♭VII–V7 Cadence
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music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ...
, the VII–V7 cadence is a
cadence In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don ...
using the
chord progression In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from ...
from the
subtonic In music, the subtonic is the degree of a musical scale which is a major second, whole step below the tonic (music), tonic note. In a major key, it is a lowered, or flattened, seventh Degree (music), scale degree (). It appears as the seventh scal ...
(VII) to the dominant seventh (V7). It resolves to I making the full cadence VII–V7–I. A "mainstay in all rock styles of the '60s", the cadence, heard perhaps most canonically (and often) in Billy J. Kramer's " Little Children", can also be found in such hits as
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III–V7 cadence

A similar cadence to the VII–V7 cadence is the III–V7 cadence. In the key of C, this would be E–G7–C (III–V7–I). Both the VII and III are
altered chord An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest examp ...
s or chords borrowed from the variant minor. This cadence occurs in
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See also

* Backdoor progression


Sources

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