Augusto Orazio Vittorio Garau (1923 in
Bolzano
Bolzano ( ; ; or ) is the capital city of South Tyrol (officially the province of Bolzano), Northern Italy. With a population of 108,245, Bolzano is also by far the largest city in South Tyrol and the third largest in historical Tyrol. The ...
– 2010 in
Milan
Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nea ...
) was an Italian artist, theorist of color, and professor. Garau took part in the
Concrete art
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract ar ...
Movement (MAC).
Education and early years
Garau graduated at the
Brera Academy
The Accademia di Belle Arti di Brera (), also known as the or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public mu ...
in Milan in 1946. Three years earlier, he had met his mentor Atanasio Soldati in
Voghera
image:Voghera Castle.jpg, The Castle of Voghera in a 19th-century etching.
Voghera (Emilian dialect, Vogherese dialect of Emilian: ''Vughera''; Latin language, Latin: ''Forum Iulii Iriensium'') is a town and ''comune'' in the Province of Pavia i ...
. Soldati, who was one of the first Italian abstractionists, was in Voghera as a consequence of his retreat from Milan during the bombing of
World War II
World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the wo ...
. Soldati and Garau co-founded the Concrete Art Movement in 1948, a groundbreaking artistic movement that championed pure geometric abstract forms. In addition to Soldati and Garau,
Piero Dorazio
Piero Dorazio (Rome, June 29, 1927 - Perugia, May 17, 2005) was an Italian painter. His work was related to color field painting, lyrical abstraction and other forms of abstract art.
Early life
Dorazio was born in Rome. His father was a civil s ...
,
Gillo Dorfles
Angelo Eugenio "Gillo" Dorfles (12 April 1910 – 2 March 2018) was an Italian art critic, painter, and philosopher.
Biography
Born in Trieste to a Gorizian father of Jewish descent and a Genoese mother, Dorfles graduated in medicine, specializ ...
,
Lucio Fontana
Lucio Fontana (; 19 February 1899 – 7 September 1968) was an Italian Argentines, Argentine-Italian painter, sculptor, and theorist. He is known as the founder of Spatialism and exponent of Abstract art, abstract painting as the f ...
, Giovanni Guerrini, Galliano_Mazzon, Gianni Monnet,
Bruno Munari
Bruno Munari (24 October 1907 – 29 September 1998) was "one of the greatest actors of 20th-century art, design and graphics". He was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painti ...
,
Achille Perilli
Achille Perilli (28 January 1927 – 16 October 2021) was an Italian painter and sculptor.
Biography
Born in Rome on 28 January 1927, Achille Perilli attended classical secondary school and earned a degree in literature with a thesis on Giorgio ...
,
Ettore Sottsass
Ettore Sottsass (; 14 September 1917 – 31 December 2007) was an Italian architect and product designer. He was known for his designs of furniture, jewelry, glass, lighting, homeware and office supplies. He also worked on numerous buildings an ...
, and
Luigi Veronesi
Luigi Veronesi (28 May 1908 – 25 February 1998) was an Italian photographer, painter, scenographer and film director born in Milan.
Early career
Luigi Veronesi trained as textile designer in the 1920s and by practised photography. He was i ...
also took part in the movement's initiatives. Against this background, Garau embraced the style and language of
abstractionism
Abstractionism is the theory that the mind obtains some or all of its concepts by abstracting them from concepts it already has, or from experience.Geach, Peter (1957) Mental Acts - Their Contents and Their Objects. Routledge Kegan Paul. One may, ...
. However, after the death of Soldati (1953), he left the group and temporarily abstraction. He helped the widow of Soldati, Maria, by running Soldati's estate and organizing exhibitions of his work. Additionally, he became the official authenticator of Soldati's work. Until the mid-to-late 1960s, Garau kept on experimenting across different subjects, styles and techniques, including figurative representations, visual poetry and pottery.
