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Zydeco
Zydeco ( ; ) is a music genre that was created in rural Southwest Louisiana by French speaking, Afro-Americans of Creole heritage. It blends African and Caribbean rhythms, blues and rhythm and blues with music indigenous to the Louisiana Creoles, such as la la and juré. The main instruments are accordion and a zydeco rubboard, washboard, scrubboard or vest frottoir. Characteristics Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, and often incorporates elements of blues, rock and roll, soul music, R&B, and early Creole music. Zydeco music is centered on the accordion, which leads the rest of the band, and a specialized washboard, called a vest frottoir, as a prominent percussive instrument. Other common instruments in zydeco are the electric guitar, bass, keyboard, and drum set. If there are accompanying lyrics, they are typically sung in English or French. Many zydeco performers create original zydeco compositions, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zydeco Fest In New Orleans 2018
Zydeco ( ; ) is a music genre that was created in rural Southwest Louisiana by French speaking, Afro-Americans of Creole heritage. It blends African and Caribbean rhythms, blues and rhythm and blues with music indigenous to the Louisiana Creoles, such as la la and juré. The main instruments are accordion and a zydeco rubboard, washboard, scrubboard or vest frottoir. Characteristics Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, and often incorporates elements of blues, rock and roll, soul music, R&B, and early Creole music. Zydeco music is centered on the accordion, which leads the rest of the band, and a specialized washboard, called a vest frottoir, as a prominent percussive instrument. Other common instruments in zydeco are the electric guitar, bass, keyboard, and drum set. If there are accompanying lyrics, they are typically sung in English or French. Many zydeco performers create original zydeco compositions, though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buckwheat Zydeco
Stanley Dural Jr. (November 14, 1947 – September 24, 2016), better known by his stage name Buckwheat Zydeco, was an American accordionist and zydeco musician. He was one of the few zydeco artists to achieve mainstream success. His music group was formally billed as Buckwheat Zydeco and Ils Sont Partis Band ("Ils Sont Partis" being French for "They have left," or a race announcer's "And they're off!"), but they often performed as merely Buckwheat Zydeco. ''The New York Times'' said: "Stanley 'Buckwheat' Dural leads one of the best bands in America. A down-home and high-powered celebration, meaty and muscular with a fine-tuned sense of dynamics…propulsive rhythms, incendiary performances."Pareles, Jon. ''The New York Times'', February 15, 2008. ''USA Today'' called him "a zydeco trailblazer." Buckwheat Zydeco performed with famous musicians such as Eric Clapton (with whom he also recorded), U2 and the Boston Pops. The band performed at the closing ceremonies of the 1996 Sum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Louisiana
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French (now known as cajun music), New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South. New Orleans (Traditional Genres) In the 19th century, there was already a mixture of French, Spanish, African and Afro-Caribbean music. The city had a great love for Opera; many operatic works had their first performances in the New World in New Orleans. Early African, Caribbean and Creole music Unlike in the Protestant colonies of what would become the USA, African slaves and their descendants were not prohibited from performing their traditional music in New Orleans and the surrounding areas. The African slav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creole Music
The term Creole music () is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music. Early development In 1803, the United States purchased the Louisiana Territory, including New Orleans, from France. In 1809 and 1810, more than 10,000 refugees from the West Indies arrived in New Orleans, most originally from French-speaking Haiti. Of these, about 3,000 were freed slaves. Creole folk songs originated on the plantations of the French and Spanish colonists of Louisiana. The music characteristics embody African-derived syncopated rhythms, the habanera accent of Spain, and the quadrille of France. Central to Creole musical activities was Place Congo (in English: Congo Square). The much quoted 1886 article by George Washington Cable offers this description: The booming of Afr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cajun Music
Cajun music (), an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music. Both are from southwest Louisiana and share French and African origins. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials. Musical theory Cajun music is relatively catchy with an infectious beat and a lot of forward drive, placing the accordion at the center. The accordionist gives the vocal melody greater energy by repeating most notes. Besides the voices, only two melodic instruments are heard, the accordion and fiddle, but usually in the background can also be heard the high, clear tones of a metal triangle. The harmonies of Cajun music are simple and the melodic range i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louisiana Creoles
