Anglican chant, also known as English chant, is a way to

sing Singing is the art of creating music with the voice. It is the oldest form of musical expression, and the human voice can be considered the first musical instrument. The definition of singing varies across sources. Some sources define singi ...

unmetrical texts, including

psalm The Book of Psalms ( , ; ; ; ; , in Islam also called Zabur, ), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called ('Writings'), and a book of the Old Testament. The book is an anthology of H ...

s and

canticle In the context of Christian liturgy, a canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a psalm-like song with biblical lyrics taken from elsewhere than the Book of Psalms, but included in psalters and books su ...

s from the

Bible The Bible is a collection of religious texts that are central to Christianity and Judaism, and esteemed in other Abrahamic religions such as Islam. The Bible is an anthology (a compilation of texts of a variety of forms) originally writt ...

, by matching the natural speech-rhythm of the words to the notes of a simple harmonized melody. This distinctive type of chant is a significant element of Anglican church music. Anglican chant was formerly in widespread use in Anglican and Episcopal churches, but today, Anglican chant is sung primarily in Anglican

cathedral A cathedral is a church (building), church that contains the of a bishop, thus serving as the central church of a diocese, Annual conferences within Methodism, conference, or episcopate. Churches with the function of "cathedral" are usually s ...

s and

parish church A parish church (or parochial church) in Christianity is the Church (building), church which acts as the religious centre of a parish. In many parts of the world, especially in rural areas, the parish church may play a significant role in com ...

es that have retained a choral

liturgical Liturgy is the customary public ritual of worship performed by a religious group. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembra ...

tradition. Additionally, Anglican chant may be sung in

Roman Catholic The Catholic Church (), also known as the Roman Catholic Church, is the largest Christian church, with 1.27 to 1.41 billion baptized Catholics worldwide as of 2025. It is among the world's oldest and largest international institut ...

Lutheran Lutheranism is a major branch of Protestantism that emerged under the work of Martin Luther, the 16th-century German friar and Protestant Reformers, reformer whose efforts to reform the theology and practices of the Catholic Church launched ...

Presbyterian Presbyterianism is a historically Reformed Protestant tradition named for its form of church government by representative assemblies of elders, known as "presbyters". Though other Reformed churches are structurally similar, the word ''Pr ...

, and Reformed churches. Anglican chant grew out of the

plainchant Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive for ...

tradition during the

English Reformation The English Reformation began in 16th-century England when the Church of England broke away first from the authority of the pope and bishops Oath_of_Supremacy, over the King and then from some doctrines and practices of the Catholic Church ...

. When singing a

text Text may refer to: Written word * Text (literary theory) In literary theory, a text is any object that can be "read", whether this object is a work of literature, a street sign, an arrangement of buildings on a city block, or styles of clothi ...

in Anglican chant, the natural

rhythm Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular r ...

of the words as they would be spoken by a careful speaker governs how the music is fitted to the words. The majority of the words are freely and rhythmically chanted over the ''reciting notes'', which are found in the first, fourth, eighth, eleventh (etc.) bars of the chant and with the other notes of the music appropriately fitted to the words at the end of each half-verse. Formerly the rhythm of the non-reciting notes was strictly observed, but nowadays the rhythm is based on the natural cadence of speech. Thus, the length of each of these notes bears little relation to the normal musical value of a note such as a minim or semibreve. Anglican chant was well established by the 18th century. The earliest known examples are single chants written by John Blow,

Henry Purcell Henry Purcell (, rare: ; September 1659 – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas, ''Dido and Aeneas''; and his incidental music to a version o ...

, and their contemporaries. Earlier examples by Tudor composers such as Tallis, Farrant, and others are not original. The earliest double chants are from about 1700.

Method

The text is pointed for chanting by assigning each verse or phrase to a simple harmonised

melody A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figurativel ...

of 7, 14, 21 or 28 bars (known respectively as a single, double, triple or quadruple chant). An example of a single chant is shown above. Below are the first four verses of the

Magnificat The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This ...

, with the text coloured to show which words correspond to which notes in the music ("the chant"). :1. My soul doth ' magnify the ' Lord : And my spirit hath re'joiced in ' God my ' Saviour. :2. For ' he hath re'garded : the ' lowliness ' of his ' handmaiden. :3. For be'hold from ' henceforth : all gene ' rations shall ' call me ' blessed. :4. For he that is mighty hath ' magnified ' me : and ' holy ' is his ' Name. Another example of the color-pointed text for chant scores is th
Vox Barnabas Psalter
a collection of public domain double chant scores b
St. Barnabas Chorus
used to sing thei
Daily Office in Chant
podcast of Morning, Noon, Evensong and Compline. Various

psalter A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were ...

s have been published over the years, with each one showing how the chant is to be fitted to the words and each having its own variation on the precise rules for doing so. The rules used in the ''Parish Psalter'' (one of the more popular psalters, edited by Sydney Nicholson) are as follows: * Each verse is sung to seven bars of music (the whole chant in the example above, though most chants are 14 bars = 2 verses long) * The bar lines in the music correspond to the "pointing marks" which are shown above as inverted commas or apostrophes in the text. * The double bar line in the music corresponds to the colon in the text. * Where there is one note (a semibreve) to a bar, all the words for the corresponding part of the text are sung to that one note. * Where there are two notes (two minims) to a bar, unless indicated otherwise all the words ''except the last syllable'' are sung to the first minim. The final syllable is sung to the second minim. Where more than the last syllable is to be sung to the second minim, a dot (·) (between words) or a hyphen (within a word) is used in the text to indicate where the note change should occur. Other psalters use different notation; modern psalters such as the ''New St Paul's Cathedral Psalter'' (John Scott, 1997) have adopted the following convention: * A vertical bar (, ) is used to indicate a barline. * Whenever there are 3 or more syllables in a bar containing two minims, a dot (·) or hyphen is used, even if the change of note is on the final syllable. There are various additional rules which apply occasionally: * Some chants have more complicated rhythms than the example above, generally in the form of a dotted minim and a crotchet (in any bar except the last of a quarter) or of two crotchets taking the place of a minim. * When a minim in an internal bar (i.e. not the first or last bar of a quarter) is replaced by two crotchets, one of two things happens. If there is only one syllable, both notes are sung to it in quick succession. If there are two (or occasionally more) syllables, they are split as appropriate to smoothly match the rhythm of the words to the two notes. * When an internal bar has a dotted rhythm, it is to be sung as above, excepting that the crotchet can be omitted from the music if the natural rhythm of the words and the sentiment of the words indicate that it is appropriate to do so. * When the first bar of a quarter has a dotted minim and a crotchet, all syllables except the last are sung to the note of the dotted minim, with the crotchet being tucked in on the last syllable before the barline. If there is only one syllable, both notes are sung to it in quick succession with the subtle emphasis being on the first note. * Sometimes the last bar of a quarter has two minims instead of the usual semibreve, in which case a dot/hyphen may be required after the last barline in the text: (e.g. even as ' though they ' were mine ' ene-mies.) * Particularly in long psalms, changes of chant may be used to signal thematic shifts in the words.

Psalm 119 Psalm 119 is the 119th psalm of the Book of Psalms, beginning in the English of the King James Version: "Blessed are the undefiled in the way, who walk in the law of the Lord". The Book of Psalms is in the third section of the Hebrew Bible, the ...

, which is the longest in the psalter, is generally sung with a change of chant after every 8 of its 176 verses, corresponding to the 22 stanzas of the original Hebrew text. However, it is never sung all at once, but spread over successive days.

