Architecture Groups

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise ''De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). Centuries later, Leon Battista Alberti developed his ideas further, seeing beauty as an objective quality of buildings to be found in their proportions. Giorgio Vasari wrote ''Lives of the Most Excellent Painters, Sculptors, and Architects'' and put forward the idea of style in the Western arts in the 16th century. In the 19th century, Louis Sullivan declared that "form follows function". "Function" began to replace the classical "utility" and was understood to include not only practical but also aesthetic, psychological and cultural dimensions. The idea of sustainable architecture was introduced in the late 20th century.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. In fact, During the European Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated. Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed.

Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating.

Definitions

Architecture can mean:
* A general term to describe buildings and other physical structures.''Shorter Oxford English Dictionary'' (1993), Oxford,
* The art and science of designing buildings and (some) nonbuilding structures.
* The style of design and method of construction of buildings and other physical structures.
* A unifying or coherent form or structure.
* Knowledge of art, science, technology, and humanity.
* The design activity of the architect, from the macro-level (urban design, landscape architecture) to the micro-level (construction details and furniture). The practice of the architect, where architecture means offering or rendering professional services in connection with the design and construction of buildings, or built environments.

Theory of architecture

The philosophy of architecture is a branch of philosophy of art, dealing with aesthetic value of architecture, its semantics and in relation with development of culture. Many philosophers and theoreticians from Plato to Michel Foucault, Gilles Deleuze, Robert Venturi and Ludwig Wittgenstein have concerned themselves with the nature of architecture and whether or not architecture is distinguished from building.

Historic treatises

The earliest surviving written work on the subject of architecture is ''De architectura'' by the Roman architect Vitruvius in the early 1st century AD.D. Rowland – T.N. Howe: Vitruvius. Ten Books on Architecture. Cambridge University Press, Cambridge 1999, According to Vitruvius, a good building should satisfy the three principles of , commonly known by the original translation – ''firmness, commodity and delight''. An equivalent in modern English would be:
* Durability – a building should stand up robustly and remain in good condition
* Utility – it should be suitable for the purposes for which it is used
* Beauty – it should be aesthetically pleasing
According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, '' De re aedificatoria'', saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealized human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognizable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Giorgio Vasari. By the 18th century, his ''Lives of the Most Excellent Painters, Sculptors, and Architects'' had been translated into Italian, French, Spanish, and English.

In the 16th century, Italian Mannerist architect, painter and theorist Sebastiano Serlio wrote ''Tutte L'Opere D'Architettura et Prospetiva'' (''Complete Works on Architecture and Perspective''). This treatise exerted immense influence throughout Europe, being the first handbook that emphasized the practical rather than the theoretical aspects of architecture, and it was the first to catalog the five orders.

In the early 19th century, Augustus Welby Northmore Pugin wrote ''Contrasts'' (1836) that, as the title suggested, contrasted the modern, industrial world, which he disparaged, with an idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, John Ruskin, in his ''Seven Lamps of Architecture'', published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men … that the sight of them" contributes "to his mental health, power, and pleasure".John Ruskin, ''The Seven Lamps of Architecture'', G. Allen (1880), reprinted Dover, (1989) For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least.

On the difference between the ideals of ''architecture'' and mere ''construction'', the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture". Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."

Modern concepts

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural.

Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.... To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality".

Among the philosophies that have influenced modern architects and their approach to building design are Rationalism, Empiricism, Structuralism, Poststructuralism, Deconstruction and Phenomenology.

In the late 20th century a new concept was added to those included in the compass of both structure and function, the consideration of sustainability, hence sustainable architecture. To satisfy the contemporary ethos a building should be constructed in a manner which is environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon non-sustainable power sources for heating, cooling, water and waste management, and lighting.

History

Origins and vernacular architecture

File:Stærnes Søndre Loft, Rollag.jpg, In Norway: wood and elevated-level
File:Lesotho Slide Show (294).JPG, In Lesotho: rondavel stones
File:Yola hut -Tagoat Co. Wexford.JPG, In Ireland: Yola hut

Muzeul Satului Bucuresti 02.jpg, In Romania: peasant houses in the Dimitrie Gusti National Village Museum (Bucharest)

Building first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills). As human cultures developed and knowledge began to be formalized through oral traditions and practices, building became a craft, and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world.

