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Viking Metal
Viking metal is a subgenre of heavy metal music characterized by a lyrical and thematic focus on Norse mythology, Norse religion, Norse paganism, and the Viking Age. Viking metal is quite diverse as a musical style, to the point where some consider it more a cross-genre term than a genre, but it is typically heard as black metal with influences from Nordic folk music. Common traits include a slow-paced and heavy Ostinato#Riff, riffing style, anthemic choruses, use of both sung and harsh vocals, a reliance on folk instrumentation, and often the use of keyboards for atmospheric effect. Viking metal emerged from black metal during the late 1980s and early 1990s, sharing with black metal an Anti-Christian sentiment#Europe, opposition to Christianity, but rejecting Satanism and occult, occult themes in favor of the Vikings and Heathenry (new religious movement), paganism. It is similar, in lyrics, sound, and thematic imagery, to pagan metal, but pagan metal has a broader mythological ...
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Black Metal
Black metal is an extreme metal, extreme subgenre of heavy metal music. Common traits include Tempo#Beats per minute, fast tempos, a Screaming (music)#Black metal, shrieking vocal style, heavily distorted Electric guitar, guitars played with tremolo picking, raw (Lo-fi music, lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms. Venom (band), Venom initiated the "First-wave black metal, first wave" of black metal, with their 1982 album ''Black Metal (Venom album), Black Metal'' giving it its name. In the following years, the style was developed by Bathory (band), Bathory, Mercyful Fate, Hellhammer and Celtic Frost. By 1987, this wave had declined, but influential works were released by Tormentor (band), Tormentor, Sarcófago, Parabellum (Colombian band), Parabellum, Blasphemy (band), Blasphemy, Samael (band), Samael and Rotting Christ. A "Second-wave black metal, second wave" arose in the early ...
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Norse Religion
Old Norse religion, also known as Norse paganism, is a branch of Germanic religion which developed during the Proto-Norse period, when the North Germanic peoples separated into distinct branches. It was replaced by Christianity and forgotten during the Christianisation of Scandinavia. Scholars reconstruct aspects of North Germanic Religion by historical linguistics, archaeology, toponymy, and records left by North Germanic peoples, such as runic inscriptions in the Younger Futhark, a distinctly North Germanic extension of the runic alphabet. Numerous Old Norse works dated to the 13th-century record Norse mythology, a component of North Germanic religion. Old Norse religion was polytheistic, entailing a belief in various gods and goddesses. These deities in Norse mythology were divided into two groups, the Æsir and the Vanir, who in some sources were said to have engaged in war until realizing that they were equally powerful. Among the most widespread deities were the gods ...
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Harsh Vocals
Vocalists are capable of producing a variety of extended technique sounds. These alternative singing techniques have been used extensively in the 20th century, especially in art song and opera. Particularly famous examples of extended vocal technique can be found in the music of Luciano Berio, John Cage, George Crumb, Peter Maxwell Davies, Hans Werner Henze, György Ligeti, Demetrio Stratos, Meredith Monk, Giacinto Scelsi, Arnold Schoenberg, Salvatore Sciarrino, Karlheinz Stockhausen, Tim Foust, Avi Kaplan, and Trevor Wishart. Timbral techniques Phrasing Spoken Spoken text is frequently employed. The Italian term " parlato" has a similar meaning. Rapping ''Sprechgesang'' ''Sprechgesang'' is a combination singing and speaking. It is usually heavily associated with Arnold Schoenberg (particularly his Pierrot Lunaire which uses sprechgesang for its entire duration) and the Second Viennese School. Schoenberg notated sprechgesang by placing a small cross through the stem of a no ...
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Anthem
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic ' motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of the singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are i ...
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Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ...
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Black Metal
Black metal is an extreme metal, extreme subgenre of heavy metal music. Common traits include Tempo#Beats per minute, fast tempos, a Screaming (music)#Black metal, shrieking vocal style, heavily distorted Electric guitar, guitars played with tremolo picking, raw (Lo-fi music, lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms. Venom (band), Venom initiated the "First-wave black metal, first wave" of black metal, with their 1982 album ''Black Metal (Venom album), Black Metal'' giving it its name. In the following years, the style was developed by Bathory (band), Bathory, Mercyful Fate, Hellhammer and Celtic Frost. By 1987, this wave had declined, but influential works were released by Tormentor (band), Tormentor, Sarcófago, Parabellum (Colombian band), Parabellum, Blasphemy (band), Blasphemy, Samael (band), Samael and Rotting Christ. A "Second-wave black metal, second wave" arose in the early ...
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Viking Age
The Viking Age (about ) was the period during the Middle Ages when Norsemen known as Vikings undertook large-scale raiding, colonising, conquest, and trading throughout Europe and reached North America. The Viking Age applies not only to their homeland of Scandinavia but also to any place significantly settled by North Germanic peoples, Scandinavians during the period. Although few of the Scandinavians of the Viking Age were Vikings in the sense of being engaged in piracy, they are often referred to as ''Vikings'' as well as ''Norsemen''. Voyaging by sea from their homelands in Denmark, Norway, and Sweden, the Norse people settled in the Viking activity in the British Isles, British Isles, History of Ireland (800–1169), Ireland, the Faroe Islands, Settlement of Iceland, Iceland, Norse settlements in Greenland, Greenland, History of Normandy, Normandy, and the Baltic Sea, Baltic coast and along the Trade route from the Varangians to the Greeks, Dnieper and Volga trade rout ...
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Heavy Metal Music
Heavy metal (or simply metal) is a Music genre, genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – British bands Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1 ...
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Neo-folk
Neofolk, also known as apocalyptic folk, is a form of experimental music blending elements of folk and industrial music, which emerged in punk rock circles in the 1980s. Neofolk may either be solely acoustic or combine acoustic folk instrumentation with various other sounds. History Neofolk has its origins in 1960s musical groups who began taking influence from traditional folk music. Folk musicians such as Vulcan's Hammer, Changes, Leonard Cohen, and Comus could be considered harbingers of the sound that later influenced the neofolk artists. Also the later explorations of Velvet Underground's band members, specifically those of Nico, have been called a major influence on what later became neofolk. Neofolk originated in the 1980s, with bands from the post-punk and industrial music scenes, including Death In June, Current 93 and Sol Invictus, who began taking influence from this sound. The sound was embraced by Swans on their early 1990s albums such as ''Love of Life'' (1 ...
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Pirate Metal
Pirate metal is a style of heavy metal music characterized by its incorporation of Piracy, pirate mythology within the music and sometimes in stage performances. Lyrics often use piratical jargon and various musical genres, such as thrash metal, speed metal, and folk metal, may be combined with traditional-sounding songs like sea shanty, sea shanties. Folk instrument, Folk instruments, such as the concertina, can be incorporated or emulated with synthesizers. Band members often dress up in period costume during performances, and concert attendees may do so as well. Pirate metal is sometimes referred to by the media as a music scene. History Origins and early history The earliest example of pirate metal most likely appeared when Australian heavy metal band Black Jack (Australian band), Black Jack released their 1979 and 1983 demos, and their later 1985 vinyl EP, ''Five Pieces O' Eight''. Their pirate themes, lyrics, stage shows and imagery were a precursor to later, more mainstr ...
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Celtic Metal
Celtic metal is a subgenre of folk metal that emerged in Ireland during the early 1990s. It fuses the intensity of heavy metal with traditional Celtic music, incorporating instruments such as the tin whistle, bodhrán, and uilleann pipes. The genre is characterised by its blending of metal's aggressive elements with the melodic and rhythmic structures of Celtic folk, often drawing on themes from Irish mythology and history. The genesis of Celtic metal is closely linked to the Irish band Cruachan, formed in 1992 by Keith Fay. Inspired by the English band Skyclad and the Irish rock group Horslips, Cruachan sought to merge black metal with Irish folk music. Their debut album, Tuatha na Gael (1995), is considered a seminal work in the genre. Around the same time, other Irish bands like Primordial and Waylander also began exploring similar musical territories, each bringing their unique interpretations to the fusion of metal and Celtic music. These bands laid the foundation fo ...
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Völkisch Movement
The ''Völkisch'' movement ( , , also called Völkism) was a Pan-Germanism, Pan-German Ethnic nationalism, ethno-nationalist movement active from the late 19th century through the dissolution of the Nazi Germany, Third Reich in 1945, with remnants in the Federal Republic of Germany afterwards. Erected on the idea of "blood and soil", inspired by the one-body-metaphor (''Volkskörper'', "ethnic body"; literally "body of the people"), and by the idea of naturally grown communities in unity, it was characterized by organicism, racialism, populism, agrarianism, romantic nationalism and – as a consequence of a growing exclusive and ethnic connotation – by antisemitism from the 1900s onward. ''Völkisch'' nationalists generally considered the Jews to be an "alien people" who belonged to a different ''Volk'' ("race" or "folk") from the Germans. The ''Völkisch'' movement was not a homogeneous set of beliefs, but rather a "variegated sub-culture" that rose in opposition to the soci ...
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