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Post-metal
Post-metal is a music genre rooted in heavy metal music, heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis (band), Neurosis and Godflesh, who transformed metal texture (music), texture through experimental music, experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient music, ambient, noise music, noise, psychedelic music, psychedelic, progressive music, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating Theme (music), themes. The sound centres on guitars (subjected to various Effects unit, effects) and drums, while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godflesh
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. (later Fall of Because) but did not release any complete music until 1988 when Justin Broadrick (guitar, vocals, programming) and B. C. Green (bass, programming) renamed the band and decided to use a drum machine for percussion. Melding heavy metal music, heavy metal with industrial music and later with electronic music and dub music, dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental metal, experimental and extreme metal. The band signed to Earache Records in the late 1980s and released their debut album ''Streetcleaner'' (1989) to contemporary and lasting acclaim. After the release of their sophomore album ''Pure (Godflesh album), Pure'' (1992) and their major label debut ''Selfless (album), Selfless'' (1994), they started experimenting with live drums as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doom Metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal". Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom meta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal in song structure and speed, apart from the case of doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Metal
Avant-garde metal (also known as avant-metal, experimental metal, art metal and experimetal) is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde music, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Japanese metal, Tokyo in Japan. Characteristics "Avant-garde metal" is interchangeable with "experimental metal" and "avant-metal", Avant-garde metal is related to progressive metal, but avant-garde metal often has more experimentation, while progressive metal usually has a tighter focus on traditional metal instrumentation and higher levels of technical complexity. Avant-gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal in song structure and speed, apart from the case of doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neurosis (band)
Neurosis is an American post-metal band from Oakland, California. It was formed in 1985 by guitarist Scott Kelly (musician), Scott Kelly, bassist Dave Edwardson, and drummer Jason Roeder, initially as a crust punk band. Chad Salter joined as a second guitarist and appeared on the band's 1987 debut ''Pain of Mind'' and then Steve Von Till replaced him in 1989. The following year, the lineup further expanded to include a keyboardist and a visual artist. Beginning with their third album ''Souls at Zero'' (1992), Neurosis transformed their hardcore sound by incorporating diverse influences including doom metal and industrial music, becoming a major force in the emergence of the post-metal and sludge metal genres. The band's lineup stabilized in 1995 with the addition of Noah Landis, who replaced Simon McIlroy on keyboards and electronics. That same year they formed the experimental music group Tribes of Neurot and in 1999 the record label Neurot Recordings. This line-up remained stab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sludge Metal
Sludge metal (also known as sludge doom or simply sludge) is an Extreme metal, extreme subgenre of heavy metal music that combines elements of doom metal and hardcore punk. The genre generally includes slow tempos, down-tuned guitars and nihilistic lyrics discussing poverty, drug addiction and pollution. The sound of sludge metal has its origins in California hardcore punk bands in the early-to-mid-1980s like Black Flag (band), Black Flag, Flipper (band), Flipper and Fang (band), Fang, who began slowing their tempos and embracing the influence of Black Sabbath. This sound was expanded upon by the Melvins towards the end of the decade and the bands they influenced in both the Seattle grunge scene, and in Louisiana with Eyehategod, Crowbar (American band), Crowbar and Acid Bath. In the 1990s and 2000s, the sound of sludge diversified: bands including Neurosis (band), Neurosis, Isis (band), Isis and Cult of Luna helped to pioneer post-metal, while Baroness (band), Baroness and Masto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackgaze
Blackgaze is a fusion genre combining elements of black metal and shoegaze. The word is a blend of the names of the two genres, described by ''The Guardian'' as "the buzz term for a new school of bands taking black metal out of the shadows and melding its blast beats, dungeon wailing and razorwire guitars with the more reflective melodies of post-rock, shoegaze and post-hardcore." According to ''Exclaim!'', blackgaze "marries the harsh, alien instrumentation of black metal with the mellower, dreamy soundscapes of shoegaze." Influenced by atmospheric black metal bands like Ulver and Summoning, the genre was pioneered by French musician Neige around 2005 through the projects Alcest and Amesoeurs and has risen to prominence with the success of American group Deafheaven. ''The Guardian'' named Deafheaven "blackgaze's de facto poster boys, the most likely to open up black metal to an even wider audience", and ''Exclaim!'' described their second album '' Sunbather'' – the mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture (music)
In music, texture is how the tempo and the melodic and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse–chorus Form
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna", " The Daring Young Man on the Flying Trapeze", and many others. It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days. It became commonly used in blues and rock and roll in the 1950s, and predominant in rock music since the 1960s. In contrast to 32-bar form, which is focused on the refrain (contrasted and prepared by the B section), in verse–chorus form the chorus is highlighted (prepared and contrasted with the verse). The chorus often sharply contrasts the verse melodically, rhythmically, and harmonically, and assumes a higher level of dynamics and activity, often with added instrumentation. This is referred to as a "breakout chorus". See: arrangement. Contrasting verse–chorus form Songs that use different music for the verse and chorus are in contrasting verse–chorus form. Examples include: * " That'll Be the Day" by Budd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Rock
Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Biography"]. Stephen Thomas Erlewine. Allmusic. Accessed 12 February 2020. Yes (band), Yes, Genesis (band), Genesis, Jethro Tull (band), Jethro Tull and Emerson, Lake & Palmer. Journalist Roy Trakin said in 1981: "Of course, these stalwarts can still fill Madison Square Garden and sell a great many records, as they always have, but their days of adventurous risk-taking and musical innovation are long gone – replaced by the smug satisfaction of commercial success." In the early 1980s, the art rock genre influenced the emerging post-punk and new wave movements, as bands incorporated experimental and avant-garde elements that were hallmarks of art rock. Groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
