Bruce Obomeyoma Onobrakpeya (born 30 August 1932) is a
Nigerian
Nigerians or the Nigerian people are citizens of Nigeria or people with ancestry from Nigeria. The name Nigeria was derived from the Niger River running through the country. This name was allegedly coined in the late 19th century by British jo ...
printmaker, painter and sculptor. He has exhibited at the
Tate Modern
Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international Modern art, modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain, Tate Live ...
in London, the
National Museum of African Art of the
Smithsonian Institution
The Smithsonian Institution ( ), or simply the Smithsonian, is a group of museums, Education center, education and Research institute, research centers, created by the Federal government of the United States, U.S. government "for the increase a ...
in Washington, D.C., and the
Malmö Konsthall in
Malmö
Malmö is the List of urban areas in Sweden by population, third-largest city in Sweden, after Stockholm and Gothenburg, and the List of urban areas in the Nordic countries, sixth-largest city in Nordic countries, the Nordic region. Located on ...
, Sweden.
The
National Gallery of Modern Art, Lagos, has an exhibit of colourful abstract canvases by Onobrakpeya, and his works were found at the
Virtual Museum of Modern Nigerian Art.
Early years
Bruce Onobrakpeya was born in
Agbarha-Otor in
Delta State
Delta is a States of Nigeria, state in the South South (Nigeria), South-South geopolitical zone of Nigeria. Named after the Niger Delta—a large part of which is in the state—the state was formed from the former Bendel State, on 27 August 1 ...
, the son of an
Urhobo carver. He was raised as a Christian but also learned the traditional beliefs. His family moved to
Benin City
Benin City serves as the Capital city, capital and largest
Metropolitan area, metropolitan centre of Edo State, situated in Nigeria, southern Nigeria. It ranks as the List of Nigerian cities by population, fourth-most populous city in Niger ...
,
Edo State
Edo State, Edo, officially known as Edo State, is a States of Nigeria, state in the South South, South-South Geopolitical zones of Nigeria, geopolitical zone of the Federal Republic of Nigeria. As of 2024, the state was ranked as the List of Ni ...
, when he was a child. He attended Western Boys High School, where he was taught art by Edward Ivehivboje. While in high school, he also attended drawing classes at the
British Council
The British Council is a British organisation specialising in international cultural and educational opportunities. It works in over 100 countries: promoting a wider knowledge of the United Kingdom and the English language (and the Welsh lang ...
Art Club in Benin City. During this time Onobrakpeya was inspired by the watercolour paintings of
Emmanuel Erabor and a lecture given by
Ben Enwonwu, art advisor to the Nigerian government. After leaving high school, Onobrakpeya was hired as an art teacher at the Western Boys High School (1953–56). In 1956 he left for
Ondo, where he taught at the Ondo Boys High School for a year.
[
]
Formal art education
In October 1957, Onobrakpeya was admitted to the Nigerian College of Arts, Science and Technology, now the Ahmadu Bello University
The Ahmadu Bello University (ABU) is a public research university located in Zaria, Nigeria, Zaria, Kaduna State, Nigeria. It was opened in 1962 as the University of Northern Nigeria. The university has four colleges, three schools, 18 faculties, ...
, Zaria
Zaria is a List of Nigerian cities by population, metropolitan city in Nigeria, located at present time within four local government areas in Kaduna State. It serves as the capital of the Zazzau Emirate Council and is one of the original sev ...
.[ Funded by a Federal Government Scholarship, he was trained in the Western tradition of representational art. At the same time, he began to experiment with forms in relation to Nigerian folklore, myths and legends. Much of his work uses stylistic elements and compositions derived from traditional African sculpture and decorative arts.][
The Zaria Arts Society, a discussion group which would later be called the Zaria Rebels, was formed on 9 October 1958 by a group of art students at the college led by Uche Okeke, with the aim of "decolonizing" the visual arts as taught by expatriate Europeans. Onobrakpeya has said that the college gave him technical skills, but the Zaria Arts Society shaped his perspectives as a professional artist. The society gave him the confidence to seek a personal expressive idiom that would project a Nigerian identity. He elongated his figures, ignored perspective and evoked the supernatural through ambiguous decorations.][
]
Later career
Onobrakpeya later attended a series of printmaking workshops in Ibadan
Ibadan (, ; ) is the Capital city, capital and most populous city of Oyo State, in Nigeria. It is the List of Nigerian cities by population, third-largest city by population in Nigeria after Lagos and Kano (city), Kano, with a total populatio ...
