Charles Le Noir
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Charles Le Noir or Lenoir (; first active 1618; died 9 August 1637) was a French actor-manager, who was a member of the troupe of the
Prince of Orange Prince of Orange (or Princess of Orange if the holder is female) is a title associated with the sovereign Principality of Orange, in what is now southern France and subsequently held by the stadtholders of, and then the heirs apparent of ...
from at least 1622, sometimes named as a co-founder with the actor Montdory of the Théâtre du Marais in 1634, and a member of the Troupe Royale at the Hôtel de Bourgogne from 1634 to 1637.Mongrédien 1972, p. 114.


Life

The first record of Charles Le Noir shows he was the leader of a troupe in
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in 1618. He then appears as the leader of a troupe in
Lille Lille (, ; ; ; ; ) is a city in the northern part of France, within French Flanders. Positioned along the Deûle river, near France's border with Belgium, it is the capital of the Hauts-de-France Regions of France, region, the Prefectures in F ...
in 1620. Le Noir and Montdory were both members of the troupe of the
Prince of Orange Prince of Orange (or Princess of Orange if the holder is female) is a title associated with the sovereign Principality of Orange, in what is now southern France and subsequently held by the stadtholders of, and then the heirs apparent of ...
at the Hôtel de Bourgogne in Paris in July and August 1622. The Prince of Orange died in 1625, but the company continued to perform under his name, appearing regularly in alternation with the troupe of
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at the Bourgogne. According to W. L. Wiley, Montdory joined a different troupe in April 1624. Le Noir was in the cast, when the company presented
Pierre Corneille Pierre Corneille (; ; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great 17th-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage ...
's first play, '' Mélite'', in Paris around 1629 to 1630. The play may have been presented at the Bourgogne before it was given at the ''
jeu de paume ''Jeu de paume'' (, ; originally spelled ; ), nowadays known as real tennis, (US) court tennis or (in France) ''courte paume'', is a ball-and-court game that originated in France. It was an indoor precursor of tennis played without racquets, ...
'' de Berthault, located on the cul-de-sac Beaubourg, where Montdory rejoined the company. Le Noir also appeared in their production of Corneille's '' Clitandre'' (1630–1631). From 15 December 1631, the company began performing at the tennis court known as La Sphère, located on the rue Vieille-du-Temple,Howe 2006, p. 521. and on 10 February 1632, Le Noir and his troupe were sentenced at the Châtelet and required to pay a fine of 405 livres for having given 120 performances at the Berthault. After about three months at La Sphère, the company moved to yet another tennis court, La Fontaine, on the rue Michel-le-Comte, where they were to remain for two years. During this period Le Noir appeared in other plays by Corneille, including, '' La Veuve'' (1632–1633), '' La Galerie du Palais'' (1632–1633), '' La Suivante'' (1633–1634), '' La Place royale'' (1633–1634), and possibly '' Médée'' (1634–1635). On 8 March 1634 the troupe leased a jeu de paume on the rue Vieille-du-Temple with a sign on it reading "Les Marestz", which was soon to be their permanent home and eventually become known as the Théâtre du Marais. According to Deierkauf-Holsboer, the theatre's opening and founding occurred on 1 April 1634. Soon, however, Le Noir would have to leave the troupe: according to the '' Gazette de France'' of 30 November 1634, King Louis XIII transferred Le Noir along with 5 other actors: L'Espy, Jodelet, Jaqueman Jadot, Alizon, and Mlle Le Noir ( Isabelle Mestivier), to the company of Bellerose at the Bourgogne. Very little is known about Le Noir's career during his time there. Charles Le Noir married the actress Isabelle Mestivier, and they had five children, including the actor François Le Noir. Her father, François Mestivier, was a member of the troupe of the Prince of Orange from at least 1622 until the end of 1634. Charles Le Noir died on 9 August 1637 at his home on the rue Beaurepaire,
parish A parish is a territorial entity in many Christianity, Christian denominations, constituting a division within a diocese. A parish is under the pastoral care and clerical jurisdiction of a priest#Christianity, priest, often termed a parish pries ...
of Saint-Sauveur, Paris.Deierkauf-Holsboer 1954, p. 56.


Notes


Bibliography

* Deierkauf-Holsboer, S. Wilma (1954). ''Le Théâtre du Marais: I. La période de gloire et de fortune, 1634 (1629)–1648''. Paris: Librairie Nizet. . * Deierkauf-Holsboer, S. Wilma (1968). ''Le théâtre de l'Hôtel de Bourgogne. I. 1548–1635''. Paris: A.-G. Nizet. . * Deierkauf-Holsboer, S. Wilma (1970). ''Le théâtre de l'Hôtel de Bourgogne. II. Le théâtre de la troupe royale, 1635–1680''. Paris: A.-G. Nizet. . * Forman, Edward (2010). ''Historical Dictionary of French Theater''. Lanham: The Scarecrow Press. . * Gaines, James F. (2002). ''The Molière Encyclopedia''. Westport, Connecticut: Greenwood Press. . * Hartnoll, Phyllis, editor (1983). ''The Oxford Companion to the Theatre'', fourth edition. Oxford: Oxford University Press. . * Howarth, William D., editor (1997). ''French Theatre in the Neo-Classical Era 1550–1789''. Cambridge: Cambridge University Press. (digital reprint, 2008). * Howe, Alan (2006). "Corneille et ses premiers comédiens", ''Revue d'Histoire littéraire de la France'', vol. 106, no. 3 (July–September, 2006), pp. 519–542. . * Lefebvre, Léon (1907). ''Histoire du Théâtre de Lille de ses origines à nos jours''. Lille: Imprimérie Lefebvre-Ducrocq
Copy
at Google Books. * Mongrédien, Georges (1972). ''Dictionnaire biographique des comédiens français du XVIIe siècle'', second edition. Paris: Centre national de la recherche scientifique. . * Soulié, Eudore (1863). ''Recherches sur Molière et sur sa famille''. Paris: Hachette
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at Google Books. * Wiley, W. L. (1960). ''The Early Public Theatre in France''. Cambridge, Massachusetts: Harvard University Press. . Greenwood Press reprint (1973): . * Wiley, W. L. (1973). "The Hotel de Bourgogne: Another Look at France's First Public Theatre", ''Studies in Philology'', vol. 70, no. 5, pp. 1–114. . {{DEFAULTSORT:Lenoir, Charles 1637 deaths 17th-century French male actors French male stage actors