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Waslah
A ''wasla'' ( / ALA-LC: ''waṣlah''; plural وَصَلَات / ''waṣalāt'') is a set of pieces in Arabic music. It comprises eight or more movements such as ''muwashshah'', ''taqsim'', ''layali'', '' mawwal'', ''qasida'', '' dawr'', ''sama'i'', '' bashraf'', '' dulab'', and popular songs.Danielson, ''The Voice of Egypt: Umm Kulthūm, Arabic song, and Egyptian Society in the Twentieth Century'', 146. The term is also used to refer to a segment of Sufi music. References {{Reflist Other sources *Racy, Ali Jihad (1983). "The Waslah: a Compound Form Principle in Egyptian Music", ''Arab Studies Quarterly'', v. 5, no. 4, pp. 396-403. See also *Fasıl The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', '' peşrev'', '' kâr'', '' beste'', ''ağır semâ'î'', '' ... Arabic music Musical forms Classical and art music traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasıl
The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', '' peşrev'', '' kâr'', '' beste'', ''ağır semâ'î'', '' yürük semâ'î'', '' gazel'', ''şarkı'' and '' saz semâ'î'', played continuously without interludes and interconnected through aranağme arrangements. A modern ''fasıl'' typically includes movements such as '' taksim'', '' peşrev'', ''şarkı (ağır aksak)'', '' yürük semâ'î'', ''Türk aksağı'', '' taksim'', ''şarkı (a few with increasing tempo)'' and '' saz semâ'î''. Traditional Fasıl (both classical and modern) is a musical act distinct from the performance of "oriental" or "arabesque" pop and folk songs found at meyhanes and taverns, which have come to be sometimes referred to by the same name. Şarkı A ''şarkı'' is an art song in Ottoman classical music which forms one of the movements of a ''fasıl'' (sui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muwashshah
''Muwashshah'' ( ' ' girdled'; plural '; also ' 'girdling,' pl. ') is a strophic poetic form that developed in al-Andalus in the late 10th and early 11th centuries. The ', embodying the Iberian rhyme revolution, was the major Andalusi innovation in Arabic poetry, and it was sung and performed musically. The ''muwaššaḥ'' features a complex rhyme and metrical scheme usually containing five ' ( 'branches'; sing. '), with uniform rhyme within each strophe, interspersed with ' ( 'threads for stringing pearls'; sing. ') with common rhyme throughout the song, as well as a terminal '' kharja'' ( 'exit'), the song's final ''simṭ'', which could be in a different language. Sephardic poets also composed ' in Hebrew, sometimes as ''contrafacta'' imitating the rhyme and metrical scheme of a particular poem in Hebrew or in Arabic. This poetic imitation, called ' ( 'contrafaction'), is a tradition in Arabic poetry. The '' kharja'', or the ''markaz'' ( 'center') of the ', its fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ALA-LC
ALA-LC (American Library AssociationLibrary of Congress) is a set of standards for romanization, the representation of text in other writing systems using the Latin script. Applications The system is used to represent bibliographic information by North American libraries and the British Library (for acquisitions since 1975)Searching for Cyrillic items in the catalogues of the British Library: guidelines and transliteration tables and in publications throughout the English-speaking world. The require catalogers to romanize [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Music
Arabic music () is the music of the Arab world with all its diverse List of music styles, music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic Varieties of Arabic, dialects, with each country and region having their own Folk music, traditional music. Arabic music has a long history of interaction with many other regional Music genre, musical styles and genres. It represents the music of all the Member states of the Arab League, peoples that make up the Arab world today. History Pre-Islamic period Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, Music theory, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaeans, Sabaʾ who encouraged the development of music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taqsim
''Taqsim'' ( / ALA-LC: ''taqsīm'', , , ) is a melodic musical improvisation that usually precedes the performance of a traditional Arabic, Kurdish, Greek, Middle Eastern, Iranian, Azerbaijani or Turkish musical composition. ''Taqsim'' traditionally follows a certain melodic progression. Starting from the tonic of a particular Arabic maqam (or a Turkish '' makam''), the first few measures of the improvisation remain in the lower ajnas of the maqam, thereby introducing the maqam to the listener. After this introduction, the performer is free to move anywhere in the maqam, and even to modulate to other maqams, as long as they return to the original one. ''Taqsim'' is either a solo instrument In music, a solo () is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque musi ... performance, or one that is backed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Layali
''Layālī'' (ليالي) is a style of unmetered modal improvisation, based on a '' maqam'', performed by a singing voice in Arabic music. It is similar to the ''taqsim'', which is performed by a solo instrument. The ''layali'' generally serves as an introduction to a '' mawwāl''. In the ''layali'', the singer most often improvises using the common Arabic Arabic (, , or , ) is a Central Semitic languages, Central Semitic language of the Afroasiatic languages, Afroasiatic language family spoken primarily in the Arab world. The International Organization for Standardization (ISO) assigns lang ... phrase "''Yā ‘ayn yā layl''" (يا عين يا ليل), which means "O eye, O night." The term ''layālī'' is the plural form of the word ''layl'' (ليل, meaning "night"). External links Video''Layālī'' video Arabic music Vocal music Musical forms {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mawwal
