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Coloratura
Coloratura ( , , ; , from ''colorata'', the past participle of the verb ''colorare'', 'to color') is a passage of music holding elaboration to a melody. The elaboration usually takes the form of runs, trills, wide leaps or other virtuoso material,''Oxford American Dictionaries''.Apel (1969), p. 184. and the melody is obscured during the passage. The term is mostly applied to vocal music; in instrumental music such passages are called ornamentation. Coloratura is often found in operatic music of the 18th and 19th centuries. Operatic roles in which coloratura plays a large part, and their singers, are also called coloratura.Steane, J. B.; Jander, Owen, "Coloratura" in Sadie (1992) 1: 907. History The term ''coloratura'' was first defined in several early non-Italian music dictionaries: Michael Praetorius's ''Syntagma musicum'' (1618); Sébastien de Brossard's ''Dictionaire de musique'' (1703); and Johann Gottfried Walther's ''Musicalisches Lexicon'' (1732). In these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coloratura Soprano
A coloratura soprano () is a type of operatic soprano voice that specializes in music that is distinguished by agile run (music), runs, leaps and Trill (music), trills. The term ''coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C (Scientific pitch notation, C4) to "high F" (F6). Such a soprano is sometimes referred to as a soprano leggero if her vocal tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Duprez
Gilbert-Louis Duprez (6 December 180623 September 1896) was a French tenor, singing teacher and minor composer who famously pioneered the delivery of the operatic high C from the chest (''Ut de poitrine'', as Paris audiences called it). He also created the role of Edgardo in the popular bel canto-era opera ''Lucia di Lammermoor'' in 1835. Biography Gilbert-Louis Duprez was born in Paris. He studied singing, music theory, and composition with Alexandre-Étienne Choron and made his operatic début at the Odéon in 1825 as ''Count Almaviva'' in Gioachino Rossini, Rossini's ''The Barber of Seville, Il barbiere di Siviglia''. He worked in that theatre without much success until 1828, when he decided to try his luck in Italy. There, the operatic scene was more active and developed. As a result, Duprez was able to immerse himself in work, beginning principally with ''tenore contraltino'' roles such as ''Idreno'' in '' Semiramide '' and ''Rodrigo'' in ''Otello (Rossini), Otello'', both b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colorists (music)
The Colorists () were a group of sixteenth-century German organ composers that heavily ornamented their compositions following Italian coloraturas and other figures. Among others, the colorists include Sebastian Virdung, Arnolt Schlick, Elias Nikolaus Ammerbach, Paul Hofhaimer Paul Hofhaimer (25 January 1459 – 1537) was an Austrian organist and composer. He was particularly gifted at improvisation, and was regarded as the finest organist of his age by many writers, including Joachim Vadian, Vadian and Paracelsus; in a ..., Bernhard Schmid the Elder, Bernhard Schmid the Younger, Jacob Paix, Conrad Paumann, and Johann Woltz. The term was originally a derogatory designation applied by August Gottfried Ritter (1811–1885), and they were accused of having "overindulge in the use of splashy and meaningless coloratura passages."Hoelty-Nickel, Theodore. 1944. ''The Musical Heritage of the Church'', vol. 5. Valparaiso, IN: Valparaiso University, p. 44 References Further read ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bel Canto
, )—with several similar constructions (, , , pronounced in English as )—is a term with several meanings that relate to Italian singing, and whose definitions have often been misunderstood. ''Bel canto'' was not only seen as a vocal technique, but also as a source of national pride for Italians, specifically in how the musical qualities aligned with their identity. However, this pride was often complicated by political circumstances. The phrase was not associated with a "school" of singing until the middle of the 19th century, when writers in the early 1860s used it nostalgically to describe a manner of singing that had begun to wane around 1830. Nonetheless, "neither musical nor general dictionaries saw fit to attempt definition f ''bel canto''until after 1900". The term remains vague and ambiguous in the 21st century and is often used to evoke a lost singing tradition. History of the term and its various definitions As generally understood today, the term ''bel canto'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Run (music)
