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Type C Videotape
1-inch Type C Helical Scan or SMPTE C is a professional reel-to-reel analog recording helical scan videotape format co-developed by Ampex and Sony in 1976. The format uses tape and became the replacement in the professional video and broadcast television industries for the then-incumbent quadruplex videotape open-reel format. Additionally, it replaced the unsuccessful type A format, also developed by Ampex, and primarily in mainland Europe, it supplemented the type B format, developed by the Fernseh division of Bosch. Technical detail Compared to Quad, Type C had a smaller size, comparative ease of operation, and slightly higher video quality. 1-inch Type C is capable of "trick-play" functions such as still, shuttle, and variable-speed playback, including slow motion Slow motion (commonly abbreviated as slow-mo or slo-mo) is an effect in film-making whereby time appears to be slowed down. It was invented by the Austrian priest August Musger in the early 20th century. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Tape
Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape can with relative ease record and play back audio, visual, and binary computer data. Magnetic tape revolutionized sound recording and reproduction and broadcasting. It allowed radio, which had always been broadcast live, to be recorded for later or repeated airing. Since the early 1950s, magnetic tape has been used with computers to store large quantities of data and is still used for backup purposes. Magnetic tape begins to degrade after 10–20 years and therefore is not an ideal medium for long-term archival storage. The exception is data tape formats like Linear Tape-Open, LTO which are specifically designed for long-term archiving. Information in magnetic tapes is often recorded in tracks which are narrow and long areas of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slow Motion
Slow motion (commonly abbreviated as slow-mo or slo-mo) is an effect in film-making whereby time appears to be slowed down. It was invented by the Austrian priest August Musger in the early 20th century. This can be accomplished through the use of high-speed cameras and then playing the footage produced by such cameras at a normal rate like 30 fps, or in post production through the use of software. Typically this style is achieved when each film frame is captured at a rate much faster than it will be played back. When replayed at normal speed, time appears to be moving more slowly. A term for creating slow motion film is overcranking which refers to hand cranking an early camera at a faster rate than normal (i.e. faster than 24 frames per second). Slow motion can also be achieved by playing normally recorded footage at a slower speed. This technique is more often applied to video subjected to instant replay than to film. A third technique uses computer software post-processing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Production
Video production is the process of producing video content. It is the equivalent of filmmaking, but with video recorded either as analog signals on videotape, digitally in video tape or as computer files stored on optical discs, hard drives, SSDs, magnetic tape or memory cards instead of film stock. Television broadcast Two styles of producing video are ''ENG'' (Electronic news gathering) and ''EFP'' (Electronic field production). Video production for distance education Video production for distance education is the process of capturing, editing, and presenting educational material specifically for use in on-line education. Teachers integrate best practice teaching techniques to create scripts, organize content, capture video footage, edit footage using computer based video editing software to deliver final educational material over the Internet. It differs from other types of video production in at least three ways:Moore, M. G., & Kearsley, M. G. (2012). 'Distance education: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertical Blanking Interval
In a raster scan display, the vertical blanking interval (VBI), also known as the vertical interval or VBLANK, is the time between the end of the final visible line of a frame or field and the beginning of the first visible line of the next frame or field. It is present in analog television, VGA, DVI and other signals. Here the term field is used in interlaced video, and the term frame is used in progressive video and there can be a VBI after each frame or field. In interlaced video a frame is made up of 2 fields. Sometimes in interlaced video a field is called a frame which can lead to confusion. In raster cathode-ray tube (CRT) displays, the blank level is usually supplied during this period to avoid painting the retrace line—see raster scan for details; signal sources such as television broadcasts do not supply image information during the blanking period. Digital displays usually will not display incoming data stream during the blanking interval even if present. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
625 Lines
625-line (or CCIR 625/50) is a late 1940s European analog standard-definition television resolution standard. It consists of a 625-line raster, with 576 lines carrying the visible image at 25 interlaced frames per second. It was eventually adopted by countries using 50 Hz utility frequency as regular TV broadcasts resumed after World War II. With the introduction of color television in the 1960s, it became associated with the PAL and SECAM analog color systems. A similar 525-line system was adopted by countries using 60 Hz utility frequency (like the US). Other systems, like 375-line, 405-line, 441-line, 455-line and 819-line existed, but became outdated or had limited adoption. The modern standard-definition digital video resolution 576i is equivalent and can be used to digitize an analogue 625-line TV signal, or to generate a 625-line compatible analog signal. History At the CCIR Stockholm Conference in July 1948 a first 625-line system with an 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
525 Lines
525-line (or EIA 525/60) is an American standard-definition television resolution used since July 1, 1941, mainly in the context of analog TV broadcast systems. It consists of a 525-line raster, with 486 lines carrying the visible image at 30 (29.97 with color) interlaced frames per second. It was eventually adopted by countries using 60 Hz utility frequency as TV broadcasts resumed after World War II. With the introduction of color television in the 1950s,National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> it became associated with the NTSC analog color standard. The system was given their letter designation as CCIR System M in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandwidth (signal Processing)
Bandwidth is the difference between the upper and lower Frequency, frequencies in a continuous Frequency band, band of frequencies. It is typically measured in unit of measurement, unit of hertz (symbol Hz). It may refer more specifically to two subcategories: ''Passband bandwidth'' is the difference between the upper and lower cutoff frequencies of, for example, a band-pass filter, a communication channel, or a signal spectrum. ''Baseband bandwidth'' is equal to the upper cutoff frequency of a low-pass filter or baseband signal, which includes a zero frequency. Bandwidth in hertz is a central concept in many fields, including electronics, information theory, digital communications, radio communications, signal processing, and spectroscopy and is one of the determinants of the capacity of a given communication channel. A key characteristic of bandwidth is that any band of a given width can carry the same amount of information, regardless of where that band is located in the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Lines
Television lines (TVL) is a specification of an analog camera or monitor's horizontal image resolution. The TVL is one of the most important resolution measures in a video system. The TVL can be measured with the standard EIA 1956 resolution chart. Definition TVL is defined as the maximum number of alternating light and dark vertical lines that can be resolved per picture height. A resolution of 400 TVL means that 200 distinct dark vertical lines and 200 distinct white vertical lines can be counted over a horizontal span equal to the height of the picture. For example, on monitor with 400 TVL, 200 vertical dark lines can be counted over width on monitor (Note that the of monitor height is used rather than the of whole monitor width). TVL is an inherent quality of a camera or monitor, influenced by the visual bandwidth of the broadcast television systems, transmission system used. It should not be confused with the number of horizontal scanning lines of such systems, which e. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MII (videocassette Format)
MII is a professional analog recording videocassette format developed by Panasonic in 1986 in competition with Sony's Betacam SP format. It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utilizing component video recording. MII is sometimes incorrectly referred to as M2; the official name uses Roman numerals, and is pronounced "em two". Just as Betacam SP was an improved version of its predecessor Betacam (originally derived from Betamax) with higher video and audio quality, MII was an enhanced development of its predecessor, the failed M format (originally derived from VHS). There were two sizes of MII tape, the larger of which is close to VHS size and has a running time of up to around 90 minutes, the smaller tape was about half the size and runs up to around 20 minutes, and was also the size in which head cleaner tapes were supplied. Panasonic manufactured mains-powered MII editing and playback decks which accepted both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betacam
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, ''Betacam'' singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All Betacam variants from analog Betacam, Betacam SP and Digital Betacam, HDCAM and HDCAM SR use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identify which format has been inserted. The cassettes are available in two sizes: S (short or small) and L (long or large). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes. The format s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Component Video
Component video is an analog video signal that has been split into two or more component channels. In popular use, it refers to a type of component analog video (CAV) information that is transmitted or stored as three separate signals. Component video can be contrasted with '' composite video'' in which all the video information is combined into a single signal that is used in analog television. Like composite, component cables do not carry audio and are often paired with audio cables. When used without any other qualifications, the term ''component video'' usually refers to analog component video with sync on luma (Y) found on analog high-definition televisions and associated equipment from the 1990s through the 2000s when they were largely replaced with HDMI and other all-digital standards. Component video cables and their RCA jack connectors on equipment are normally color-coded red, green and blue, although the signal is not in RGB. YPbPr component video can be los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U-matic
U-matic, also known as -inch Type E Helical Scan or SMPTE E, is an analog recording videocassette format developed by Sony. First shown as a prototype in October 1969 and introduced commercially in September 1971, it was among the earliest video formats to house videotape inside a cassette, replacing the reel-to-reel systems common at the time. The format uses tape, earning it the nickname "three-quarter-inch" or simply "three-quarter," in contrast to larger open-reel formats like Type C videotape and quadruplex videotape. The name ''U-matic'' refers to the U-shaped tape path as it threads around the video drum. Unlike most cassette formats, U-matic's supply and take-up reels rotate in opposite directions during playback, fast-forward, and rewind—one clockwise, the other counterclockwise. Each cassette has an internal locking mechanism that secures the tape hubs during transport, and a spring-loaded door that protects the tape; this door automatically opens when the casse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
