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Piero Del Pollaiuolo
Piero del Pollaiuolo ( , , ; also spelled Pollaiolo; – by 1496), whose birth name was Piero Benci, was an Italian Renaissance painter from Florence. His older brother, by about ten years, was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; according to Vasari, the brothers carried out dissections to improve their knowledge of the subject (though modern scholars tend to doubt this). Giorgio Vasari, who wrote several decades after both brothers were dead, includes a joint biography of Antonio and Piero del Pollaiuolo in his ''Lives of the Most Excellent Painters, Sculptors, and Architects''. Vasari says that Antonio was especially highly regarded for his ''disegno'' or drawing, and it may be that on shared works he did most of the underdrawing, leaving Piero and their assistants to complete the painting. Vasari began the tradition of stressing the contribution of Antonio ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all these media, as well as designing works in others, for example vestments, metal embroidery being a medium he worked in at the start of his career. His most characteristic works in his main media show largely naked male figures in complicated poses of violent action, drawing from classical examples and often centred on a heroic Hercules. He, or possibly his brother, was also an innovative painter of wide landscape backgrounds, perhaps having learnt from Early Netherlandish painting. His two papal tombs were the only monuments to survive the demolition of Old St Peter's in the next century and be reconstructed in the present St Peter's Basilica. He very often worked in collaboration with his younger brother Piero d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Del Pollaiolo (attr
Piero del Pollaiuolo ( , , ; also spelled Pollaiolo; – by 1496), whose birth name was Piero Benci, was an Italian Renaissance painter from Florence. His older brother, by about ten years, was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; according to Vasari, the brothers carried out dissections to improve their knowledge of the subject (though modern scholars tend to doubt this). Giorgio Vasari, who wrote several decades after both brothers were dead, includes a joint biography of Antonio and Piero del Pollaiuolo in his ''Lives of the Most Excellent Painters, Sculptors, and Architects''. Vasari says that Antonio was especially highly regarded for his ''disegno'' or drawing, and it may be that on shared works he did most of the underdrawing, leaving Piero and their assistants to complete the painting. Vasari began the tradition of stressing the contribution of Antonio ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Of The Virgin (Pollaiuolo)
The altarpiece of the Coronation of the Virgin by Piero del Pollaiuolo behind the high altar in the church of Sant'Agostino, San Gimignano in Tuscany, Italy, was painted in 1483. As the painter's only signed and dated work it is a key piece of evidence in the question of which paintings to attribute to Piero and which to his more famous brother, Antonio del Pollaiuolo, which has become a contentious subject in recent years. The painting is in tempera on panel, although recent technical analysis has shown that linseed oil was also used, a rather early example of oil painting for Florentine painting, found in other paintings by the Pollaiuolo brothers. Description The composition has an ''in aria'' zone where Christ crowns the Virgin Mary, flanked at a distance by angelic musicians and seraph-heads (body-less putti). Below the clouds on which the main figures are seated putti support a chalice representing the Eucharist; this sits on the head of the lowest. On the ground below ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo And Daphne (Pollaiuolo)
''Apollo and Daphne'' is a c.1470–1480 oil on panel painting, attributed to Piero del Pollaiuolo and/or his brother Antonio). William Coningham acquired it in Rome in 1845 and in 1876 Wynne Ellis left it to the National Gallery, London, where it still hangs. It shows Daphne's transformation into a laurel tree to escape Apollo in Ovid's ''Metamorphoses''. Its choice of wood as a support and its small dimensions mean that it was long mistaken as a fragment of a decorative cassone A cassone (plural ''cassoni'') or marriage chest is a rich and showy Italian type of chest, which may be inlaid or carved, prepared with gesso ground then painted and gilded. ''Pastiglia'' was decoration in low relief carved or moulded in .... It was long attributed to Antonio but is now usually attributed to Piero. The background vegetation was previously brighter but is now irreversibly oxidized.Louise Govier, ''The National Gallery, guida per i visitatori'', Louise Rice, London 2009. Ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Medici
The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a 15th-century Renaissance palace in Florence, Italy. It was built for the Medici family, who dominated the politics of the Republic of Florence. It is now the seat of the administration of the Metropolitan City of Florence and a museum. The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry, which includes architectural elements of rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of largest art museums, largest art museum in the Americas. With 5.36 million visitors in 2023, it is the List of most-visited museums in the United States, most-visited museum in the United States and the List of most-visited art museums, fifth-most visited art museum in the world. In 2000, its permanent collection had over two million works; it currently lists a total of 1.5 million works. The collection is divided into 17 curatorial departments. The Met Fifth Avenue, The main building at 1000 Fifth Avenue, along the Museum Mile, New York, Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's list of largest art museums, largest art museums. The first portion of the approximately building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi
The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance painting, Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa de' Medici, Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici, Grand Duke of Tuscany, Cosimo I de' M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monograph
A monograph is generally a long-form work on one (usually scholarly) subject, or one aspect of a subject, typically created by a single author or artist (or, sometimes, by two or more authors). Traditionally it is in written form and published as a book, but it may be an artwork, audiovisual work, or exhibition made up of visual artworks. In library cataloguing, the word has a specific and broader meaning, while in the United States, the Food and Drug Administration uses the term to mean a set of published standards. Written works Academic works The English term ''monograph'' is derived from modern Latin , which has its root in Greek. In the English word, ''mono-'' means and ''-graph'' means . Unlike a textbook, which surveys the state of knowledge in a field, the main purpose of a monograph is to present primary research and original scholarship. This research is presented at length, distinguishing a monograph from an article. For these reasons, publication of a monograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Young Woman (Pollaiuolo)
''Portrait of a Young Woman'' is a mixed-technique painting on panel of , variously attributed to Piero del Pollaiuolo or his brother Antonio. It is now in Milan in the Museo Poldi Pezzoli, which uses the painting as its symbol. History The work is one of the most celebrated and best preserved Renaissance portraits of a woman in profile of those attributed to one of the two Pollaiuolo brothers. It is often compared to '' Portrait of a Woman'' at the Uffizi, as well as to similar portraits held in the Staatliche Museen, the Metropolitan Museum of Art, and the Isabella Stewart Gardner Museum. Similar facial features can also be seen in ' by Andrea della Robbia. These works have traditionally been attributed to Piero del Pollaiuolo, but recent critics, such as Aldo Galli, have proposed attributions to Antonio. The identity of the subject of the portrait is unclear. Various names have been proposed, including the wife of the banker Giovanni de' Bardi (based on the probably spuri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Poldi Pezzoli
The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12. The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) and his mother, Rosa Trivulzio, of the family of the condottiero Gian Giacomo Trivulzio. Many of the rooms in the palace were redecorated starting in 1846, a commissions entrusted to Luigi Scrosati and Giuseppe Bertini. Individual rooms were often decorated and furnished to match the paintings hung on the walls. The architect Simone Cantoni (1736–1818) rebuilt the palazzo in its present Neoclassical style with an English-style interior garden. In 1850–1853, Poldi Pezzoli commissioned the architect Giuseppe Balzaretto to refurbish his apartment. Pezzoli in his testament left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of The Nudes (engraving)
Battle of the Nudes may refer to: * ''Battle of the Nudes'' (engraving), a 15th-century artwork by the Italian artist Antonio del Pollaiuolo * ''Battle of the Nudes'' (album), a 2003 album by the Canadian musician Gordon Downie {{dab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
