''Armida'' is an
opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
in three acts by Italian composer
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. He gained fame for his 39 operas, although he also wrote man ...
to an Italian
libretto
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
(''
dramma per musica
The phrase ''dramma per musica'' (also spelled ''drama per musica''; Italian language, Italian, literally: 'play (or drama) for music', plural: ''drammi per musica'') is commonly found after the title in Italian opera librettos beginning in the ...
'') by
Giovanni Schmidt, based on scenes from ''
Gerusalemme liberata'' by
Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between ...
.
Performance history
''Armida'' was written to be performed at the
Teatro di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and ...
, Naples, on 11 November 1817 to celebrate the opening of the rebuilt opera house, which had been destroyed by fire the previous year.
Isabella Colbran sang the title role, which is one of the longest and most demanding that Rossini wrote, with difficult
coloratura
Coloratura ( , , ; , from ''colorata'', the past participle of the verb ''colorare'', 'to color') is a passage of music holding elaboration to a melody. The elaboration usually takes the form of runs, trills, wide leaps or other virtuoso ma ...
passages of every kind during the entire opera. The most notable are to be found in "D'amore al dolce impero" during act 2, in the duets between Armida and Rinaldo, and in parts of the act 3 finale.
The first modern staging took place at the
Teatro Comunale of Florence on 26 April 1952, during the
Maggio Musicale Fiorentino, with
Maria Callas
Maria Callas (born Maria Anna Cecilia Sophia Kalogeropoulos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano and one of the most renowned and influential opera singers of the 20th century. Many critics praised ...
and
Francesco Albanese in the leading roles and
Tullio Serafin conducting. More recently, performances were given in
Aix-en-Provence
Aix-en-Provence, or simply Aix, is a List of communes in France with over 20,000 inhabitants, city and Communes of France, commune in southern France, about north of Marseille. A former capital of Provence, it is the Subprefectures in France, s ...
in 1988, with
June Anderson
June Anderson (born December 30, 1952) is an American dramatic coloratura soprano. She is known for ''bel canto'' performances of Rossini, Donizetti, and Vincenzo Bellini.
Subsequently, she has extended her repertoire to include a wide variety o ...
,
Rockwell Blake,
Raúl Giménez
Raúl Giménez (born on September 14, 1950) is an Argentine operatic tenor, associated with the Italian bel canto vocal style.
Giménez was born in Carllos, Perigrinni, Province of Santa Fe, Argentina. He studied at the Music Conservatory of ...
, under conductor
Gianfranco Masini, and at the
Rossini Opera Festival The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to re ...
in 1993, with
Renée Fleming
Renée Lynn Fleming (born February 14, 1959) is an American soprano and actress, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nom ...
and
Gregory Kunde, under conductor
Daniele Gatti.
The United States premiere was given in Tulsa, Oklahoma on 29 February 1992 in celebration of the 200th anniversary of Rossini's birth with a cast the included
Christine Weidinger in the title role,
Thomas Young as Rinaldo, and
Ronald Naldi as Ubaldo.
A conjoint production by
Tulsa Opera,
Tulsa Ballet, and the
Tulsa Philharmonic, the work was staged by Nicholas Muni, designed by John Boesche, conducted by
Richard Bradshaw, and recorded for national broadcast on
NPR
National Public Radio (NPR) is an American public broadcasting organization headquartered in Washington, D.C., with its NPR West headquarters in Culver City, California. It serves as a national Radio syndication, syndicator to a network of more ...
.
The
Metropolitan Opera
The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred ...
premiere took place on 12 April 2010, with
Renée Fleming
Renée Lynn Fleming (born February 14, 1959) is an American soprano and actress, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nom ...
in the title role.
''Armida'' was performed at the
Rossini Opera Festival The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to re ...
in Pesaro in August 2014 in a new production by
Luca Ronconi.
Roles
Synopsis
:Time:
First Crusade
The First Crusade (1096–1099) was the first of a series of religious wars, or Crusades, initiated, supported and at times directed by the Latin Church in the Middle Ages. The objective was the recovery of the Holy Land from Muslim conquest ...
:Place: Near
Jerusalem
Jerusalem is a city in the Southern Levant, on a plateau in the Judaean Mountains between the Mediterranean Sea, Mediterranean and the Dead Sea. It is one of the List of oldest continuously inhabited cities, oldest cities in the world, and ...
Act 1
Goffredo, commander of the Christian forces, comforts and rallies the
Frankish
Frankish may refer to:
* Franks, a Germanic tribe and their culture
** Frankish language or its modern descendants, Franconian languages, a group of Low Germanic languages also commonly referred to as "Frankish" varieties
* Francia, a post-Roman ...
soldiers, who are mourning the recent death of their leader. A noblewoman appears and introduces herself as the rightful ruler of
Damascus
Damascus ( , ; ) is the capital and List of largest cities in the Levant region by population, largest city of Syria. It is the oldest capital in the world and, according to some, the fourth Holiest sites in Islam, holiest city in Islam. Kno ...