, Oshogbo, Ife and Haystack Mountain School of Crafts, Maine
Maine ( ) is a U.S. state, state in the New England region of the United States, and the northeasternmost state in the Contiguous United States. It borders New Hampshire to the west, the Gulf of Maine to the southeast, and the Provinces and ...
, US.[
His first one-man exhibition was held in 1959 in ]Ughelli
Ughelli is a town in Delta State, Nigeria, and one of the 24 kingdoms that make up the Urhobo people, Urhobo Nation. It also serves as the headquarters of Ughelli North local government area of Delta State. The city is indigenous to the Urhobo ...
in the Niger Delta
The Niger Delta is the delta of the Niger River sitting directly on the Gulf of Guinea on the Atlantic Ocean in Nigeria. It is located within nine coastal southern Nigerian states, which include: all six states from the South South geopolitic ...
.
Later he exhibited in the US, Italy, Zimbabwe
file:Zimbabwe, relief map.jpg, upright=1.22, Zimbabwe, relief map
Zimbabwe, officially the Republic of Zimbabwe, is a landlocked country in Southeast Africa, between the Zambezi and Limpopo Rivers, bordered by South Africa to the south, Bots ...
, Germany, Britain, Kenya
Kenya, officially the Republic of Kenya, is a country located in East Africa. With an estimated population of more than 52.4 million as of mid-2024, Kenya is the 27th-most-populous country in the world and the 7th most populous in Africa. ...
and elsewhere.[
Onobrakpeya was an important force in the renaissance in contemporary art in Nigeria.
For many years he taught at St. Gregory's College, Lagos.
Onobrakpeya created the Bruce Onobrakpeya Foundation, of which he is president, and which organises the annual ]Harmattan
The Harmattan is a season in West Africa that occurs between the end of November and the middle of March. It is characterized by the dry and dusty northeasterly trade wind, of the same name, which blows from the Sahara over West Africa into th ...
workshop in his hometown of Agbara Otor, Delta State
Delta is a States of Nigeria, state in the South South (Nigeria), South-South geopolitical zone of Nigeria. Named after the Niger Delta—a large part of which is in the state—the state was formed from the former Bendel State, on 27 August 1 ...
.[ The foundation is an artist-led ]non-governmental organization
A non-governmental organization (NGO) is an independent, typically nonprofit organization that operates outside government control, though it may get a significant percentage of its funding from government or corporate sources. NGOs often focus ...
, formed in 1999, which aims to encourage the growth of art and culture by giving artists opportunities to gain skills, while increasing public awareness of African art and its benefits to society. The foundation organised the ''Amos Tutuola Show'', Lagos (2000) and has participated in many other shows.
Recognition
"Bruce Onobrakpeya is amongst the most successful artists to have emerged in West Africa during the 20th century, with continuing and commanding influence on the generation of artists in Nigeria, who have come to maturity in the post colonial period." —John Picton, professor of art history and archeology, in his essay "Modernism and Modernity in African Art"
* Honorary D. Litt. from the University of Ibadan
The University of Ibadan (UI) is a public university located in Ibadan, Oyo State, Nigeria. Initially founded as the University College Ibadan in 1948, it maintained its affiliation with the University of London. In 1962, it became an independe ...
in 1989.[
* Honourable mention at the ]Venice Biennale
The Venice Biennale ( ; ) is an international cultural exhibition hosted annually in Venice, Italy. There are two main components of the festival, known as the Art Biennale () and the Venice Biennale of Architecture, Architecture Biennale (), ...
.
* Fellowship of the Society of Nigerian Artists on 6 June 2000.
