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Rilievo Stiacciato
Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. The ''rilievo stiacciato'' is primarily associated with Donatello (1386–1466). The technique To give the illusion of space a sculptor used the actual physical depth of a relief, from the most protruding parts of figures with the most plasticity to the flat background plane, which was gilded or otherwise decorated in a two-dimensional manner. The thickness of the carving gradually decreased from the foreground to the background and with further distance in relation to the beholder. In ''rilievo stiacciato'' the physical depth may only measure a few centimeters or even millimeters and consist of merely incised lines and minute alterations of the plane. But the different elevations of the objects in the relief do not translate analogous to their place in the space displayed. The gradations are (to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazzi Madonna
The ''Pazzi Madonna '' is a rectangular " stiacciato" marble relief sculpture by Donatello, since 1886 in the sculpture collections of the Bode-Museum in Berlin. Dating to around 1420 and 1425 at the beginning of Donatello's collaboration with Michelozzo, it was most likely produced for private devotion and possibly commissioned by the Pazzi family for their home in Florence.Rolf C. Wirtz, ''Donatello'', ''Masters of Italian Art'' series, Könemann, Cologne 1998. p. ??. The composition was very popular and is known in several copies. The half figure of Virgin Mary is shown in three-quarter-view, the faces of both mother and child are in profile, with her leaning towards the Christ Child and touching his forehead, her silhouette slightly obscuring his. She holds the baby with her left arm, the hand with braced fingers perspectivally foreshortened, the right hand softly pressing against its shoulder. Neither of them are shown with halos and the emphasis is instead on their tender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Rossellino
Antonio Gamberelli (1427–1479), Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 465. nicknamed Antonio Rossellino for the colour of his hair, was an Italian Renaissance sculptor. His older brother, from whom he received his formal training, was the sculptor and architect Bernardo Rossellino. Born in Settignano, now a part of Florence, he was the youngest of five brothers, sculptors and stonecutters. He is said to have studied under Donatello and is remarkable for the sharpness and fineness of his bas-relief. His most important works are the funeral monument of (1458) for the Blackfriar Church (today a museum), Forlì, and the monument of Infante James of Coimbra, cardinal of Portugal in the Basilica di San Miniato al Monte, Florence (1461–1467). The portrait bust of Matteo Palmieri in the Bargello is signed and dated 1468. In 1470 he made the monument for Maria d'Aragona Duchess of Amalfi,This Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mino Da Fiesole
Mino da Fiesole (c. 1429 – July 11, 1484), also known as Mino di Giovanni, was an Italian Renaissance sculptor from Poppi, Tuscany. He is noted for his portrait busts. Career Mino's work was influenced by his master Desiderio da Settignano and by Antonio Rossellino, and is characterized by its sharp, angular treatment of drapery. Unlike most Florentine sculptors of his generation, Mino passed two lengthy sojourns in Rome, from about 1459 to 1464 and again from about 1473/1474 until 1480. Mino was a friend and fellow-worker of Desiderio da Settignano and Matteo Civitali, all three being about the same age. Mino's sculpture is remarkable for its finish and delicacy of details, as well as for its spirituality and strong devotional feeling. Of Mino's earlier works, the finest are in the cathedral of Fiesole, the altarpiece and tomb of Bishop Leonardo Salutati (died 1466) His most arduous and complicated commissions, which define his intellectual and artistic nature, are an altarp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desiderio Da Settignano
Desiderio da Settignano, real name Desiderio de Bartolomeo di Francesco detto Ferro ( 1428 or 1430 – 1464) was an Italian Renaissance sculptor active in north Italy. Biography He came from a family of stone carvers and stonemasons in Settignano, near Florence. Although his work shows the influence of Donatello, specifically in his use of low reliefs, it is most likely that he received his training in the large Florentine workshop run by Bernardo and Antonio Rossellino. Desiderio matriculated into the Arte dei Maestri di Pietra e Legname, Florence's guild of Stone and Woodworkers, in 1453 and shortly thereafter already was supplying cherub head medallions for the frieze running across the front of the Pazzi Chapel in the second cloisteryard of the Basilica of Santa Croce. ''Memorial Tomb for Carlo Marsuppini,'' 1453–55, Santa Croce, Florence It is rather surprising that he would have received such an important commission as the monumental tomb of Carlo Marsuppini so ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Des Beaux-Arts De Lille
The Palais des Beaux-Arts de Lille (''Lille Palace of Fine Arts'') is a municipal museum dedicated to fine arts, modern art, and antiquities located in Lille. It is one of the largest art museums in France. It was one of the first museums built in France, established under the instructions of Napoleon I at the beginning of the 19th century as part of the popularisation of art. Jean-Antoine Chaptal's decree of 1801 selected fifteen French cities (among them Lille) to receive the works seized from churches and from the European territories occupied by the armies of Revolutionary France. The painters Louis Joseph Watteau and François Watteau, known as the "Watteau of Lille", were heavily involved in the museum's beginnings - Louis Joseph Watteau made in 1795 the first inventory of the paintings confiscated during the Revolution, whilst his son François was deputy curator of the museum from 1808 to 1823. The museum opened in 1809 and was initially housed in a church confiscated fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo De' Medici