. She claims that her throne has been usurped by her evil uncle Idraote and asks for help and protection. In fact she is the sorceress Armida and in league with Idraote, who has entered with her in disguise. Their plan is to weaken the Crusaders by enslaving some of their best soldiers. The men are so dazzled by Armida's beauty that they convince Goffredo to help her. Goffredo decides that the Franks must choose a new leader, who will then pick ten soldiers to go with Armida. They elect Rinaldo, much to the jealousy of the knight Gernando ("Non soffrirò l'offesa"). Armida and Rinaldo, who is the Crusaders’ best soldier, had met once before, and she is secretly in love with him. She now confronts him and reminds him how she saved his life on that occasion. When she accuses him of ingratitude, he admits that he's in love with her (Duet: "Amor... possente nome!"). Gernando sees them together and insults Rinaldo as a womanizer in front of the other men. They duel and Rinaldo kills Gernando. Horrified by what he has done, he escapes with Armida before Goffredo can punish him.
Act 2
Astarotte, one of the princes of Hell, has led a group of demons into a forest to help Armida. She arrives there with Rinaldo, who's completely enthralled by her (Duet: "Dove son io!"). Even when she tells him about Idraote's plot, he doesn't turn against her. To Rinaldo's amazement, Armida then turns the forest into a vast pleasure palace. Armida muses on the power of love ("D'Amore al dolce impero") and offers for Rinaldo's entertainment a pantomime about a warrior being seduced by nymphs. Rinaldo, having lost all thoughts of military honor, gives himself over to Armida's enchantment.
Act 3
Two of Rinaldo's fellow knights, Ubaldo and Carlo, have been sent on a mission to save him. When they arrive in Armida's enchanted gardens, they are overwhelmed by the beauty of them, even though they know it's all an illusion. With the help of a magical golden staff, they ward off the nymphs that try to seduce them, then hide when Rinaldo and Armida appear. Rinaldo is still captivated by the sorceress, but once he is alone, Ubaldo and Carlo confront him. When they show him his reflection in a shield, he's horrified to realize that he no longer recognizes himself as the honorable warrior he once was (Trio: "In quale aspetto imbelle"). Still torn by his love for Armida, Rinaldo prays for strength, then leaves with his comrades. Armida calls upon the powers of Hell to bring her lover back but finds herself helpless. She rushes off in pursuit of the men.
Armida reaches the three soldiers before they can sail away. She begs Rinaldo not to desert her and even offers to go into battle with him. Ubaldo and Carlo restrain Rinaldo, trying to bolster his strength, and ultimately drag him away from her. Armida struggles between love and desire for revenge ("Dove son io?... Fuggì!"). She chooses revenge, destroying the pleasure palace and flying away in a rage.
Synopsis from the Met's website
, retrieved 3 April 2010
Notable numbers
*''Sinfonia''
Act 1
*"Sventurata! Or che mi resta?" – quartet (Armida, Eustazio, Goffredo and Idraote)
*"Amor ! Possente nome !" – duet (Rinaldo and Armida)
*"Se pari agli accenti" – duet (Rinaldo and Gernando)
Act 2
*"D'amore al dolce impero" – rondo finale 2 (Armida)
*Danza e coro generale
Act 3
*"In quale aspetto imbelle" – terzet (Rinaldo, Ubaldo, and Carlo)
*"Se al mio crudel tormento" – rondo finale 3 (Armida)
Recordings
References
Further reading
* Gossett, Philip; Brauner, Patricia (2001), "''Armida''" in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam.
*Osborne, Richard (1990), ''Rossini'', Ithaca, New York: Northeastern University Press.
*Osborne, Richard (1998), "''Armida''", in Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition ...
, (ed.), ''The New Grove Dictionary of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes.
The dictionary was first published in 1992 by Macmillan Reference, L ...
'', Vol. One, p. 199. London: Macmillan Publishers, Inc.
*Osborne, Richard (2004), "Rossini's Life", in Emanuele Senici (ed.) '' The Cambridge Companion to Rossini'', Cambridge University Press. .
*Servadio, Gaia (2003), ''Rossini'', New York: Carroll & Graf Publishers, 2003.
* Toye, Francis (re-issue 1987), ''Rossini: The Man and His Music'', Dover Publications, 1987. ,
External links
*
Libretto
of ''Armida''
used in ''Armida''
{{DEFAULTSORT:Armida (Rossini)
Operas by Gioachino Rossini
Italian-language operas
1817 operas
Operas
Operas set in the Levant
Operas based on Jerusalem Delivered
Opera world premieres at the Teatro San Carlo
Works about the Crusades
Cultural depictions of Godfrey of Bouillon
Libretti by Giovanni Schmidt