* Pope John Paul II award for painting the life of Saint Paul
* Fellowship of Asele Institute award
* Sadam Hussein award
* Solidra Circle award, and Fulbright Exchange Scholar award.[
* Onobrakpeya is the recipient of the Living Human Treasure Award (2006) given by ]UNESCO
The United Nations Educational, Scientific and Cultural Organization (UNESCO ) is a List of specialized agencies of the United Nations, specialized agency of the United Nations (UN) with the aim of promoting world peace and International secur ...
* Second winner of Nigeria's prestigious Nigerian Creativity Award by the Federal Government of Nigeria on 14 September 2010. Its first winner was Chinua Achebe.
* Honorary Degree of Doctor of Arts (Hon. D. A) from the Delta State University
Delta State University (DSU) is a public university in Cleveland, Mississippi, a city in the Mississippi Delta.
History
The school was established in 1924 by the State of Mississippi, using the facilities of the former Bolivar County Agricultu ...
, 2017
* Recipient of (NNOM) Nigerian National Order of Merit, 2017, the apex and the most important award for scholastic excellence in Nigeria
* Recipient of the U.S. Exchange Alumni Lifetime Achievement Award to recognise his significant contributions to the long-existing cultural and arts relationship between the U.S.
The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 states and a federal capital district, Washington, D.C. The 48 contiguous ...
and Nigeria
Nigeria, officially the Federal Republic of Nigeria, is a country in West Africa. It is situated between the Sahel to the north and the Gulf of Guinea in the Atlantic Ocean to the south. It covers an area of . With Demographics of Nigeria, ...
in 2024.
Onobrakpeya's work
Art periods
The following section summarizes specific periods in the artist's studio practice, which spans over 50 years; it is not an extensive history of his artistic career.
The first segment is the Mythical Realism (1957–62), which represents paintings, and lino cut prints that depict folklore themes, and Northern landscapes (Zaria). This is the period of his early development as an artist, which coincided with Nigeria's Independence. The idea of projecting the African personality was of major importance to the artists of this period. It was also at this time that the Zaria Arts Society, the forerunner of the Society of Nigerian Artists (SNA), was formed and accompanied by the propagation of the concept of "natural synthesis". Works in this category include the paintings "Awhaire & the Bird", "Hunters Secret", and "A Tree in Northern Landscape", and the lino-cut prints "Zaria Indigo", "Two Faces", "Boli Woman" and "Awakening (Negritude)".
The second segment focuses on the artist's workshop experiments and his Bronzed lino relief series, otherwise known as the Sunshine Period (1962–1967), in which period he started to attend various workshops. Some of the popular works of this period include "Leopard in a Cornfield" (Iino print), "Scarecrow" (silkscreen) and "Man & Two Wives" (silkscreen).
The Mask and the Cross (1967–78) series represents the period when the artist executed several Christian themes commissioned by the Church such as Nativity II (Iino engraving), The Last Days of Christ (plastocast), Obara Ishoshi (bronzed Iino relief) and Pope John Paul (metal foil), as well as the Plastography Period, a time when the artist developed a lot of ideas he started in Zaria in the late 1950s and early 1960s such as Travellers II, Songs of Life, and Rain & Cry at Otorogba.
The fourth segment represents the historical vignettes. These are pictures known as the Symbols of Ancestral Groves (1978–84) They depict historical figures, mostly royalty from the Benin Kingdom such as Oba Aka. Other works in this period include Eghrighri and Ibiebe and the tortoise and enemu
The Sahelian Masquerades (1984–88) were pieces created to highlight the destruction of the environment These works focused on the cultures of the Sahelian regions Works in this period are also loaded with a lot of political undertones such as Horns Of Freedom, and Edjo Aton (principles of good governance), which draws a lot of attention to role of government in relation to the issues of desertification
Desertification is a type of gradual land degradation of Soil fertility, fertile land into arid desert due to a combination of natural processes and human activities.
The immediate cause of desertification is the loss of most vegetation. This i ...
.
The Mask Series (1990–1995) represent the development of images, which inspired depictions of masks treated in different print media that bring out the philosophies of the people. They also address' the subject of change. Images I and /I as well as A Panel of 15 represent this period.
