles of the Italian repertory. Masini was born in Livorno in humble circumstances. He studied singing in Milan. Some sources say that his teacher was Angelo Bendinelli, while others suggest another teacher, Giovanni Laura. He made his debut in his native Livorno, as Cavaradossi in Giacomo Puccini's ''Tosca'' in 1923. He sang as first tenor at the Rome Opera from 1930 to 1950, and was also a regular guest artist at La Scala, Milan, and the Verona Arena. Outside Italy, he appeared at the Paris Opéra, the Lyric Opera of Chicago (1937–38), the Metropolitan Opera in New York (1938–39), and the Teatro Colón in Buenos Aires (various years). Masini was particularly acclaimed in roles such as Alvaro, Radames, Loris and Calaf, although he also enjoyed success in more lyrical parts, notably as Edgardo, Rodolfo and Pinkerton. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Caniglia
Maria Caniglia (5 May 1905 – 16 April 1979) was one of the leading Italian spinto sopranos of the 1930s and 1940s. Life and career Caniglia was born in Naples and studied at the Music Conservatories of Naples with Agostino Roche. She made her professional debut in Turin as Chrysothemis in ''Elektra'' in 1930. The same year she sang Magda in Respighi's ''La campana sommersa'' in Geneva and Elsa in Wagner's ''Lohengrin'' in Rome and made her debut at La Scala in Milan as Maria in Pizzetti's ''Lo straniero''. She sang regularly at La Scala until 1951 in the leading dramatic soprano roles in opera, such as ''Un ballo in maschera'', ''La forza del destino'', ''Aida'', ''Andrea Chénier'', ''Tosca'' and ''Adriana Lecouvreur''. She was particularly successful in roles from the latter verismo school. On the international scene, Caniglia appeared in venues such as the Palais Garnier, Covent Garden, and the Teatro Colón. She made her debut at the Metropolitan Opera in New York C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Forza Del Destino
' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, with a scene adapted from Friedrich Schiller's '' Wallensteins Lager'' (''Wallenstein's Camp''). It was first performed in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia, on 29 November 1862 O.S. (N.S. 10 November). ' is frequently performed, and there have been a number of complete recordings. In addition, the overture (to the revised version of the opera) is part of the standard repertoire for orchestras, often played as the opening piece at concerts. Performance history Revisions After its premiere in Russia, ''La forza'' underwent some revisions and made its debut abroad with performances in Rome in 1863 under the title ''Don Alvaro''. Performances followed in Madrid (with the Duke of Rivas, the play's author, in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome Opera
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,600. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Opera Association
The Civic Opera Company (1922–1931) was a Chicago company that produced seven seasons of grand opera in the Auditorium Theatre from 1922 to 1928, and three seasons at its own Civic Opera House from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression. The company consisted largely of the remnants of the Chicago Opera Association, a company that produced seven seasons of grand opera in the Auditorium Theatre from 1915 until its bankruptcy in 1921. Chicago Opera Association The Chicago Opera Association produced seven seasons of grand opera in Chicago's Auditorium Theatre from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick. When Campanini died in December 1919 he was replaced by the composer Gino Marinuzzi, who staged his own ''Jacquerie'' as the opening production of the 1920–21 season. In January 1921, ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Rondine
''La rondine'' (''The Swallow'') is an opera in three acts by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on a libretto by Alfred Maria Willner and . It was first performed at the Grand Théâtre de Monte Carlo (or the Théâtre du Casino) in Monte Carlo on 27 March 1917. Composition history In autumn 1913, the directors of Vienna's Carltheater commissioned Puccini to compose a Viennese operetta. After confirming that it could take the form of a comic opera with no spoken dialogue in the style of ''Der Rosenkavalier'', "only more entertaining and more organic,"Gavin Plumly, "Puccini's Bittersweet Operetta", San Francisco Opera program, Nov/Dec 2007, pp. 30/31 he agreed. The work proceeded for two years, sometimes intensely, sometimes with great difficulty, and in spring 1916 the opera was finished. The originally intended Viennese première was impeded by the outbreak of World War I and the entrance of Italy in the Alliance against Austria-Hungary, hence the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