Prehistoric architecture

File:Göbekli Tepe, Urfa.jpg, Göbekli Tepe from Turkey, founded in 10th millennium BC and abandoned in 8th millennium BC
File:Trypillian house2.jpg, Pottery miniature of a Cucuteni-Trypillian house
File:Cucuteni MNIR IMG 7622.JPG, Miniature of a regular Cucuteni-Trypillian house, full of ceramic vessels
File:Orkney Skara Brae.jpg, Excavated dwellings at Skara Brae (Mainland, Orkney, Scotland, UK)

Early human settlements were mostly rural. Hence, Expending economies resulted in the creation of urban areas which in some cases grew and evolved very rapidly, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan.

Neolithic settlements and "cities" include Göbekli Tepe and Çatalhöyük in Turkey, Jericho in the Levant, Mehrgarh in Pakistan, Knap of Howar and Skara Brae, Orkney Islands, Scotland, and the Cucuteni-Trypillian culture settlements in Romania, Moldova and Ukraine.

Ancient architecture

File:Ishtar gate in Pergamon museum in Berlin..jpg, Mesopotamian architecture: Reconstruction of the Ishtar Gate in the Pergamon Museum (Berlin, Germany), circa 575 BC

Kheops-Pyramid.jpg, Ancient Egyptian architecture: The Great Pyramid of Giza (Giza, Egypt), circa 2589-2566 BC, by Hemiunu

File:Parthenon (30276156187).jpg, Ancient Greek architecture: The Parthenon on the Athenian Acropolis, made of marble and limestone, 460-406 BC

Maison Carree in Nimes (16).jpg, Ancient Roman architecture: The Maison Carrée from Nîmes (France), one of the best-preserved Roman temples, circa 2 AD

File:Horyu-ji National Treasure World heritage 国宝・世界遺産法隆寺85.JPG, Japanese architecture: Hōryū-ji, a Buddhist temple in Nara Prefecture, Japan, 607 AD

In many ancient civilizations such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to symbolically represent the political power of the ruler or the state itself.

The architecture and urbanism of the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. As the Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices.

Texts on architecture have been written since ancient times. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are religious.

Asian architecture

Beauty of khajuraho temple.jpg, Indian architecture: The Kandariya Mahadeva Temple (Khajuraho, Madhya Pradesh, India), circa 1030

File:11 Temple of Heaven.jpg, Chinese architecture: The Hall of Prayer for Good Harvests, the main building of the Temple of Heaven (Beijing, China), 1703-1790

Himeji Castle The Keep Towers.jpg, Japanese architecture: The Himeji Castle (Himeji, Hyōgo Prefecture, Japan), 1609

File:Roulos Group - 005 Bakong (8587796725).jpg, Khmer architecture: The Bakong (near Siem Reap, Cambodia), earliest surviving Temple Mountain at Angkor, completed in 881 AD

The architecture of different parts of Asia developed differently than Europe; and each of Buddhist, Hindu and Sikh architecture had different characteristics. In fact, Unlike Indian and Chinese architecture which had great influence on the surrounding regions, Japanese architecture did not. Some Asian architecture showed great regional diversity such as Buddhist architecture, in particular. Moreover, other architectural achievements in Asia is the Hindu temple architecture, which developed from around the 5th century CE, is in theory governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm.

In many Asian countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Also, the grandest houses were relatively lightweight structures mainly using wood until recent times, and there are few survivals of great age. Buddhism was associated with a move to stone and brick religious structures, probably beginning as rock-cut architecture, which has often survived very well.

Early Asian writings on architecture include the ''Kao Gong Ji'' of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal .

Islamic architecture

File:Córdoba (5157827355).jpg, Moorish architecture: Grand arches of the Mosque–Cathedral of Córdoba (Córdoba, Spain)

File:20180301124354 IMG 4179And6more Interior 3.jpg, Persian architecture: The Jameh Mosque in Isfahan (Iran)

File:Taj Mahal, Agra, India edit2.jpg, Mughal architecture: The Taj Mahal in Agra (India)

Selimiye Mosque, Dome.jpg, Ottoman architecture: The interior side view of the main dome of the Selimiye Mosque in Edirne (Turkey)

Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, Turkey, North Africa, the Indian Sub-continent and in parts of Europe, such as Spain, Albania, and the Balkan States, as the result of the expansion of the Ottoman Empire.

European Middle Ages

File:Basilica di Santa Maria Maggiore abside a Roma.jpg, Byzantine architecture: Apse of Santa Maria Maggiore (Rome), decorated in the 5th century with this glamorous mosaic

File:Durham Cathedral Nave.jpg, Romanesque architecture: Interior of the Durham Cathedral ( Durham, UK), 1093-1133

File:Sainte Chapelle Interior Stained Glass.jpg, Gothic architecture: Stained glass windows of the Sainte-Chapelle in Paris, completed in 1248, mostly constructed between 1194 and 1220

File:4, Strada Stavropoleos, Bucharest (Romania).jpg, Brâncovenesc architecture: The Stavropoleos Church (downtown Bucharest, Romania), with elaborate paintings on the façade, 1724

In Europe during the Medieval period, guilds were formed by craftsmen to organize their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master mason, or ''Magister lathomorum'' as they are sometimes described in contemporary documents.

The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onward, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic.

Also, a significant part of the Middle Ages architectural heritage is numerous fortifications across the continent. From the Balkans to Spain, and from Malta to Estonia, these buildings represent an important part of European heritage.

Renaissance and the architect

Florence Duomo (167859687).jpeg, The Florence Cathedral (Florence, Italy), 1294–1436, by Arnolfo di Cambio, Filippo Brunelleschi and Emilio De Fabris

Tempietto del Bramante Vorderseite.jpg, The Tempietto (Rome), by Donato Bramante, 1444-1514

Le salon des Perspectives (Villa Farnesina, Rome) (34242676046).jpg, The Hall of Perspective from Villa Farnesina (Rome), by Baldassare Peruzzi, 1505-1510

07-Villa-Rotonda-Palladio.jpg, The Villa La Rotonda (Vicenza, Italy), 1567 - , by Andrea Palladio

Schloss Chenonceau.JPG, The Château de Chenonceau (France), by Philibert de l'Orme, 1576

In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance humanism, which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo, Palladio – and the cult of the individual had begun. There was still no dividing line between artist, architect and engineer, or any of the related vocations, and the appellation was often one of regional preference.

A revival of the Classical style in architecture was accompanied by a burgeoning of science and engineering, which affected the proportions and structure of buildings. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved was within the scope of the generalist.

Early modern and the industrial age

Château de Maisons-Laffitte 001.jpg, Baroque architecture: The Château de Maisons (France), by François Mansart, 1630–1651

Petit appartement du roi - Pièce de la vaisselle d'or (3).jpg, Rococo architecture: The pièce de la vaisselle d'or (Palace of Versailles, Versailles, France)

West facade of Petit Trianon 002.JPG, Neoclassical architecture: The west facade of the Petit Trianon (Versailles), 1764, by Ange-Jacques Gabriel

All Saints Margaret Street Interior 2, London, UK - Diliff.jpg, Historicist architecture (in this case Gothic Revival): Interior of the All Saints (London), 1850–1859, by William Butterfield

The Museum of Ages.jpg, 19th century Eclectic Classicist architecture: The Museum of Ages on Victory Avenue (Bucharest, Romania), late 19th century, unknown architect

Vedere a Halelor din Paris de pe Biserica Saint Eustache.jpg, 19th century industrial architecture: Les Halles (Paris), 1850s-destroyed in 1971, by Victor Baltard

Éden-Théâtre 1876 Paris - Chauveau 1999 after p96.jpg, Orientalist architecture: The Éden-Théâtre (Paris), early 1880s-demolished in 1895, by William Klein and Albert Duclos