Social Unrest (1995–99) is the period of strife within the society. This is represented by large paintings, which are prayers for divine help against military dictatorship and political instability. Here we have drawings and pictures, which focus on the murder of Ken Saro Wiwa
Kenule Beeson Saro-Wiwa (10 October 1941 – 10 November 1995) was a Nigerian writer, teacher, television producer, and social rights activist. Saro-Wiwa was a member of the Ogoni people, an ethnic minority in Nigeria whose homeland, Ogonila ...
. On the front burner,
are the ecological and socio-economic problems. In this segment you have works such as ''Ekugbe (Unity)'', ''Nude & Protest'' and ''Smoke from the Broken Pipe''.
Finally we enter the Installations Period (1995 – Date), which is the period the artist embarked on installations as an art form. These works are characterised by the arrangement of different discarded materials to create works of art. These installations were essentially to draw attention to importance of protecting our environment. Works in this category include Animals of Eve, Adjene, New City III and Voices of silenced Voices.
Innovations
Since 1966, as an experimental artist, Onobrakpeya has discovered, innovated and perfected several techniques both in printmaking and relief sculpture that are uniquely Nigerian. Generally, printmaking is a fine art process of producing pictures from a plate which the artist has previously created. Having conceived the idea, the artist then creates an image or images on a plate through any of the printmaking techniques. The images are then transferred onto a paper or any other surface by printing or embossing method. The advantage is that the artist can use one of such plates to produce as many copies of the artwork as required, sometimes giving them various colours. Onobrakpeya has increased the techniques tremendously.
Bronzed lino Relief is a collage of used lino blocks with bronze colour patina. Onobrakpeya developed this relief technique in 1966 as a way of preserving used blocks which in themselves possess sculptural qualities.
Plastocast Relief is a painted low-relief design that was cast with resin. The idea started as an extension of the bronzed lino relief. The used plastograph plates (like used lino blocks) have sculptural low relief effects which make them unique as art works. An attempt to retain the original used plates, and at the same time give collectors a chance to possesses and share the beauty of the original, led Onobrakpeya to develop a method of creating other original plates from existing used plates through the use of plaster of Paris. Sometimes, small plates with the same or similar themes are arranged together and cast to form a larger picture. A further development in plastocast relief is carving directly on abandoned or congealed plaster of Paris then applying resin on the cast and pulling out a positive. However, for a deep engraving on plaster of Paris to produce bold relief, depends on the nature of the plaster of Paris. Thisis known as plastocast plate. It is painted or tinted plastocast plate that becomes a plastocast relief.
Plastograph is a term given by Onobrakpeya to describe his deep etching technique that he innovated in 1967 through what he referred to as the Hydrochloric Acid Accident. It is an engraving on a low relief surface made of zinc or similar surface material and printed in the intaglio style.
Additive Plastograph is another technique that involves making of print images on a sheet of sand paper, using glue as a drawing medium. This is glued to the sand paper using intensive solar heat. Ink is then applied to the resultant images by the intaglio inking process. Any link in excess is wiped off with a dry cloth. This is later taken to the press to register the relief already created by the glue on a soaked and semi-dried cartridge printing paper. Finally, the registered impressions are painted, using pastel oil to achieve the desired forms by the artist.
Metal Foil Deep Etching is a plastograph print in which aluminium foil is used to draw the engraved images. The thin foil is cut and placed on an engraved plate and then the embossed sheet is removed, turned over and filled with resin to stabilise the relief. The resin filled foil is then laminated on plywood or no any other surface. Onobrakpeya first started experimenting with foils and from the experiments transformed the foils into a print medium in the 1980s. He used already printed plates to try out the technique.
Metal Foil Relief Print is a three-dimensional metal foil print drawn on a plastocast plate. A fairly thick foil is cut and placed over a plate and hand pressed to transfer the shape of the picture on the plate. The foil is then removed and filled from behind. It is then laminated onto a plywood and coloured in the same way as the metal foil deep etching print process already discussed above. Note that while the metal foil deep etching print is drawn from plastograph plates, the metal foil relief print is hand embossed on a plastograph plate.
