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Theatre Criticism
Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance. Dramas or plays as long as they stay in the print form remain a part of literature. They become a part of the performing arts as soon as the written words of the drama are transformed into performance on the stage or any arena suitable for viewers to see. So the literary craft gives birth to a stage production. Likewise a criticism of a written play has a different character from that of a theatre performance. Criticism vs review There is a distinctive dissimilarity between theatre criticism and a theatre review. Both of them deal with the dramatic arts as they are performed. But they are done in different ways and for different purposes. Both have strong rationalities to support the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Criticism
Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings ( architecture criticism), paintings ( visual art criticism), performances ( dance criticism, theatre criticism), music (music journalism), visual media (film criticism, television criticism), or literary texts (literary criticism). Criticism of the arts can be broadly divided into two types. There is academic criticism such as that found in scholarly works and specialist journals, then there is criticism of a more journalistic nature (often called 'a review') which is seen by a wider public through newspapers, television and radio. The academic criticism will be of a more vigorous and analytical nature than the journalistic, the journalistic may even focus on entertaining the reader at the expense of detail about the art under discus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antitheatricality
Antitheatricality is any form of opposition or hostility to theater. Such opposition is as old as theater itself, suggesting a deep-seated ambivalence in human nature about the dramatic arts. Jonas Barish's 1981 book, ''The Antitheatrical Prejudice'', was, according to one of his Berkeley colleagues, immediately recognized as having given intellectual and historical definition to a phenomenon which up to that point had been only dimly observed and understood. The book earned the American Theater Association's Barnard Hewitt Award for outstanding research in theater history. Barish and some more recent commentators treat the anti-theatrical, not as an enemy to be overcome, but rather as an inevitable and valuable part of the theatrical dynamic. Antitheatrical views have been based on philosophy, religion, morality, psychology, aesthetics and on simple prejudice. Opinions have focussed variously on the art form, the artistic content, the players, the lifestyle of theater people, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discipline
Discipline is the self-control that is gained by requiring that rules or orders be obeyed, and the ability to keep working at something that is difficult. Disciplinarians believe that such self-control is of the utmost importance and enforce a set of rules that aim to develop such behavior. Such enforcement is sometimes based on punishment, although there is a clear difference between the two. One way to convey such differences is through the root meaning of each word: discipline means " to teach", while punishment means "to correct or cause pain". Punishment may extinguish unwanted behavior in the moment, but is ineffective long-term; discipline, by contrast, includes the process of training self control. Self-discipline Self-discipline refers to one's ability to control one's behavior and actions to achieve a goal or to maintain a certain standard of conduct. It is the ability to train oneself to do things that should be done and resist things that should be avoided. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stage
''The Stage'' is a British weekly newspaper and website covering the entertainment industry and particularly theatre. Founded in 1880, ''The Stage'' contains news, reviews, opinion, features, and recruitment advertising, mainly directed at those who work in theatre and the performing arts. History The first edition of ''The Stage'' was published (under the title ''The Stage Directory – a London and Provincial Theatrical Advertiser'') on 1 February 1880 at a cost of three old pence for twelve pages. Publication was monthly until 25 March 1881, when the first weekly edition was produced. At the same time, the name was shortened to ''The Stage'' and the publication numbering restarted at number 1. The publication was a joint venture between founding editor Charles Lionel Carson and business manager Maurice Comerford. It operated from offices opposite the Theatre Royal, Drury Lane. Carson, whose real name was Lionel Courtier-Dutton, was cited as the founder. His wife Emily C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Theatre Critics
{{catdiffuse Critic A critic is a person who communicates an assessment and an opinion of various forms of creative works such as Art criticism, art, Literary criticism, literature, Music journalism, music, Film criticism, cinema, Theater criticism, theater, Fas ... Critics in the arts Entertainment journalists Theatre criticism Writers about theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Turn Unstoned
''No Turn Unstoned'' is a collection of "the worst ever theatrical reviews" compiled by the actress Diana Rigg. The first edition, published in the United Kingdom by Elm Tree Books in 1982 and in the United States by Doubleday, was followed by a paperback edition in 1983. Rigg wrote to her many friends and acquaintances in the theatre and film industries and asked them to share their worst-ever reviews. She also researched theatre criticism and surviving comments from as far back as Ancient Greece. During the early 1990s, Rigg toured university campuses, reading excerpts from the book. All of the proceeds from the speaking tour, and the book itself, were donated to a theatrical charity. See also * Theatre criticism Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas th ... Referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Billington (critic)
Michael Keith Billington (born 16 November 1939) is a British author and arts critic. He writes for ''The Guardian'', and was the paper's chief drama critic from 1971 to 2019. Billington is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts. He is the authorised biographer of the playwright Harold Pinter (1930–2008). Early life and education Billington was born on 16 November 1939, in Leamington Spa, Warwickshire, England, and attended Warwick School, an independent boys' school in Warwick. He attended St Catherine's College, Oxford, from 1958 to 1961, where he studied English and was appointed theatre critic of '' Cherwell''. He graduated with a BA degree. As a member of Oxford University Dramatic Society (OUDS), in 1959, Billington played the Priest in '' The Birds'', by Aristophanes, his only appearance as an actor, and, in 1960, he directed a production of Eugène Ionesco's '' The Bald Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
