Saijiki
A is a list of Japanese ''kigo'' (seasonal terms) used in haiku and related forms of poetry. An entry in a ''saijiki'' usually includes a description of the ''kigo'' itself, as well as a list of similar or related words, and some examples of haiku that include that ''kigo''. A is similar, but does not contain sample poems. Modern ''saijiki'' and ''kiyose'' are divided into the four seasons and New Year, with some containing a further section for topics. Each seasonal section is further divided into a standard set of categories, each containing a list of relevant ''kigo''. The most common categories are the season, the heavens, the earth, humanity, observances, animals and plants. Japanese seasons In the Japanese calendar, seasons traditionally followed the lunisolar calendar with the solstices and equinoxes at the middle of a season. The traditional Japanese seasons are: * Spring: 4 February–5 May * Summer: 6 May–7 August * Autumn: 8 August–6 November * Winter: 7 November� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kigo
A is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression. History Representation of, and reference to, the seasons has long been important in Culture of Japan, Japanese culture and poetry. The earliest anthology of Japanese poetry, the mid-8th century , contained several sections devoted to the seasons. By the time of the first imperial Japanese anthology, the a century and a half later (AD 905), the seasonal sections had become a much larger part of the anthology. Both of these anthologies had sections for other categories such as love poems and miscellaneous () poems. The writing of the linked-verse form renga dates to the middle of the Heian period (roughly AD 1000) and developed through the medieval era. Over time, set rules develope ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
List Of Kigo
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry. They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza. Japanese seasons Until 1872, in the Japanese calendar, seasons traditionally followed the lunisolar calendar with the solstices and equinoxes at the middle of a season. The traditional and contemporary months are approximately one month apart from each other, with the traditional New Year falling between late January and early February. The traditional Japanese seasons are: :Spring: 4 February – 5 May :Summer: 6 May – 7 August :Autumn: 8 August – 6 November :Winter: 7 November – 3 February For kigo, each season is then divided into early (初), mid- (仲), and late (晩) periods. For spring, these would be: :Early spring: 4 February – 5 March (Februa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Haiku
is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 Mora (linguistics), morae (called ''On (Japanese prosody), on'' in Japanese) in a 5, 7, 5 pattern; that include a ''kireji'', or "cutting word"; and a ''kigo'', or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-''on'' pattern and sometimes do not contain a ''kireji''. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and Haiku in languages other than Japanese, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Teiko Inahata
Inahata Teiko (; 8 January 1931 – 27 February 2022) was a Japanese haiku poet, essayist and literary critic. Life and career Born in Yokohama, the granddaughter of poet Kyoshi Takahama and the daughter of poet , Inahata had been composing haiku since she was still a child. She studied at Kobayashi Seishin Women's College. Inahata published her first collection of haiku in 1976. In 1979 she succeeded her father as editor-in-chief of the literary magazine '' Hototogisu'', and was editor of the newspaper ''The Asahi Shimbun''. In 1987 she founded and was the first secretary of the , later serving as its honorary president. She was a Catholic. Inahata died in Ashiya, Hyōgo Prefecture on 27 February 2022, at the age of 91. References External links Teiko Inahataat OpenLibrary Open Library is an online project intended to create "one web page for every book ever published". Created by Aaron Swartz, Brewster Kahle, Alexis Rossi, Anand Chitipothu, and Rebecca Hargrave Ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Haikai Forms
''Haikai'' (Japanese language, Japanese wikt:俳諧, 俳諧 ''comic, unorthodox'') may refer in both Japanese and English to ''haikai no renga'' (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of [Matsuo] Matsuo Bashō, Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai Aesthetics, aesthetic, including haiku and senryū (varieties of one-verse haikai), haiga (haikai art, often accompanied by haiku), and haibun (haiku mixed with prose, such as in the diaries and travel journals of haiku poets). However, haikai does not include orthodox renga or waka (poetry), waka. Pre-Bashō Schools Teimon School The Teimon School, centred around Matsunaga Teitoku, did much to codify the rules of haikai, as well as to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ''ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Classic of Poetry, Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese (''kanshi (poetry), kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately ass ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Renku