Ivorex is a new technique, recently developed by Onobrakpeya, which simulates optical effect of old ivory engraving on bone or elephant tusk. The material used, however, is polymer.
Ibiebe alphabets and ideograms
Ibiebe is a writing style developed by Onobrakpeya. It features his invented script of ideographic geometric and curvilinear glyphs. The designs reflect the artist's knowledge of his Urhobo heritage, rich in symbols and the proverbs they elicit, as well as his appreciation of Chinese, Japanese, Ghanaian and Nigerian calligraphy. Onobrakpeya invented and refined this script called Ibiebe from 1978 to 1986, when he revisited in his art, ideas linked with traditional religion, customs and history. Ibiebe glyphs aim at encapsulating universal concepts of timeless values. The artist clearly delights in the script's forms and visual qualities as well as its power to communicate. These ibiebe ideograms which are often abstract, also lend themselves to calligraphic, painterly and sculptural presentation.
Body of work
Public collections holding his work
* University of Lagos Library, Akoka, Lagos
* Catholic Chapel, University of Ife, Ile-Ife
* St. Paul’s Church, Ebute-Metta, Lagos
* National Gallery of Modern Art, National Theatre, Iganmu, Lagos
* St. John the Evangelist Church, Shogunle, Ikeja
* Museum of African and African-American Art and Antiquities, Buffalo, New York
* Eda Lord Demarest Memorial African Art Collection, University of Redlands
* University of Alberta, Edmonton, Alberta, Canada
* Vatican Museum, Rome
* National Museum of African Art, Smithsonian Institution, in Washington, D.C
* Hvittrask Suomi – Finland (Eliel Saarinen’s Studio Home and Exhibition)
* Murtala Mohammed International Airport, Ikeja
* Leader of Victory Museum, Baghdad, Iraq
* Presidential Villa, Aso Rock, Abuja, Nigeria
* National Gallery, Nairobi, Kenya
* Victoria and Albert Museum London.
* The Metropolitan Museum of Art
The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of larg ...
,
* Minneapolis Institute of Arts
* The British Museum
The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human cu ...
.
* King Mohammed VI Collection Morocco.
* Tate Modern
Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international Modern art, modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain, Tate Live ...
, London
London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Wester ...
.
Book illustrations
* Achebe, Chinua, ''No Longer At Ease'', Heinemann, London
* Babalola, Adeboye, ''Iwe Ede Yoruba, Apa Kini'', Longmans of Nigeria, 1961
* Ekwensi, Cyprian, ''An African Night’s Entertainment'', AUP Lagos, 1962
* Ekwensi, Cyprian, ''Juju Rock'', AUP Lagos
* Nigerian Episcopal Conference, ''May Your Kingdom Come'', Geoffery Chamman, London, 1969
* Nwankwo, Nkem, ''Tales Out of School'', (Cover illustration), AUP, Ibadan
* Onadipe, Kola, ''Sugar Girl'', AUP, 1964
* Uwemedimo, Rosemary, ''Akpan and the Smugglers'', AUP, Ibadan, 1965
* Quacoopne, T. N. O., ''West African Religion'', AUP,Ibadan, 1969
* Taiwo, Oladele, ''The Hunter And The Hen'', AUP, Ibadan, 1969
* Haeger, Barbara, ''Africa: On Her Schedule is Written A Change'', AUP, Ibadan, 1981
* Onadipe, Kola, ''Magic Land of the Shadows'', AUP, Lagos, 1970
* Soyinka and Fagunwa, ''A Forest of a Thousand Demons'', Nelson, London
* Deliss, Clementine, ''Seven Stories About Modern Art in Africa'', White Chapel Art Gallery, London, 1985
* Nzekwu, Onuora and Michael Crowder, ''Eze Goes to School'' (cover Illustration), AUP, Ibadan, 1986
* Fagunwa, Daniel Orowole, ''Forest of A Thousand Daemons'', City Lights, 2013
Dissertations and selected reference materials
*AIPOH, MARY ANNE U., "Religious Themes in Bruce Onobrakpeya’s Works". An unpublished dissertation presented to the Department of Fine Arts, Faculty of Arts, University of Ife, Ile-Ife, Nigeria, as part of the fulfilment for the Degree B.A. (Fine Arts) 1983, 53 pages.