Double, triple and quadruple chants

The example above is a single chant. This is mostly only used for very short psalms (half a dozen verses or so). The most commonly used chants are ''double chants''. These are twice the length of a single chant. The music of the chant is repeated for every pair of verses. This reflects the structure of the

Hebrew poetry {{Short description, Disambiguation page Hebrew poetry is poetry written in the Hebrew language. It encompasses such things as: * Biblical poetry, the poetry found in the poetic books of the Hebrew Bible * Piyyut, religious Jewish liturgical poe ...

of many of the psalms: Each verse is in two halves – the second half answers the first; the verses are in pairs – the second verse answers the first. ''Triple'' and ''quadruple chants'' are considerably rarer. They appeared from the latter part of the 19th century to cover some of the exceptions to this format. They set the verses of the psalm in groups of three or four verses respectively. Psalm 2 (for example) is suited to a triple chant; a quadruple chant might be used for Psalm 78. A double chant is divided into "quarters", each of which has the music for half a verse. Triple and quadruple chants may also be described as containing six or eight quarters. If the entire text (or a section of it) has an odd number of verses, the second half of the chant is usually repeated at an appropriate point, which may be marked "2nd part". Similarly, "3rd part" markings may be used for triple chants. An example of a double chant: A double Anglican Chant

Below are the four lines of the doxology '' Gloria Patri'' (commonly known as the "Gloria"), with the text coloured to show which words correspond to which notes in the music (pointing varies from choir to choir): Glory be to the Father, and ' to the ' Son :
and ' to the ' Holy ' Ghost;
As it was in the beginning, is now, and ' ever ' shall be :
world without ' end A ' - - ' men. The doxology '' Gloria Patri'', usually sung at the end of a psalm or

, is two verses long. Depending on the type of chant, it is sung in one of the following ways: *to a single chant sung twice, *to a double chant, *to an appropriate 14 bars (usually specified by the composer) of a triple chant or quadruple chant.

Accompaniment

Psalms may be sung unaccompanied or accompanied by an organ or other instrument. Organists use a variety of registrations to mirror the changing mood of the words from verse to verse; but the organ should never be so loud that the words cannot be clearly heard. Organists may sometimes utilize

word painting Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music. Historical development Tone painting of word ...

, using effects such as a deep pedal note on the word "thunder", or a harsh reed tone for "darkness" contrasting with a

mixture In chemistry, a mixture is a material made up of two or more different chemical substances which can be separated by physical method. It is an impure substance made up of 2 or more elements or compounds mechanically mixed together in any proporti ...

for "light".

Antiphonal singing

A further stylistic technique is used in cathedrals and churches which use an antiphonal style of singing. In this case, the choir is divided into two equal half-choirs, each having representation for the four musical parts, and usually facing one another. They are typically named '' Decani'' (usually the half-choir to the south side) and ''

Cantoris Cantoris (Latin: "of the cantor"; ) is the side of a church choir occupied by the Cantor. In English churches this is typically the choir stalls on the north side of the chancel, although there are some notable exceptions, such as Durham Cathe ...

'' (usually the half-choir to the north side). Then the choir may employ either of the techniques known as ''quarter-chanting'' and ''half-chanting''. In quarter-chanting (which is more true to the structure of the

), the side that starts (usually decani) sing the first quarter of the chant (and thus the first half of the verse). The side that did not start (usually cantoris) then sing the second quarter of the chant (and thus the second half of the verse). This sequence then repeats. In half-chanting (which is more true to antiphonal singing in the Gregorian style), decani sing the first two quarters of the chant, and cantoris the next two quarters (so that each half-choir sings a whole verse at a time). With antiphonal singing, the first two verses, the ''Gloria'' and perhaps the last two verses are often sung by the whole choir. A few choirs elaborate further, e.g. by having some verses sung by soloists, trebles only, alto/tenor/bass only (with the treble line transferred into one of the other parts) or one part or soloists singing the melody while the rest of the choir hums. Occasionally some or all trebles may sing a descant; this usually happens only in the final verse of the psalm or the Gloria.

References

External links