Cherubim

A cherub (; : cherubim; ''kərūḇ'', pl. ''kərūḇīm'') is one type of supernatural being in the Abrahamic religions. The numerous depictions of cherubim assign to them many different roles, such as protecting the entrance of the Garden of Eden.

Etymology

Delitzch's ''Assyrisches Handwörterbuch'' (1896) connected the name ''keruv'' with Assyrian ''kirubu'' (a name of the ''shedu'' or ''lamassu'') and ''karabu'' ("great, mighty").

Karppe (1897) glossed Babylonian ''karâbu'' as "propitious" rather than "mighty".De Vaux, Roland (tr. John McHugh), ''Ancient Israel: Its Life and Institutions'' (New York, McGraw-Hill, 1961).

Dhorme (1926) connected the Hebrew name to Assyrian ''kāribu'' (diminutive ''kurību''), a term used to refer to intercessory beings (and statues of such beings) that plead with the gods on behalf of humanity.

The folk etymology connecting ''cherub'' to a Hebrew word for "youthful" is due to Abbahu (3rd century).

Abrahamic religious traditions

In Jewish angelic hierarchy, cherubim have the ninth (second-lowest) rank in Maimonides' '' Mishneh Torah'' (12th century), and the third rank in Kabbalistic works such as '' Berit Menuchah'' (14th century). The Christian work '' De Coelesti Hierarchia'' places them in the highest rank alongside Seraphim and Thrones.

As described in Ezekiel 1, " ch had four faces, and each of them had four wings; the legs of each were used intoa single rigid leg, and the feet of each were like a single calf's hoof; and their sparkle was like the luster of burnished bronze." In Ezekiel and some Christian icons, the cherub is depicted as having two pairs of wings and four faces, the hayyoth: that of a lion (representative of all wild animals), an ox ( domestic animals), a human (humanity), and an eagle (birds).

In Islam, ' "cherubim" or ' "the Close" refers to the highest angels near God, in contrast to the messenger angels. They include the Bearers of the Throne, the angels around the throne, and the archangels. The angels of mercy subordinative to Michael are also identified as cherubim. In Isma'ilism, there are Seven Archangels referred to as cherubim.

Later tradition ascribes to them a variety of physical appearances. Some early midrash literature conceives of them as non-corporeal. In Western Christian tradition, cherubim have become associated with the putto derived from Cupid in classical antiquity, resulting in depictions of cherubim as small, plump, winged boys.

Cherubim are also mentioned in the Second Treatise of the Great Seth, a 3rd-century Gnostic writing.

Appearance

Aside from Ezekiel's vision, no detailed attestations of ''cherubim'' survive, and Ezekiel's description of the tetramorph being may not be the same as the ''cherubim'' of the historic Israelites. All that can be gleaned about the ''cherubim'' of the Israelites come from potential equivalents in the cultures which surrounded them.

The appearance of the ''cherubim'' continue to be a subject of debate. Mythological hybrids are common in the art of the Ancient Near East. One example is the Babylonian ''lamassu'' or ''shedu'', a protective spirit with a sphinx-like form, possessing the wings of an eagle, the body of a lion or bull, and the head of a king. This was adopted largely in Phoenicia. The wings, because of their artistic beauty and symbolic use as a mark of creatures of the heavens, soon became the most prominent part, and animals of various kinds were adorned with wings; consequently, wings were bestowed also upon human forms, thus leading to the stereotypical image of an angel.

William F. Albright (1938) argued that "the winged lion with human head" found in Phoenicia and Canaan from the Late Bronze Age is "much more common than any other winged creature, so much so that its identification with the cherub is certain". A possibly related source is the human-bodied Hittite griffin, which, unlike other griffins, appear almost always not as a fierce bird of prey, but seated in calm dignity, like an irresistible guardian of holy things; some have proposed that the word ''griffin'' () may be cognate with ''cherubim'' (''kruv'' > ''grups''). which references While Ezekiel initially describes the tetramorph ''cherubim'' as having

the face of a man ... the face of a lion ... the face of an ox ... and ... the face of an eagle

in the this formula is repeated as

the face of the cherub ... the face of a man ... the face of a lion ... the face of an eagle

which (given that "ox" has apparently been substituted with "the cherub") some have taken to imply that ''cherubim'' were envisioned to have the head of a bovine.

