''Apollo and Daphne'' is a c.1470–1480 oil on panel painting, attributed to
Piero del Pollaiuolo and/or his brother
Antonio
Antonio is a masculine given name of Etruscan language, Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top ...
). William Coningham acquired it in Rome in 1845 and in 1876
Wynne Ellis left it to the
National Gallery, London
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current dire ...
, where it still hangs. It shows
Daphne
Daphne (; ; , , ), a figure in Greek mythology, is a naiad, a variety of female nymph associated with fountains, wells, springs, streams, brooks and other bodies of freshwater.
There are several versions of the myth in which she appears, but t ...
's transformation into a laurel tree to escape
Apollo
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, mu ...
in Ovid's ''
Metamorphoses
The ''Metamorphoses'' (, , ) is a Latin Narrative poetry, narrative poem from 8 Common Era, CE by the Ancient Rome, Roman poet Ovid. It is considered his ''Masterpiece, magnum opus''. The poem chronicles the history of the world from its Cre ...
''.
Its choice of wood as a support and its small dimensions mean that it was long mistaken as a fragment of a decorative
cassone
A cassone (plural ''cassoni'') or marriage chest is a rich and showy Italian type of chest, which may be inlaid or carved, prepared with gesso ground then painted and gilded. ''Pastiglia'' was decoration in low relief carved or moulded in ...
. It was long attributed to Antonio but is now usually attributed to Piero. The background vegetation was previously brighter but is now irreversibly oxidized.
[Louise Govier, ''The National Gallery, guida per i visitatori'', Louise Rice, London 2009. ]
References
Further reading
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External links
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{{15C-painting-stub
Paintings by Piero del Pollaiuolo
Paintings in the National Gallery, London
1470s paintings
Paintings of Apollo
Paintings based on Metamorphoses
Paintings by Antonio del Pollaiuolo