Louisiana Creoles (, , ) are a Louisiana French ethnic group descended from the inhabitants of colonial Louisiana during the periods of French and Spanish rule, before it became a part of the United States. They share cultural ties such as the traditional use of the French, Spanish, and Creole languages, and predominantly practice Catholicism. The term ''Créole'' was originally used by French Creoles to distinguish people born in Louisiana from those born elsewhere, thus drawing a distinction between Old-World Europeans (and Africans) and their descendants born in the New World.Kathe ManaganThe Term "Creole" in Louisiana : An Introduction, lameca.org. Retrieved December 5, 2013 ''Multicultural America'', Countries and Their Cultures Website. Retrieved February 3, 2009 The word is not a racial label—people of European, African ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vest Frottoir
A vest frottoir or rubboard is a percussion instrument used in zydeco music similar to a washboard. It is usually made from pressed, corrugated stainless steel and is worn over the shoulders. It is played as a rhythm instrument by stroking either bottle openers or spoons down it. Many of these instruments are home-made, but Don Landry of Louisiana is one professional maker, making them for Clifton Chenier's band and Elvis Fontenot and the Sugar Bees, amongst others. In ''The Amazing Race 32 ''The Amazing Race 32'' is the thirty-second season of the American reality competition show ''The Amazing Race''. Hosted by Phil Keoghan, it featured eleven teams of two, each with a pre-existing relationship, competing in a race around the wor ...'', racers played the vest frottoir during the season's final leg in New Orleans. References American musical instruments Cajun musical instruments Zydeco North American percussion instruments Scraped idiophones {{Idiophone-instrument- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German language, German ', from '—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a Reed (mouthpiece), reed in a frame). The essential characteristic of the accordion is to combine in one instrument a melody section, also called the descant, diskant, usually on the right-hand keyboard, with an accompaniment or Basso continuo functionality on the left-hand. The musician normally plays the melody on buttons or keys on the right-hand side (referred to as the Musical keyboard, keyboard or sometimes the manual (music), ''manual''), and the accompaniment on Bass (sound), bass or pre-set Chord (music), chord buttons on the left-hand side. A person who plays the accordion is called an accordionist. The accordion belongs to the free-reed aerophone family. Other instruments in this family include the concertina, harmonica, and bandoneon. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cajun Accordion
A Cajun accordion (in Cajun French: ''accordéon''), also known as a squeezebox, is single-row diatonic button accordion used for playing Cajun and Creole music. History Many different accordions were developed in Europe throughout the 19th century, and exported worldwide. Although accordions are documented in South Louisiana as early as the mid-century, early models would not have caught on with Cajun musicians due to their tuning in A or F and hence the incompatibility with the fiddle. Accordions were brought to Acadiana in the 1890s and became popular by the early 1900s (decade), though it was initially an unaccompanied solo instrument. Popular brands were "Monarch" and "Sterling" in addition to Hohner. The accordion became more widely adopted during the 1920's as models tuned to C and D appeared, and accordions were able to play with fiddles. The accordion fell out of favor in the 1930's, as Anglophone country music and Western swing spread into the region, and amplificat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creoles Of Color
The Creoles of color are a multiracial ethnic group of Louisiana Creoles that developed in the former French and Spanish colonies of Louisiana (especially in New Orleans), Mississippi, Alabama, and Northwestern Florida, in what is now the United States. French colonists in Louisiana first used the term " Creole" to refer to people born in the colony, rather than in Europe, thus drawing a distinction between Old-World Europeans and Africans from their descendants born in the New World.Kathe ManaganThe Term "Creole" in Louisiana : An Introduction, lameca.org. Retrieved December 5, 2013 Today, many Creoles of color have assimilated into (and contributed to) Black American culture, while some retain their distinct identity as a subset within the broader African American ethnic group. New Orleans Creoles of color have been named as a "vital source of U.S. national-indigenous culture." Creoles of color helped produce the historic cultural pattern of unique literature, art, music, arc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washboard (musical Instrument)
The washboard and frottoir (from Louisiana French "frotter", to rub) are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. As traditionally used in jazz, zydeco, skiffle, jug band, and old-time music, the washboard remained in its wooden frame and is played primarily by tapping, but also scraping the washboard with thimbles. Often the washboard has additional traps, such as a Woodblock (instrument), wood block, a cowbell (instrument), cowbell, and even small cymbals. Conversely, the frottoir (zydeco rubboard) dispenses with the frame and consists simply of the metal ribbing hung around the neck. It is played primarily with spoon handles or bottle openers in a combination of strumming, scratching, tapping and rolling. The frottoir or ''vest frottoir'' is played as a stroked percussion instrument, often in a band with a drummer, while the washboard generally is a replacement for drums. There is a Polish tradition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