A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; : Tierce organ stop ; 2 : two feet – pipe organ indication; see ; : pipe organ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Nazari - Portrait Of Farinelli 1734 - Royal College Of Music London
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include: * Abramo Bartolommeo Massalongo (1824–1860), Italian paleobotanist and lichenologist * Bartolomeo Aimo (1889–1970), Italian professional bicycle road racer * Bartolomeo Altomonte, a.k.a. Bartholomäus Hohenberg (1694–1783), Austrian baroque painter * Bartolomeo Amico a.k.a. Bartholomeus Amicus (1562–1649), Jesuit priest, teacher and writer who spent his adult life in Naples * Bartolomeo Ammanati (1511–1592), Florentine architect and sculptor * Bartolomeo Avanzini (1608–1658), Italian architect of the Baroque period * Bartolomeo Bacilieri (1842–1923), Italian cardinal, Bishop of Verona 1900–1923 * Bartolommeo Bandinelli (1488–1560), Italian sculptor * Bartolomeo Barbarino (c. 1568–c. 1617 or later), Italian composer and singer of the early Baroque era * Bartolomeo Bassi (early 1600s-1640s), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel García (baritone)
Manuel Patricio Rodríguez García (17 March 1805 – 1 July 1906), was a Spanish singer, music educator, and vocal pedagogue. He invented the first laryngoscope. Biography García was born on 17 March 1805 either in Madrid, as has been traditionally stated, or in the town of Zafra in the province of Badajoz, Spain. His father was singer and teacher Manuel del Pópulo Vicente Rodriguez García (Manuel García I, 1775–1832). His sisters were Maria Malibran (1808–1836) and Pauline Viardot (1821–1910). After abandoning his onstage career as a baritone, García began to teach at the Paris Conservatory (1830–48) and the Royal Academy of Music, London (1848–95). Jessie Bond, Camille Everardi, Erminia Frezzolini, Julius Günther, Jenny Lind, Mathilde Marchesi, Christina Nilsson, Julia Ettie Crane, Georgina Schubert, Julius Stockhausen, Marie Tempest, Charles Santley and Henry Wood were among his pupils. He invented a laryngoscope in 1854 and the next year publis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria, as in literary genres, film genres, music genres, comics genres, etc. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for a successful transfer of information ( media-adequacy). Critical discussion of genre perhaps began with a classification system for ancient Greek literature, as set out in Aristotle' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voix Sombrée
''La Voix'' is the Quebec version of the TV reality show ''The Voice''. La Voix (''the voice'' in French) may also refer to: Film and television * ''The Voice'' (French TV series), the French television version of ''The Voice'' * ''The Voice'' (1992 film), a French film directed by Pierre Granier-Deferre Media / Press * ''La Voix de l'Est'' (Bagnolet), a Communist Party local weekly published from Bagnolet, France * ''La Voix de l'Est'' (Granby), a French-language daily published in Granby, Quebec *''La Voix des Belges'', a bi-monthly clandestine newspaper published by the Belgian Belgian National Movement *La Voix des Femmes (France, 1848), a French feminist periodical *La Voix des femmes (France, 1917), a French feminist periodical *''La Voix du Luxembourg'', a French-language daily newspaper published in Luxembourg *''La Voix du Nord'', a French regional daily in Lille, France Music * "La Voix" (song), a 2009 Swedish Eurovision song by Malena Ernman *''La voix du bon Dieu'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre (), also known as tone color or tone quality (from psychoacoustics), is the perceived sound of a musical note, sound or tone. Timbre distinguishes sounds according to their source, such as choir voices and musical instruments. It also enables listeners to distinguish instruments in the same category (e.g., an oboe and a clarinet, both woodwinds). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctive with its own unique tone color. Musicians distinguish instruments based on their varied timbres, even instruments playing notes at the same pitch and volume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