*EKEH, PETER P., "Studies in Urhobo Culture. Chapter 26: Bruce Onobrakpeya: His Art and International Reputation", by Richard A. Singletary, Ph.D. of Singletary Gallery & African Art Museum, Portsmouth, Virginia, USA, pp. 632–681. Urhobo Historical Society (Buffalo, New York and Ikeja, Lagos Nigeria) , 768 pages with index and photo of Onobrakpeya.
*FULLANI, GIOVANNI (E), San Paolo Nell” Art Contemporanea (Musei Vaticani (1977) page 112,176
*FALUADE, GBOLAHAN, "The Art of Bruce Onobrakpeya" (unpublished essay submitted to the Department of Fine Arts in partial fulfilment for the award of B.A. (Fine Art), University of Ife, Ile-Ife, Nigeria, June 1979), 59 pages.
*FOSU, KOJO, ''20th Century Art of Africa'', Zaira, Nigeria: Gaskiya Corporation Ltd, 1986.
*JEGEDE, DELE, "Trends in Contemporary Nigerian Art, A Historical Analysis", unpublished Ph.D. dissertation, 1973.
*MOUNT, MARSHAL WARD, ''African Art: The Year Since 1920'', Bloomington and London: Indiana University Press, 1973.
*ODUFEJO, C. M. SUNDAY, "The Art of Bruce Onobrakpeya as I See it in 1975" (unpublished HND thesis, Yaba College of Technology), June 1976, 88 pages.
*OKEKE EZE, EMMANUEL, "Bruce Onobrakpeya – A Research into the Print Experiments of a Contemporary Nigerian Artist" (unpublished Bachelor of Arts thesis, University of Nigeria, Nsukka), 1976, 92 pages.
*OKEKE, UCHE, ''Art in Development – A Nigerian Perspective'', Documentation Centre, Asele Institute Nimo, Nigeria and African American Cultural Centre, Minneapolis, USA, 1982, 91 pages.
*UDOMA EKPO UDO, "Non-Naturalistic Representation in Contemporary Nigerian Paintings (A Study of Styles and Trends)", an unpublished Master of Arts dissertation, Ahmadu Bello University, Zaria, 1989.
*OLAOSEBIKAN W. A., ''Cultural and Creative Arts: A Source Book for Teachers'', Ibadan: Evans Brothers (Nigeria Publishers) Ltd, Ibadan, page 38, 60, 112, 116.
*OYELOLA, PAT ''Everyman’s Guide to Nigerian Art'', Nigeria. Magazine special publication, Lagos, 1976
Nigerian Artistry
Written by Pat Oyelola with foreword by Bruce Onobrakpeya, published by Mosuro Publishers, 2010.
*SPRING, CHRISTOPHER ANGANZA AFRIKA, ''African Art Now'', Lawrence King, 2008, pp. 246–251.
*SIKPI, GREGORY KOFI, "History of Contemporary Nigerian Art" (unpublished Bachelor of Arts Degree thesis, Faculty of Arts, University of Lagos, July 1988)
*WAHLMAN, MAUDE, ''Contemporary African Art'', Chicago, 1974
*ROLF BROCKMANN, GERD HOTTER, Szene Lago, Reise in Eine Afrikanische, Kultermetropole, Trickster Verlag 1994.
*WALKER, JAMES The Black Experience in Canada, published by the Ontario Education Communications Authority, 1979, page 80.
*WILLET, FRANK, ''African Art'', Thames and Hudson London, 1971.
*VERNICEM. KELLY, ''Nigerian Artist: A Who’s Who and Bibliography'',
Published JANET L., STANLEY for the National Museum of African Art Branch Smithsonian Institution Libraries Washington, D.C. by Hans Zell London, 1993.