Cosimo di Giovanni de' Medici (27 September 1389 – 1 August 1464) was an Italian banker and politician who established the House of Medici, Medici family as effective rulers of Florence during much of the Italian Renaissance. His power derived from his wealth as a banker and intermarriage with other rich and powerful families. He was a patron of arts, learning, and architecture. He spent over 600,000 gold florins (approx. $500 million inflation adjusted) on art and culture, including Donatello, Donatello's ''David (Donatello, bronze), David'', the first freestanding Nude (art), nude male sculpture since antiquity. Despite his influence, his power was not absolute; he was viewed by fellow Florentine politicians as first among equals rather than an autocrat.Martines, Lauro (2011). ''The Social World of the Florentine Humanists, 1390–1460''. University of Toronto Press. p. 8. Florence's legislative councils resisted his proposals throughout his political career, even sending h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloakroom
A cloakroom, known as a coatroom and checkroom in North America, is a room for people to hang their coats, cloaks, canes, umbrellas, hats, or other outerwear when they enter a building. Cloakrooms are typically found inside large buildings, such as gymnasiums, schools, churches or meeting halls. In the UK, a cloakroom may also refer to a lavatory. In private homes, hatstands fulfill a similar function. Attendants Attended cloakrooms, or coat checks, are staffed rooms where coats and bags can be stored securely. Typically, a ticket or receipt is given to the customer, with a corresponding ticket attached to the garment or item. Coat checks are often found at the entrances to nightclubs, theaters, concert halls, larger restaurants, or museum A museum is an institution dedicated to displaying or Preservation (library and archive), preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ascension With Christ Giving The Keys To Saint Peter
''The Ascension with Christ Giving the Keys to Saint Peter'' is a rectangular stiacciato (schiacciato) marble relief sculpture of by Donatello, now in the Victoria and Albert Museum in London. Its original commissioner is unknown; it is first recorded in the inventory of the Palazzo Medici in 1492 on the death of Lorenzo the Magnificent, and later in the inventory of the in 1591. It is an unusual subject, combining the Ascension of Christ and Christ's giving the keys of the kingdom to Saint Peter. It may form part of a series of works for private devotion which the artist produced at that time, but more probably it decorated the original altar in the Cappella Brancacci, or perhaps the base of the Saint Peter niche at Orsanmichele Orsanmichele or Orsammichele (; from the Tuscan contraction of ''Orto di San Michele'', "Kitchen Garden of St. Michael") is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monaster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Virgin And Child (school Of Donatello)
''The Virgin and Child'' is a c.1426 stiacciato marble relief produced by a pupil or studio assistant of the Italian Renaissance sculptor Donatello, probably after a drawing or autograph sculpture by the master himself. It is sometimes known as the ''Hildburgh Madonna'' after Dr. Walter Leo Hildburgh FSA, who in 1956 donated it to its present owner the Victoria and Albert Museum in London. It is dated to 1426 by comparison to Masaccio's ''Madonna and Child (Masaccio), Madonna and Child'', produced that year and from which it draws its details of its composition. John T. Spike, ''Masaccio'', Rizzoli libri illustrati, Milano 2002 References Renaissance sculptures Marble sculptures in the United Kingdom 1420s sculptures Sculptures in the Victoria and Albert Museum {{Italy-sculpture-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Angelo A Nilo
Sant'Angelo a Nilo is a Roman Catholic church located on the Decumano Inferiore (Spaccanapoli street) in Naples, Italy. It stands diagonally across from San Domenico Maggiore in Naples. It is known for containing the monumental Renaissance-style tomb of Cardinal Rainaldo Brancacci (Italian: ''Sepolcro del Cardinale Brancacci'') by Donatello and Michelozzo, one of the major sculptural works in the city. Description The church is located in the core of the ancient Greek-Roman city: it takes its name from the Egyptian Nile, which was venerated here by the Egyptian merchants. It was begun in 1385 as a chapel, dedicated to Sts. Angel and Mark, by will of cardinal Rainaldo Brancacci, whose family had a palace nearby. The current appearance dates from a 1709 rebuilding, under the direction of Arcangelo Guglielmelli. Remains of the original Catalan-Gothic structure include the main portal, with an architrave featuring angels, and a fresco in the lunette with ''The Virgin Mary and Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of The Virgin (Donatello)
The tomb of Cardinal Rainaldo Brancacci is a sculptural work in the church of Sant'Angelo a Nilo in Naples, southern Italy, executed by Donatello and Michelozzo around 1426-1428. Built in marble, partly gilt and polychrome, it has a height of 11.60 meters and a width of 4.60. History The work was produced during the partnership of Donatello and Michelozzo, which lasted from 1425 until the late 1430s. It was commissioned when Brancacci was still alive: a letter to him of 5 June 1427 mentions the work as completed for some one quarter. In 1426 the two rented a workshop in Pisa, from where the pieces of the tomb could be more easily shipped to Naples by sea; the city was also nearer to the marble quarries of Carrara. Assistants, including perhaps Pagno di Lapo Portigiani, collaborated to the work, which was completed and sent to its destination in 1428. Description The work is based on a socle from which two composite columns start. They support a round arch with side pendentiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