In particular resonance with the idea of cherubim embodying the throne of God, numerous pieces of art from Phoenicia, Ancient Egypt, and even Tel Megiddo in northern Israel depict kings or deities being carried on their thrones by hybrid winged creatures.

If this animalistic form is how the ancient Israelites envisioned cherubim, it raises more questions than it answers. For one, it is difficult to visualize the cherubim of the Ark of the Covenant as quadrupedal creatures with backward-facing wings, as these cherubim were meant to face each other and have their wings meet, while still remaining on the edges of the cover from which they were beaten. At the same time, these creatures have little to no resemblance to the ''cherubim'' in Ezekiel's vision.

On the other hand, even if ''cherubim'' had a more humanoid form, this still would not entirely match Ezekiel's vision and likewise seemingly clashes with the apparently equivalent archetypes of the cultures surrounding the Israelites, which almost uniformly depicted beings which served analogous purposes to Israel's ''cherubim'' as largely animalistic in shape. All of this may indicate that the Israelite conception of the ''cherub''s appearance may not have been wholly consistent.

Hebrew Bible

The cherubim are the most frequently occurring heavenly creature in the Hebrew Bible 3:24. Despite these many references, the role of the cherubim is never explicitly elucidated. While Israelite tradition must have conceived of the cherubim as guardians of the Garden of Eden in which they guard the way to the Tree of life, they are often depicted as performing other roles; for example in the Book of Ezekiel, they transport Yahweh's throne. The cherub who appears in the "Song of David", a poem which occurs twice in the Hebrew Bible, in 2 Samuel 22 and Psalm 18, participates in Yahweh's theophany and is imagined as a vehicle upon which the deity descends to earth from heaven to rescue the speaker (see 2 Samuel 22:11, Psalm 18:10).

In Exodus 25:18–22, God tells Moses to make multiple images of cherubim at specific points around the Ark of the Covenant. Many appearances of the words ''cherub'' and ''cherubim'' in the Bible refer to the gold cherubim images on the mercy seat of the Ark, as well as images on the curtains of the Tabernacle and in Solomon's Temple, including two measuring ten cubits high.

In , Hezekiah prays, addressing God as , referring to the mercy seat. In regards to this same phrase, which appears also in 2 Kings 19, Eichler renders it "who dwells among the cherubim". Eichler's interpretation is in contrast to common translations for many years that rendered it as "who sits upon the cherubim". This has implications for the understanding of whether the ark of the covenant in Solomon's Temple was Yahweh's throne or simply an indicator of Yahweh's immanence.

Cherubim feature at some length in Ezekiel. While they first appear in Ezekiel 1, in which they are transporting the throne of God by the Kebar (or Chebar, which was near Tel Abib in Nippur), they are not called "cherubim" until Ezekiel 10. In Ezekiel 1:5–11 they are described as having the likeness of a man and having four faces: that of a man, a lion (on the right side), and ox (on the left side), and an eagle. The four faces represent the four domains of God's rule: the man represents humanity; the lion, wild animals; the ox, domestic animals; and the eagle, birds. These faces peer out from the center of an array of four wings; these wings are joined to each other, two of these are stretched upward, and the other two cover their bodies. Under their wings are human hands; their legs are described as straight, and their feet like those of a calf, shining like polished brass. Between the creatures glowing coals that moved between them could be seen, their fire "went up and down", and lightning burst forth from it. The cherubs also moved like flashes of lightning.

