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The chanter is the part of the bagpipe upon which the player creates the
melody A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most liter ...
. It consists of a number of finger-holes, and in its simpler forms looks similar to a recorder. On more elaborate bagpipes, such as the
Northumbrian bagpipes The Northumbrian smallpipes (also known as the Northumbrian pipes) are bellows-blown bagpipes from North East England, where they have been an important factor in the local musical culture for more than 250 years. The family of the Duke of Nor ...
or the Uilleann pipes, it also may have a number of keys, to increase the instrument's range and/or the number of
keys Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (map ...
(in the modal sense) it can play in. Like the rest of the bagpipe, they are often decorated with a variety of substances, including metal (silver/nickel/gold/brass), bone, ivory, or plastic mountings.


Cylindrical vs. conical bore

Chanters come in two main types, parallel and non-parallel bored (although there is no clear dividing line between the two). This refers to the shape of the internal bore of the chanter. On the Great Highland Bagpipe, the internal bore is conical: it is this that gives the chanter its exceptional volume. The Northumbrian pipes, on the other hand, have a parallel bore, giving them a much sweeter and quieter tone.


Keyed chanter

Although the majority of chanters are unkeyed, some make extensive use of keys to extend the range and/or the number of accidentals the chanter can play. The most common pipe featuring this arrangement is the Northumbrian smallpipe.


Double chanter

Another variant of the chanter is the two-piped chanter (often called a double chanter). The chanter pipes may be designed to be played separately, one with each hand, or the two chanters may be played in unison (as in most Arabic bagpipes). One chanter may provide a drone accompaniment to the other, or the two chanters may play in a harmony of thirds and sixths (as in the northern Italian Müsa and central-southern Italian ''
zampogna Zampogna (, , ) is a generic term for a number of Italian double chantered bagpipe that can be found as far north as the southern part of the Marche, throughout areas in Abruzzo, Latium, Molise, Basilicata, Campania, Calabria, Apulia and Sicily. Th ...
''). In pipes of the Carpathian basin up to five separate chanter bores may be placed in parallel within a single chanter assembly, providing both melodic and rhythmic possibilities: in the simplest case, one pipe is used to play the melody while the second provides a variable drone, while more complex pipes may separate certain individual notes into separate, stopped pipes.


Intonation

Because of the accompanying drone or drones, the lack of modulation in bagpipe melody, and stable timbre of the reed sound, in many bagpipe traditions the tones of the chanter are tuned using
just intonation In music, just intonation or pure intonation is the tuning of musical intervals Interval may refer to: Mathematics and physics * Interval (mathematics), a range of numbers ** Partially ordered set#Intervals, its generalization from numbers to ...
, although bagpipe tuning is highly variable across traditions. On the Great Highland bagpipe, tuning of the individual notes of the chanter is done using tape to slightly cover the finger holes as needed. Historically, it was done with wax, as was done with other woodwind instruments.


Practice chanter

The
practice chanter A bagpipe practice chanter is a double-reed woodwind instrument, principally used as an adjunct to the Great Highland bagpipe. As its name implies, the practice chanter serves as a practice instrument: firstly for learning to finger the differ ...
is used as a practice instrument for the Great Highland Bagpipe. It is somewhat similar in appearance, though slightly smaller than the bagpipe chanter, and has a top piece so it can be blown directly from the mouth. It is also used as a first instrument so that learners can initially learn the finger technique before learning the mechanics of controlling the bag. It is almost exclusively made of hardwood or plastic. The practice chanter of today may also be a descendant of the hornpipe or "stock-and-horn", a historical reed pipe of Scotland with a capped double reed and bell made of horn, played by shepherds, among others."The Bagpipe" - Francis Collinson


References

{{Reflist Bagpiping