56, Bulevardul Dacia, Bucharest (Romania).jpg, Revivalist architecture of a national style (in this case Romanian Revival): The C.N. Câmpeanu House on Bulevardul Dacia (Bucharest), , by Constantin Nănescu

Palacio CEC, Bucarest, Rumanía, 2016-05-29, DD 91-93 HDR.jpg, Beaux-Arts architecture: The CEC Palace on Victory Avenue (Bucharest), 8 June 1897 – 1900, by Paul Gottereau

File:Castel Béranger, February 16, 2013.jpg, Art Nouveau architecture: The Entrance of the Castel Béranger (Paris), 1895–1898, by Hector Guimard

The emerging knowledge in scientific fields and the rise of new materials and technology, architecture and engineering began to separate, and the architect began to concentrate on aesthetics and the humanist aspects, often at the expense of technical aspects of building design. There was also the rise of the "gentleman architect" who usually dealt with wealthy clients and concentrated predominantly on visual qualities derived usually from historical prototypes, typified by the many country houses of Great Britain that were created in the Neo Gothic or Scottish baronial styles.
Formal architectural training in the 19th century, for example at École des Beaux-Arts in France, gave much emphasis to the production of beautiful drawings and little to context and feasibility.

Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production.

Vernacular architecture became increasingly ornamental. Housebuilders could use current architectural design in their work by combining features found in pattern books and architectural journals.

Modernism

Alfeld Fagus 08JUL15.JPG, Early Modern architecture: The Fagus Factory (Alfeld, Germany), 1911, by Walter Gropius

Einsteinturm 7443a.jpg, Expressionist architecture: The Einstein Tower (Potsdam, near Berlin, Germany), 1919–1922, by Erich Mendelsohn

Théâtre des Champs-Élysées, 21 April 2013.jpg, Art Deco architecture: The Théâtre des Champs-Élysées (Paris), 1910–1913, by Auguste Perret

Overzicht voorgevel - Heerlen - 20349660 - RCE.jpg, International Style: The Glaspaleis (Heerlen, the Netherlands), 1934–1935, by Frits Peutz and Philip Johnson

Around the beginning of the 20th century, general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors to Modern architecture. Notable among these is the Deutscher Werkbund, formed in 1907 to produce better quality machine-made objects. The rise of the profession of industrial design is usually placed here. Following this lead, the Bauhaus school, founded in Weimar, Germany in 1919, redefined the architectural bounds prior set throughout history, viewing the creation of a building as the ultimate synthesis—the apex—of art, craft, and technology.

When modern architecture was first practiced, it was an avant-garde movement with moral, philosophical, and aesthetic underpinnings. Immediately after World War I, pioneering modernist architects sought to develop a completely new style appropriate for a new post-war social and economic order, focused on meeting the needs of the middle and working classes. They rejected the architectural practice of the academic refinement of historical styles which served the rapidly declining aristocratic order. The approach of the Modernist architects was to reduce buildings to pure forms, removing historical references and ornament in favor of functional details. Buildings displayed their functional and structural elements, exposing steel beams and concrete surfaces instead of hiding them behind decorative forms. Architects such as Frank Lloyd Wright developed organic architecture, in which the form was defined by its environment and purpose, with an aim to promote harmony between human habitation and the natural world with prime examples being Robie House and Fallingwater.

Architects such as Mies van der Rohe, Philip Johnson and Marcel Breuer worked to create beauty based on the inherent qualities of building materials and modern construction techniques, trading traditional historic forms for simplified geometric forms, celebrating the new means and methods made possible by the Industrial Revolution, including steel-frame construction, which gave birth to high-rise superstructures. Fazlur Rahman Khan's development of the tube structure was a technological break-through in building ever higher. By mid-century, Modernism had morphed into the International Style, an aesthetic epitomized in many ways by the Twin Towers of New York's World Trade Center designed by Minoru Yamasaki.

Postmodernism

PiazzaDItalia1990.jpg, Piazza d'Italia (New Orleans