Carne (1968 Film)

''Carne'' (English: ''Meat'' or ''Flesh'') is a 1968 Argentine sexploitation film written and directed by Armando Bó. It stars Isabel Sarli as Delicia, a worker in a meat-packing factory where she becomes the victim of rapists.

Cast

*Isabel Sarli as Delicia
*Víctor Bó as Antonio Aicardi
*Romualdo Quiroga as Humberto "el macho"
*Vicente Rubino as a homosexual
*Juan Carlos Altavista as José García
*Alba Solís as a singing worker
*Oscar Valicelli as Jacinto
*Pepita Muñoz as a worker

Production

In the film Isabel Sarli has explicit sex scenes with Víctor Bó, who was Armando Bo's son. Armando and Isabel were lovers at the time so Victor was her stepson. In interviews, Victor later talked about the difficulty of filming the erotic scenes with Isabel "Coca" Sarli: "With Coca it was a very particular relationship, because when we had love scenes we both laughed because we were so nervous."

Release

''Carne'' premiered on October 24, 1968 in various theaters in Buenos Aires and the Ocean Rex cinema in Mar del Plata.Drajner Barredo, 2016. p. 3 Reportedly, on its premiere day more than two thousand spectators made long lines to watch the movie. In the important Buenos Aires theaters Hindú and Callao, which were used for statistics, the turnout was 2,633 people, being the most watched movie of those that premiered that day.

Critical analysis

Writers Raúl Manrupe and María Alejandra Portela characterized the film as having "black and white footage without any explanation, red as the dominant color and camp carried to its ultimate consequences." Throughout the film, the female body is objectified as "a piece of meat", featuring overlays of images of cuts of meat and Sarli's body.Drajner Barredo, 2016. p. 15 Writer Tamara Drajner Barredo felt that "this identification of the female body with the meat has as a correlate an identification of the sexual desire with an animalized and irrational carnal desire." This is made explicit in the final dialogue, in which Antonio tells Delicia that they raped her "to satisfy the animal instinct that we all carry inside. But without soul, without love." Bó always maintained that his films dealt with social issues, evident in early films such as '' Thunder Among the Leaves'' from 1958 and ''Sabaleros'' from 1959. However, this intention of social criticism and realism of his first films was diluted as the director and Sarli acquired national and international recognition, replacing them with traditional melodrama, crime and picaresque, where the erotic scenes "acquired their own autonomy." Nevertheless, in a 1974 interview for magazine ''Siete Días'' Bó still claimed that his films "deal with social issues, but since Isabel acts in them, sex has implications in the argument." The social problem depicted in ''Carne'' is that of violence; it might even be argued that the film seeks to draw attention to violence against women.Drajner Barredo, 2016. p. 16 In this matter, Bó stated:

What was inside that truck was not a person. It was meat, nothing but meat. Because if those guys had seen the soul, the suffering of that woman, they would not have done it. I tried to make a parameter, between the meat that we consume every day and the meat as a sexual object.

In addition to violence, love plays a leading role in the film: it appears a common thread that "moves the protagonists to be together, to have sexual relations, to express their desires, and it is also what allows Delicia to move forward despite the rapes." This is explicitly the message that Bó wanted to give with the film, with a text reading at the conclusion: "The true pure love, without concessions, and the goodness of God will triumph over the violence and the wave of terror that invades the world." With ''Carne'', on the one hand, Bó seeks to denounce the violence and drama to which the worker is subjected and, on the other, to exalt the values of family, progress, work and love.

''Carne'' inaugurated a new era of "excess" in Bó and Sarli's filmography.Wolf, Pailler (translation), 1999, p. 43

Legacy

One of the most emblematic films by Bó and Sarli, ''Carne'' is considered a landmark in their filmography. The Spanish edition of '' Vanity Fair'' described it in 2017 as "their masterpiece". Years after its release, especially since the democratic stability that began with the presidency of Raúl Alfonsín in 1983, their work—including films such as ''Carne'', '' Fiebre'', '' Una mariposa en la noche'' and ''Desnuda en la arena''—began to be revalued as cult classics and pop icons. In 2015, Télam

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