In Ezekiel 10, another full description of the cherubim appears with slight differences in details. Three of the four faces are the same – man, lion and eagle – but where chapter one has the face of an ox, Ezekiel 10:14 says "face of a cherub". Ezekiel equates the cherubim of chapter ten with the living creatures of chapter one in Ezekiel 10:15 "The cherubs ascended; those were the creatures () that I had seen by the Chebar Canal" and in 20:10, "They were the same creatures that I had seen below the God of Israel at the Chebar Canal; so now I knew that they were cherubs." In Ezekiel 41:18–20, they are portrayed as having two faces, although this is probably because they are depicted in profile.

In Judaism

In rabbinic literature, the two ''cherubim'' are described as being human-like figures with wings, one a boy and the other a girl, placed on the opposite ends of the Mercy seat in the inner-sanctum of God's house. Solomon's Temple was decorated with Cherubs according to , and Aḥa bar Ya’akov claimed this was true of the Second Temple as well.

Many forms of Judaism include a belief in the existence of angels, including cherubim within the Jewish angelic hierarchy. The existence of angels is generally accepted within traditional rabbinic Judaism. There is, however, a wide range of beliefs within Judaism about what angels actually are and how literally one should interpret biblical passages associated with them.

In Kabbalah there has long been a strong belief in cherubim, the cherubim and other angels regarded as having mystical roles. The '' Zohar'', a highly significant collection of books in Jewish mysticism, states that the cherubim were led by one of their number named Kerubiel.

On the other end of the philosophical spectrum is Maimonides, who had a neo-Aristotelian interpretation of the Bible. Maimonides writes that to the wise man, one sees that what the Bible and Talmud refer to as "angels" are actually allusions to the various laws of nature; they are the principles by which the physical universe operates.

For he he naive persondoes not understand that the true majesty and power are in the bringing into being of forces which are active in a thing although they cannot be perceived by the senses ... Thus the Sages reveal to the aware that the imaginative faculty is also called an angel; and the mind is called a cherub. How beautiful this will appear to the sophisticated mind, and how disturbing to the primitive.
:— '' The Guide for the Perplexed'' II:6.

Maimonides says that the figures of the cherubim were placed in the sanctuary only to preserve among the people the belief in angels, there being two in order that the people might not be led to believe that they were the image of God.

Cherubim are discussed within the midrash literature. The two cherubim placed by God at the entrance of paradise were angels created on the third day, and therefore they had no definite shape; appearing either as men or women, or as spirits or angelic beings. The cherubim were the first objects created in the universe. The following sentence of the Midrash is characteristic:

When a man sleeps, the body tells to the soul (''neshamah'') what it has done during the day; the soul then reports it to the spirit (''nefesh''), the spirit to the angel, the angel to the cherub, and the cherub to the seraph, who then brings it before God".

In early Jewish tradition there existed the notion that cherubim had youthful, human features, due to the etymologization of the name by Abbahu (3rd century). Before this, some early midrashic literature conceived of the cherubim as non-corporeal. In the first century AD, Josephus claimed:

No one can tell, or even conjecture, what was the shape of these cherubim.

A midrash states that when Pharaoh pursued Israel at the Red Sea, God took a cherub from the wheels of His throne and flew to the spot, for God inspects the heavenly worlds while sitting on a cherub. The cherub, however, is "something not material", and is carried by God, not vice versa.

In the passages of the Talmud that describe the heavens and their inhabitants, the seraphim, ofanim, and living creatures are mentioned, but not the cherubim; and the ancient liturgy also mentions only these three classes.

In the Talmud, Jose the Galilean holds that when the Birkat Hamazon (grace after meals) is recited by at least ten thousand seated at one meal, a special blessing

Blessed is Ha-Shem our God, the God of Israel, who dwells between the cherubim

is added to the regular liturgy.

In Christianity

In the Book of Genesis, the Cherubim were introduced:

They were further described throughout the Old Testament, especially in the Book of Chronicles and Ezekiel respectively:

In Medieval theology, following the writings of Pseudo-Dionysius, the cherubim are the second highest rank in the angelic hierarchy, following the seraphim and preceding the Thrones. Cherubim are regarded in traditional Christian angelology as angels of the second highest order of the ninefold celestial hierarchy. '' De Coelesti Hierarchia'' (c. 5th century) lists them alongside Seraphim and Thrones. According to Thomas Aquinas, the cherubim are characterized by knowledge, in contrast to seraphim, who are characterized by their "burning love to God".