Abstraction, psychology of perception, and theory of color
In the wake of the social, political, and aesthetic upheaval of the late 1960s, Garau's distinctive style clearly emerged. He recovered the lesson of the abstractionism and combined it with his growing interest in the psychology of visual perception that he assimilated through the
Gestalt
Gestalt may refer to:
Psychology
* Gestalt psychology, a school of psychology
* Gestalt therapy
Gestalt therapy is a form of psychotherapy that emphasizes Responsibility assumption, personal responsibility and focuses on the individual's exp ...
theory. In particular, the intense intellectual exchanges with German perceptual psychologist
Rudolph Arnheim and Italian scholar and artist
Gaetano Kanizsa (founder of the Institute of Psychology at the
University of Trieste
The University of Trieste (, or UniTS, Formerly Regia Università degli Studi or The Royal University of Studies) is a public research university in Trieste in the Friuli-Venezia Giulia region in northeast Italy. The university consists of 10 ...
) were crucial for his artistic and cultural evolution. In this period, indeed, Garau began painting "cropped fonts," "anomalous surfaces," ambiguous spaces, and modular geometric forms that represented both scientific investigations in perception and expression of a truly original aesthetic. In the following years, Garau's constant research came to embrace the structural analysis of color. A number of patinings such as the series of the "spires," as well as a 1984 essay, titled
Color Harmonies' and published with an Arnheim's preface, reflect Garau's keen interest in chromatism, transparencies, and juxtapositions.
Exhibitions and teaching
Augusto Garau's artworks have been exhibited at Galleria Borromini (Milan, 1948), Galleria Bergamini (Milano, 1952), St. Martin's Gallery (London, 1964),
Palazzo Venezia
The Palazzo Venezia (; "Venice Palace") or Palazzo Barbo, formerly Palazzo di San Marco ("Saint Mark's Palace"), is a large early Renaissance palace in central Rome, Italy, situated to the north of the Capitoline Hill. Today the property of the ...
(Rome, 1983),
Civica Galleria d'Arte Moderna (
Gallarate
Gallarate (; Lombard language, Lombard: ''Galaraa'') is a city and ''comune'' of Alto Milanese of Lombardy and of Milan metropolitan area, northern Italy, in the Province of Varese. It has a population of some 54,000 people.
It is the junction ...
, 1983, 1984, and 1997), Galleria Vinciana, (Milan, 1988), and th
Venice Biennale Internazionale d’Arte (1986) The most recent exhibitions were in Pavia, (Broletto Palace, 2014). Some of his works were featured in the group exhibitions ''Painting in Italy 1910s-1950s: Futurism, Abstraction, Concrete Art'' at the Sperone Westwater Gallery in New York City.
and ''Oltrepò Pavese, Crossroads Of Abstractionism'', at Border Line Art Gallery in Voghera (2015), a group exhibition with Atanasio Soldati and Giovanni Novaresio.
Garau has taught at the Politecnic School of Design in Milan and at the Department of Architecture of the
University of Milan
The University of Milan (; ), officially abbreviated as UNIMI, or colloquially referred to as La Statale ("the State niversity), is a public university, public research university in Milan, Italy. It is one of the largest universities in Eu ...
.
Bibliography
*
Giorgio Di Genova, ''Augusto Garau. Artista politecnico e scienziato: opere 1940-2008'', Bologna: Bora, 2008
*Marco Meneguzzo, ''Augusto Garau. Ambigue trasparenze'', Milan: Silvana, 2014
*
Luciano Caramel, ''Movimento Arte Concreta 1948-1958'', Modena: Fonte D'Abisso, 1987
*Luciano Caramel, ed., ''Paintings by Augusto Garau: St. Martin's Gallery, 24th February-7th March 1964'', London: St. Martin's Gallery, 1964
References
{{DEFAULTSORT:Garau, Augusto
1923 births
2010 deaths
20th-century Italian male artists
Italian contemporary artists
Brera Academy alumni
Germanophone Italian people
People from Bolzano