*STANLEY, JANET L., ''Arts of Africa – An Annotated Bibliography''. Volume I & II, African Studies Association Press, Atlanta, 1992, 1993
*KENNEDY, JEAN, ''New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change'', Smithsonian Institution Press, Washington D.C. USA1992.
*HANS D’ ORVILLE, Leadership for Africa, edited, 1995 (Editor)
*DUNCAN,. CLARKE, African Art, Random House, New York.
*PICTON, JOHN, ''Image and Form'' (prints drawings and Sculpture from Southern Africa and Nigeria) School of African and Oriental Studies (SOAS) University of London 1997.
*REVUE NOIRE Nigeria: African Contemporary Art, No. 30, 1998. (Jean Loup Pivin) Editorial
*JAMES SHOAF TURNER, ''The Dictionary of Art'', Macmillan Publishers Limited, 1996 (Editor).
*PAUL CHIKE DIKE & PAT OYELOLA, The Zaria Art Society: A New Consciousness. National Gallery of Art. 1998.
*NZEGWU NKIRU Contemporary Textures, Multidimensionality in Nigerian Art ISSA 1999.
*CATHERINE KING, ''Views of Difference: Different Views of Art'', Yale University Press, New Haven & London in association with The Open University 1999.
* SIDNEY LITTLEFIELD KASFIR, ''Contemporary African Art'' – Thames & Hudson, London & New York 1999.
*ISHOLA-LEMOMU, KUNLE, ''Bruce Onobrakpeya 1990–2000''. Unpublished dissertation for the award of the Bachelor of Arts Degree, Lagoke Akintola University, Ogbomosho 2001
*PAMELA MC. CLUSKY and ROBERT FARIS THOMPSON, ''Art from Africa-Long Steps Never Broke a Back'', Seattle Art Museum and Princeton University
Press 2002.
*MARTHA G. ANDERSON And PHILIP M. PEEK, ''Ways of the Rivers: Arts and Environment of the Niger Delta''. UCLA Fowler Museum of Natural History, Los Angeles, 2002.
*Richard Singletary Bruce Onobrakpeya, USA, 2002
* BARBARA PLANKENSTEINER, ''Benin Kings and Rituals'' (Court Arts from Nigeria), 2007.
JEWELS OF NOMADIC IMAGES
with essays by Peju Laiwola, Ekpo Udo Udoma and Olu Amoda, published by Ovuomaroro, 2009
*JOHN GODWIN AND GILLIAN HOPWOOD, ''The Architecture of Demas Nwoko'', Farafina, Lagos. 2009.
MASKS OF FLAMING ARROWS
Edited by Dele Jegede, with essays by David Opkako and Gani Odutokun, 5 Continents, Italy, 2013.
*DOZIE IGWEZE, ''The Story Teller of Agbarha-Otor'', Bruce Onobrakpeya's Visual Tales. Hourglass Gallery, 2016.
Films and documentaries
*''Kindreds Spirits: Contemporary Nigerian Artists'', Smithsonian World Washington, D.C. USA
*''The Magic of Nigeria''. Produced by Delka/Polystar directed by Ola Balogun, Lagos, Nigeria.
*''Recalling the Future Art'' by Joanna Grabski, Produced and directed by Claudine Pommier Executive Producer Cheikh Tidiane N'diaye./Arts in Action Society (Vancouver, Canada) 2002.
*The Harmattan Workshop Experience: The Journey so far: film and documentary on 10 years the Agbarha- Otor Harmattan workshop Experience produced and directed by Onobrakpeya, 2009.
*RedHot: Produced by Communication for Change, directed by Sandra Obiago, June 2011, Lagos, Nigeria.
References
{{DEFAULTSORT:Onobrakpeya, Bruce
Urhobo people
1932 births
Living people
20th-century Nigerian male artists
20th-century Nigerian painters
21st-century Nigerian painters
Ahmadu Bello University alumni
Elizabeth City State University faculty
Members of the Order of the Niger
Nigerian printmakers
Nigerian schoolteachers
Recipients of the Nigerian National Order of Merit Award
Nigerian political artists