In Western art, cherubim became associated with the putto and the Greco- Roman god Cupid/ Eros, with depictions as small, plump, winged boys. Artistic representations of cherubim in Early Christian and Byzantine art sometimes diverged from scriptural descriptions. The earliest known depiction of the tetramorph cherubim is the 5th–6th century apse mosaic found in the Thessalonian Church of Hosios David. This mosaic is an amalgamation of Ezekiel's visions in , , Isaiah's seraphim in and the six-winged creatures of Revelation from .

In Islam

Al-Karubiyyin, according to the Quran, are identified as a class of ''al-muqarrabin'', and are a class of angels near the presence of God. They are entrusted with praising God and interceding for humans. They are usually identified either with a class of angels separate or include various angels absorbed in the presence of God: the canonical four Islamic archangels Jibra'il, Mika'il, Azra'el, and Israfil, the actual cherubim and the Bearers of the Throne. They are frequently mentioned in the ibn Abbas version of Muhammad's Night Journey.

Some scholars had a more precise approach: ibn Kathir distinguishes between the angels of the throne and the cherubim. In a 13th–14th-century work called "Book of the Wonders of Creation and the peculiarities of Existing Things", the cherubim belong to an order below the Bearers of the Throne, who in turn are identified with seraphim instead. Abu Ishaq al-Tha'labi places the cherubim as the highest angels only next to the Bearers of the Throne. Similarly, Fakhr al-Din al-Razi distinguishes between the angels carrying the throne (seraphim) and the angels around the throne (cherubim).

The Quran mentions the ''Muqarrabin'' in An-Nisa verse 172, angels who worship God and are not proud. Further, cherubim appear in Miraj literature and the '' Qisas al-Anbiya''. The cherubim around the throne are continuously praising God with the '' tasbih'': "Glory to God!" They are described as bright as no one of the lower angels can envision them. Cherubim as angels of mercy, created by the tears of Michael, are not identified with the angels in God's presence, but of lower rank. They too, request God to pardon humans. In contrast to the messenger angels, the cherubim (and seraphim) always remain in the presence of God. If they stop praising God, they fall.

The Twelver Shi'a scholar Mohammad-Baqer Majlesi narrates about a fallen cherub encountered by Muhammad in the form of a snake. The snake tells him that he did not perform dhikr (remembrance of God) for a moment so God was angry with him and cast him down to earth in the form of a snake. Then Muhammad went to Hasan and Husayn. Together they interceded ( tawassul) for the angel and God restored him to his angelic form. A similar story appears in Tabari's ''Bishara''. An angel called ''Futrus'', described as an "angel-cherub" (''malak al-karubiyyin''), was sent by God, but since the angel failed to complete his task in time, God broke one of his wings. Muhammad interceded for the cherub, and God forgave the fallen angel, whereupon he became the guardian for Hussain's grave.Kohlberg, E. (2020). In Praise of the Few. Studies in Shiʿi Thought and History. Niederlande: Brill. p. 390.

See also

* Buraq
* Cherubism (medical condition)
* Gandharva
* List of angels in theology
* Kamadeva
* Lamassu
* Merkabah mysticism

References

Further reading

* The article looks at the yet unknown nature of the Temple's Cherubim, through linguistic investigation, fauna probabilities and artistic presentations in the ancient Biblical period.
*

External links

The Cherubim—some pointers and problems by Rabbi Dr Raymond Apple

"What Kind of Creatures Are the Cherubim?"
''TheTorah'' (2016)

{{Christian angelic hierarchy

Angels in Christianity
Angels in Islam
Angels in Judaism
Book of Ezekiel
Garden of Eden
Book of Isaiah
Psalms
Classes of angels
Hebrew words and phrases in the Hebrew Bible
Heraldic charges
Tabernacle and Temples in Jerusalem