, or , is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ''ushin'' renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially ''haikai no renga'' distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry. The term ''renku'' gained currency after 1904, when Kyoshi Takahama started to use it. Development The oldest known collection of haikai linked verse appears in the first imperial anthology of renga, the '' Tsukubashū'' (1356–57).Shirane, Haruo (2012). ''Traditional Japanese Literature: An Anthology, Beginnings to 1600''. Columbia University Press. p. 522. Traditional renga was a group activity in which each participant displayed his wit by spontaneously composing a verse in respons ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Renga
''Renga'' (, ''linked poem'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 morae (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as ''tsukuba no michi'' ( ''The Way of Tsukuba'') after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres '' haikai'' () and haiku ().Kaneko, Kinjirō. ''Rengashū, Haikaishū''. Tōkyō: Shōgakkan, 2001. Print. The genre was elevated to a literary art by Nijō Yoshimoto (, 1320–1388), who compiled the first imperial renga anthology '' Tsukubashū'' () in 1356. The most famous renga master was Sōgi (, 1421–1502), and Matsuo Bashō (, 1644–1694) after him became the most famous ''haikai'' master. Renga sequences were typically composed live during gatherings of poets, transcribed oral sessio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Haiku In English
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku. Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese ) in a 5–7–5 pattern, varies greatly. Typical characteristics In Japanese, a traditional haiku is a one-line poem that describes two things. However, in English, a traditional haiku usually has three lines arranged in a 5-7-5 pattern. The Haiku Society of America has two definitions of a haiku. The first defines the Japanese haiku as an unrhymed poem "recording the essence of a moment keenly perceived, in which Nature is linked to human nature" consisting of 17 . The second definition applies to English-language haiku: "A foreign adaptation of [the Japanese form], usually written in three lines totaling fewer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Masaoka Shiki
, pen-name of Masaoka Noboru (正岡 升), was a Japanese poet, author, and literary critic in Meiji period Japan. Shiki is regarded as a major figure in the development of modern haiku poetry, credited with writing nearly 20,000 stanzas during his short life. He also wrote on reform of '' tanka'' poetry. Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. Early life Shiki, or rather Tsunenori (常規) as he was originally named, was born in Matsuyama City in Iyo Province (present day Ehime Prefecture) to a samurai class family of modest means. As a child, he was called Tokoronosuke (處之助); in adolescence, his name was changed to Noboru (升). His father, Tsunenao (正岡常尚), was an alcoholic who died when Shiki was five years of age. His mother, Yae, Beichman, p. 27 was a daughter of Ōhara Kanzan, a Confucian scholar. Kanzan was the first of Shiki's extra-school tutors; at the age of 7 the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kyoshi Takahama
was a Japanese poetry, Japanese poet active during the Shōwa period of Japan. His real name was ; Kyoshi was a pen name given to him by his mentor, Masaoka Shiki. Early life Kyoshi was born in what is now the city of Matsuyama, Ehime, Matsuyama, Ehime Prefecture; his father, Ikenouchi Masatada, was a former samurai and fencing master and was also a fan of the traditional noh drama. However, with the Meiji Restoration, he lost his official posts and retired as a farmer. Kyoshi grew up in this rural environment, which influenced his affinity with nature. At age nine he inherited from his grandmother's family, and took her surname of Takahama. He became acquainted with Masaoka Shiki via a classmate, Kawahigashi Hekigoto. Ignoring Shiki's advice, Kyoshi quit school in 1894, and went to Tokyo to study Edo period Japanese literature. In 1895, he enrolled in the Tōkyō Senmon Gakkō (present-day Waseda University), but soon left the university for a job as an editor and literary criti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |