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Tristubh
''Trishtubh'' (, , IAST: ) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses. The Trishtubh pada contains a "break" or caesura, after either four or five syllables, necessarily at a word-boundary and if possible at a syntactic break. Structure Different scholars have different methods of showing the structure of the line. Thus Hermann Oldenberg (1888) divided the line into three sections by placing one break at the caesura and another break four syllables before the end: : x x x x x, , x x , – ᴗ – x : x x x x, , x x x , – ᴗ – x E. Vernon Arnold (1905) divided it into 4 + 3 + 4 syllables, whatever the caesura: : x x x x , x x x , – ᴗ – x A more recent author, H. N. Randle (1957), on the other hand, divides it 4 + 4 + 3: : x x x x , x x x – , ᴗ – x The division 4 + 4 + 3 is also favoured by the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of ''dharma'' (duty, rightful action); samkhya-based ''yoga'' and ''jnana'' (knowledge); and ''bhakti'' (devotion). Among the Hindu denominations, Hindu traditions, the text holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava, Vaishnava Hindu tradition. While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya Yoga (philosophy), yoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927).) in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32- syllable verse, derived from the Vedic '' anuṣṭubh'' metre, used in the '' Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four '' pādas'' or quarter-verses, of eight syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic '' anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the '' Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Alphabet Of Sanskrit Transliteration
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the 19th century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala 2
The second Mandala of the Rigveda has 43 hymns, mainly to Agni and Indra chiefly attributed to the Rishi '' ''. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early vedic period (1500-1000 BCE). Witzel (1995) on the basis of internal evidence suggested that the second Mandala contains the oldest hymns of the Rigveda.Michael Witzel, Rgvedic history: poets, chieftains and politics, in: Language, Material Culture and Ethnicity. The Indo-Aryans of Ancient South Asia, ed. G. Erdosy, Berlin/New York (de Gruyter) 1995, 307-352; Witzel, "Westward Ho" List of incipits The dedication as given by Griffith is in square brackets 2.1 (192) [ Agni.] . 2.2 (193) [Agni.] 2.3 (194) [ Apris.] 2.4 (195) [Agni.] 2.5 (196) [Agni.] 2.6 (197) [Agni.] 2.7 (198) [Agni.] 2.8 (199) [Agni.] 2.9 (200) [Agni.] 2.10 (201) [Agni.] 2.11 (202) [ Indra Indra (; ) is the Hindu god of weather, considered the king of the Deva (Hinduism), Devas and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Meter
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H.H. Wilson). There are seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anuṣṭubh
(, ) is a metre and a metrical unit, found in both Vedic and Classical Sanskrit poetry, but with significant differences. By origin, an anuṣṭubh stanza is a quatrain of four lines. Each line, called a ''pāda'' (lit. "foot"), has eight syllables. In Vedic texts Arnold distinguishes three varieties of anuṣṭubh in the Vedic corpus: an early free form, with very few restrictions except a general iambic (u – u x) tendency in the cadence (vṛtta) of each of the four ''pāda''s; e.g. : , , – – – – , u – u – , : , ‖ – – – – , u – u – ‖ : , , – – – u , u – u u , : , ‖ – – – – , u – u – ‖ Next came a mildly trochaic development in the opening of each ''pāda''; and finally the development of the "epic anuṣṭubh" (mostly in the Atharvaveda) prefiguring the classical śloka form. Although in these hymns the iambic cadence of the first verse is still the most frequent (25%) of all varieties, it is already v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta (, Book Pahlavi: (), Persian language, Persian: ()) is the text corpus of Zoroastrian literature, religious literature of Zoroastrianism. All its texts are composed in the Avestan language and written in the Avestan alphabet. Modern Edition (book), editions of the Avesta are based on the various manuscript traditions that have survived in Zoroastrianism in India, India and Zoroastrianism in Iran, Iran. The individual texts of the Avesta were originally Oral tradition, oral compositions. They were composed over a long period of several centuries during the Avestan period, Old Iranian period (possibly ranging from 15th century BCE – 4th century BCE). The written transmission began during the Sassanian empire, Sassanian period, with the creation of the Avestan alphabet. The resulting texts were then compiled into a comprehensive edition of the Sasanian Avesta, Avesta in 21 volumes. This edition was lost sometime after the 10th century CE and only a small part survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph T
Ralph (pronounced or ) is a male name of English origin, derived from the Old English ''Rædwulf'' and Old High German ''Radulf'', cognate with the Old Norse ''Raðulfr'' (''rað'' "counsel" and ''ulfr'' "wolf"). The most common forms are: * Ralph, the common variant form in English, which takes either of the given pronunciations. * Rafe, variant form which is less common; this spelling is always pronounced . * Raif, a very rare variant. Raif Rackstraw from H.M.S. Pinafore * Ralf, the traditional variant form in Dutch, German, Swedish, and Polish. * Ralfs, the traditional variant form in Latvian. * Raoul, the traditional variant form in French. * Raúl, the traditional variant form in Spanish. * Raul, the traditional variant form in Portuguese and Italian. * Raül, the traditional variant form in Catalan. * Rádhulbh, the traditional variant form in Irish. First name Middle Ages * Ralph the Timid (died 1057), pre-Conquest Norman earl of Hereford, England * Ralph de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agni
Agni ( ) is the Deva (Hinduism), Hindu god of fire. As the Guardians of the directions#Aṣṭa-Dikpāla ("Guardians of Eight Directions"), guardian deity of the southeast direction, he is typically found in southeast corners of Hindu temples. In the Hindu cosmology, classical cosmology of Hinduism, fire (''Agni'') is one of the five inert impermanent elements (''Pancha Bhuta, Pañcabhūtá'') along with sky (''Ākāśa''), water (''Apas''), air (''Vāyu'') and earth (''Pṛthvī''), the five combining to form the empirically perceived material existence (''Prakṛti''). In the Vedas, Agni is a major and most invoked god along with Indra and Soma (deity), Soma. Agni is considered the mouth of the gods and goddesses and the medium that conveys offerings to them in a ''homa (ritual), homa'' (votive ritual). He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in the atmosphere as lightning, and in the sky as the sun. This triple presence accords ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic
In poetic metre, a trochee ( ) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word , because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree ( ) or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek , from the phrase ; it is connecte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Metre
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H.H. Wilson). There are sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
