Casimiro Aín
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Casimiro Agustín Aín (4 March 1882 – 17 October 1940), nicknamed “El Vasco” (“The Basque”) or “El Lecherito” (“The Little Milkman”), was a dancer and promoter of
Argentine tango Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a Time signature, or rhythmic time signature, and two or three parts repeating in pat ...
. He is recognized as one of the first performers to spread and establish this
Buenos Aires Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
dance in Europe and the United States, as well as for achieving the official acceptance of tango before
Pope Pius XI Pope Pius XI (; born Ambrogio Damiano Achille Ratti, ; 31 May 1857 – 10 February 1939) was head of the Catholic Church from 6 February 1922 until his death in February 1939. He was also the first sovereign of the Vatican City State u ...
at the
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.


Life

Casimiro Aín was born on March 4, 1882 in Buenos Aires. He was the first son of Juan Aín (a well-known milkman nicknamed “El Vasco”) and the Genoese Rosa Rataro. During his childhood, he accompanied his father on milk delivery rounds, which earned him the nickname "El Lecherito" ("The Little Milkman"). From a very young age, he showed an interest in the music of street barrel organs and began dancing corridos, pasodobles, and especially the emerging ''tango criollo''. At the age of fourteen, he joined the circus troupe of the clown Frank Brown, touring various venues in the interior of the country. There, he perfected his dance technique and learned the "corte y quebrada" moves characteristic of early tango. In 1901, feeling that Buenos Aires had become "too small" for him, he travelled to Europe, arriving first in
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, then in
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, and later in
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, where, accompanied by two musicians, he introduced ''tango criollo'' in bars and cabarets to audiences unfamiliar with the dance. In 1904, he returned to Buenos Aires and, encouraged by the reception he had received in the Old World, performed at the
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alongside his wife Marta. He also took part in the celebrations commemorating the Centennial of the
May Revolution The May Revolution () was a week-long series of events that took place from 18 to 25 May 1810, in Buenos Aires, capital of the Viceroyalty of the Río de la Plata. This Spanish colony included roughly the territories of present-day Argentina, ...
. During these years, he continued to refine his style with the goal of once again presenting himself as a tango ambassador in Europe.


International career

In 1913, Aín and his wife boarded the steamship ''Sierra Ventana'' bound for Europe, arriving first in
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(France) and then in
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. There, they settled in Montmartre, where they performed at the cabaret ''Princesse'' (later known as "El Garrón"), generating great excitement over the novelty of ''tango criollo'' as performed by "El Vasco." Traveling with them was a traditional tango orchestra composed of Vicente Loduca (
bandoneon The bandoneon () or bandonion is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, it is held between the hands, and played ...
), Eduardo Monelos (violin), and Celestino Ferrer (piano). Between 1913 and 1916, Aín also performed in
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, presenting his show in various dance halls. After that period, he returned to Buenos Aires to teach tango classes at academies and instruct ladies of the Buenos Aires high society. In 1920, Aín returned to Paris and won the World Championship of Modern Dances alongside his new partner Jazmín, earning the nickname "The King of Tango" in the French capital. During the 1920s, he traveled through France,
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,
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, England,
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,
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, Spain,
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,
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,
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,
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,
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,
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, and
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, as well as
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and
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, accompanied by musicians and dancers (including Edith Peggy, Simonette Guy, and "La Beba"). On each tour, he performed in cabarets, brothels, and elegant salons, contributing to the international spread of tango.


Audience with Pope Pius XI

On February 1, 1924, Aín was invited to the Vatican through the mediation of the Argentine ambassador García Mansilla. In the Throne Room, he danced the tango "Ave María" by
Francisco Francisco is the Spanish and Portuguese form of the masculine given name ''Franciscus''. Meaning of the name Francisco In Spanish, people with the name Francisco are sometimes nicknamed "Paco (name), Paco". Francis of Assisi, San Francisco de A ...
and Juan Canaro alongside María Scotto (librarian and translator at the embassy) before Pope Pius XI. The performance, accompanied by a harmonium, ended with an improvised move in which the couple knelt before the Pontiff. With this act, Aín managed to demonstrate that tango was neither a licentious dance nor contrary to Catholic morality, despite criticisms from Parisian prelates who considered the dance obscene.


Last years

Upon his definitive return to Argentina in 1930, Aín continued performing for a few years, this time accompanied by "La Vasca," who was born in the Buenos Aires neighborhood of Monserrat. At the end of the 1930s, he underwent the amputation of a leg due to gangrene, which marked the decline of his career. Casimiro Aín passed away on October 17, 1940, in Buenos Aires.


References

{{DEFAULTSORT:Aín, Casimiro 1940 deaths 1882 births Argentine dancers Argentine tango