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Samba-enredo
Samba-enredo, also known as samba de enredo, is a sub-genre of modern samba made specifically by a samba school for the festivities of Brazilian Carnival. It is a samba style that consists of a lyric and a melody created from a summary of the theme chosen as the plot of a samba school. The first sambas sung by the samba schools in their carnival presentations were freely created and generally were about of the samba itself or the reality of the samba musicians. The institution of contests between the Rio de Janeiro samba school from the 1930s File:1930s decade montage.png, From left, clockwise: Dorothea Lange's photo of the homeless Florence Owens Thompson, Florence Thompson shows the effects of the Great Depression; due to extreme drought conditions, farms across the south-central Uni ... onwards compelled them to commit themselves to presented themes, which began to narrate mainly episodes and exalt characters from the official Brazilian historiography. Background "Samba-en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba Music Genres
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba School
A samba school () is a dancing, marching, and drumming (Samba Enredo) club. They practice and often perform in a huge square-Compound (enclosure), compounds ("quadras de samba") and are devoted to practicing and exhibiting samba, an Afro-Brazilian dance and drumming style. Although the word "school" is in the name, samba schools do not offer instruction in a formal setting. Samba schools have a strong community basis and are traditionally associated with a particular neighborhood. They are often seen to affirm the cultural validity of the Afro-Brazilian heritage in contrast to the mainstream education system,Dils A., Albright A., (eds.) "Moving History / Dancing Cultures - A Dance History Reader", Wesleyan University Press 2001:169. and have evolved often in contrast to authoritarian development. The phrase "escola de samba" is popularly held to derive from the schoolyard location of the first group's early rehearsals. In Rio de Janeiro especially, they are mostly associated with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamborim
A ''tamborim'' ( or ) is a small round Brazilian frame drum, developed from other similar percussive instruments brought by the Portuguese. The frame is 6" in width and may be made of metal, plastic, or wood. The head is typically made of nylon and is normally very tightly tuned in order to ensure a high, sharp timbre and a minimum of sustain. The drum is devoid of snares or jingles. They are frequently confused with the more common tambourine. The size and weight of the tamborim compare with those of the small frame drums of the Orff Schulwerk. The tamborim is used in many genres of Brazilian music. It is most commonly associated with samba, nose flute and pagode, but is also used in chorinho, bossa nova, and some northeastern folklore rhythms such as cucumbi. It is also played in samba music and in carnivals or festivals. Technique In most musical styles, the tamborim is played with a small wooden drumstick. In samba-batucada, it is played with a beater made of seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuíca
The cuíca () is a Brazil, Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. ''Cuíca'' is Portuguese for the gray four-eyed opossum (''Philander opossum'') which is known for its high-pitched cry. The cuíca is frequently used in carnivals, as well as often in Samba (music), samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey. In drum kit list, the mute and open cuíca sound is a F5 and G5. History There are a number of styles of found around the globe. Its origins are disputed: Different sources trace it to enslaved Bantu peoples, Bantu people, to Spain, and to Muslim traders – structurally it is identical, among other instruments in the same category, to the Portuguese , Spanish , Catalan and Balearic . The cuíca was used in Africa as a call for the male lion since the sound mimics the roar of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chocalho
''Chocalho'' is the generic name for "shaker" in Portuguese. There are various types of idiophones using this name in Portuguese, not always being the same instrument: *a shaker; *a kind of jingle stick used to play samba music; *a cowbell; Chocalhos are typically used as a support to the sound of the caixas, to sustain the rhythm in the bateria The term ''bateria'' means “drum kit” in Portuguese and Spanish. In Brazil, the word is also used for a form of Brazilian samba band, the percussion band or rhythm section of a Samba School. ''Baterias'' are also used to accompany the B .... This instrument consists of an aluminum or wooden frame with a number of rows, each carrying pairs of jingles (platinelas). The chocalho is played by shaking it back and forth and pumping the arms up and down. Also known as Rocar. Idiophones Brazilian musical instruments {{Idiophone-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reco-reco
The reco-reco (also called the raspador, caracaxá or querequexé) is a scraper of African origin used as a percussion instrument in Brazilian music,ROCCA, Edgar Nunes "Bituca", ''Escola Brasileira de Música: Uma visão Brasileira no ensino da música e seus instrumentos de percussão 1''. Rio de Janeiro: Europa, EBM, 1986 but also in many Latin American countries, where it is known as güiro, güira, guayo and guacharaca. Traditionally, the reco-reco was made from a sawtooth notched cylindrical body made of bamboo or wood, and played with a wooden stick. The instrument is used in many styles of Brazilian music, such as samba and related genres. For some time, reco-recos have been made of a metallic cylinder with spring (device), springs attached and played with a metal stick, which results in a much louder sound. In some models, the sound box has a hole on the bottom part, which can be covered with the hand to achieve different timbral possibilities. Nowadays, reco-recos have al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandeiro
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term '' adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surdo
The surdo is a bass drum or a large floor tom-like drum used in many kinds of Brazilian music, such as Axé/ Samba-reggae and samba, where it plays the lower parts from a percussion section. The instrument was created by Alcebíades Barcelos during the 1920s and 1930s as part of his work with the first samba school in Rio de Janeiro, Deixa Falar. It is also notable for its association with the cucumbi genre of the Ancient Near East. Surdo sizes normally vary between and diameter, with some as large as . In Rio de Janeiro, surdos are generally deep. Surdos used in the northeast of Brazil are commonly shallower, at deep. Surdos may have shells of wood, galvanized steel, or aluminum. Heads may be goatskin or plastic. A Rio bateria will commonly use surdos that have skin heads (for rich tone) and aluminum shells (for lower weight). Surdos are worn from a waist belt or shoulder strap, oriented with the heads roughly horizontal. The bottom head is not played. Surdo drummers beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snare Drum
The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in Orchestra, orchestras, Concert band, concert bands, Marching band, marching bands, Parade, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band. Snare drums are usually played with drum sticks, but other beaters such as the Brush (percussion), brush or the Rute (music), rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