In Arabic Music, the ''mawwāl'' (; plural: ''mawāwīl'', ) is a traditional and popular Arabic genre of vocal music that is very slow in beat and sentimental in nature, and is characterised by prolonging vowel syllables, emotional vocals, and is usually presented before the actual song begins. The singer performing a mawwal would usually lament and long for something, such as a past lover, a departed family member or a place, in a wailing manner. Etymology Mawwal is an Arabic word that means "affiliated with", "associated with," or "connected to". The verb is ''waala'' (). It is measure 3 of the root verb "Walia" (), which means to follow, ''be affiliated with'', ''support'', or ''sponsor''. Originally the verbal noun has a ''Yaa'' in the definite form but it loses it when the word is indefinite. History There are many preferences regarding the origin of the mawwal, one of these is the one al-Suyuti attributes it in the book Sharh al-Muwashah to the era of Harun al-Rashid. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; plural ''qaṣā’id'') is an ancient Arabic word and form of poetry, often translated as ode. The qasida originated in pre-Islamic Arabic poetry and passed into non-Arabic cultures after the Arab Muslim expansion. The word ''qasida'' is originally an Arabic word (, plural ''qaṣā’id'', ), and is still used throughout the Arabic-speaking world; it was borrowed into some other languages such as (alongside , ''chakameh''), and . The classic form of qasida maintains both monometer, a single elaborate meter throughout the poem, and monorhyme, where every line rhymes on the same soundAkiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. Well-known examples of this genre include the poems of the Mu'allaqat (a collectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dawr
A ''dawr'' (Arabic: دور or الدور; plural: ''adwar'', أدوار; also spelled ''dour'') is a genre of Arabic vocal music sung in regional or colloquial Arabic. The genre faded in popularity after the 1920s and often used the melismatic technique of '' ahaat''.Racy, Ali Jihad. ''Making Music in the Arab World: The Culture and Artistry of Tarab''. Cambridge: Cambridge University Press, 2003. The ''dawr'' often uses a string of ''maqamat'', moving from one to the other in sequence. ''Dawr'' can also refer to the first section of a ''muwashshah ''Muwashshah'' ( ' ' girdled'; plural '; also ' 'girdling,' pl. ') is a strophic poetic form that developed in al-Andalus in the late 10th and early 11th centuries. The ', embodying the Iberian rhyme revolution, was the major Andalusi inno ...''. See also * Ragmala References 20th-century music genres Arabic music Vocal music Song forms {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sama'i
''Sama'i'' (also known as ''usul semai'') is a vocal piece of Ottoman Turkish music composed in meter. This form and meter ('' usul'' in Turkish) is often confused with the completely different '' saz semaisi'', an instrumental form consisting of three to four sections, in meter, or ''usul aksak semai'' (broken ''semai'' in Turkish). ''Semai'' is one of the most important forms in Ottoman Turkish Sufi music. Sample songs See also *'' Saz semai'' *'' Yürük semai'' *Waltz The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the ... * Dede Efendi References * ''The Music of the Ottoman Court'' - Walter Feldman * ''Sufism, Music and Society'' - Swedish Research Institute * ''Makam'' - Karl Signell * ''Meaning in Turkish Musical Culture'' - Eugenia Popescu-Judetz External linksmany pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peşrev
''Peşrev'' or Peshrev ( Turkish, "prelude"; pronounced ) is an instrumental form in Ottoman music. It is the name of the first piece of music played during a group performance called a fasıl (). It also serves as the penultimate piece of the ''Mevlevi ayini'', a ritual music of the Mevlevi Order, under the name ''son peşrev'' (final peşrev), preceding ''son semai''. It usually uses long rhythm cycles, stretching over many measures as opposed to the simpler usul the other major form of instrumental music uses, ''saz semai''. Along with the saz semai, called in Arabic the sama'i, it was introduced into Arabic music in the 19th century and became particularly popular in Egypt. Etymology In Ottoman Turkish, ''peşrev'' combines a New Persian loanword, ''piš'' "before, ahead" and the native term ''rev'', "that which goes". coming to mean "that which comes first". Structure Peşrevs are composed of movements called ''hane'' (lit. "house"), at the end of which there is always ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dulab
Arabic music () is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music. Arabic music has a long history of interaction with many other regional musical styles and genres. It represents the music of all the peoples that make up the Arab world today. History Pre-Islamic period Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaʾ who encouraged the development of music.''Singing in the Jahili period'' – khaledtrm.ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
