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Post-metal
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars (subjected to various effects) and drums, while any vocals are usually screamed or growled and resemble an additional instrument. Post-metal is related to other experimental styles of metal: avant-garde metal, drone metal, progressive metal, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neurosis (band)
Neurosis is an American avant-garde metal band from Oakland, California. It was formed in 1985 by guitarist Scott Kelly, bassist Dave Edwardson, and drummer Jason Roeder, initially as a hardcore punk band. Chad Salter joined as a second guitarist and appeared on the band's 1987 debut '' Pain of Mind'' before being replaced by Steve Von Till in 1989. The following year, the lineup further expanded to include a keyboardist and a visual artist. Beginning with their third album '' Souls at Zero'' (1992), Neurosis transformed their hardcore sound by incorporating diverse influences including doom metal and industrial music, becoming a major force in the emergence of the post-metal and sludge metal genres. The band's lineup stabilized in 1995 with the addition of Noah Landis, who replaced Simon McIlroy on keyboards and electronics. That same year they formed the experimental music group Tribes of Neurot and in 1999 the record label Neurot Recordings. This line-up remained stable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godflesh
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the title Fall of Because but did not release any complete music until 1988 when Justin Broadrick (guitar, vocals and programming) and G. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal. The band signed to Earache Records in the late 1980s and released their debut album ''Streetcleaner'' (1989) to contemporary and lasting acclaim. After the release of their sophomore album '' Pure'' (1992) and their major label debut '' Selfless'' (1994), they started experimenting with live drums as well as hip hop and breakbeat sounds. The resulting albums, '' Songs of Love and Hate'' (1996) and '' Us and The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doom Metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom metal (although keyboards are sometimes used), but its structures are rooted in the same scales as in bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album ''Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album '' Millions Now Living Will Never Die''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album ''Loveless'' (1991) is often seen as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Metal
Avant-garde metal (also known as avant-metal, experimental metal, and experimental) is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Tokyo in Japan. Characteristics "Avant-garde metal" is interchangeable with "experimental metal" and "avant-metal", and may also refer to a separate genre of "atmospheric metal" or "post-metal", which was named in reference to post-rock. Avant-garde metal is related to progressive metal, but avant-garde metal often has more experimentation, while progressive metal usually has a tighter focus on tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone Metal
Drone metal or drone doom is a style of heavy metal that melds the slow tempos and heaviness of doom metal with the long-duration tones of drone music. Drone metal is sometimes associated with post-metal or experimental metal. Characteristics Typically, the electric guitar is performed with a large amount of reverb or audio feedback while vocals may or may not be present. Songs often lack beat or rhythm in the traditional sense and are typically very long. The experience of a drone metal performance has been compared by novelist John Wray in ''The New York Times'' to listening to an Indian raga in the middle of an earthquake. Wray also states, "It's hard to imagine any music being heavier or, for that matter, very much slower." A pioneer band of drone metal called Sunn O))) has indicated a kinship with sound sculpture. Jan Tumlir indicates a "sustained infra-sound rumble of sub-bass—so-called brown noise". History Precursors Early guitar-produced drone effects go as far ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhead introduced a punk rock sensibilit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Metal
Progressive metal (sometimes shortened to prog metal) is a broad fusion music genre melding heavy metal and progressive rock, combining the loud "aggression" and amplified guitar-driven sound of the former with the more experimental, cerebral or "pseudo-classical" compositions of the latter. One of these experimental examples introduced to modern metal was djent. The music typically showcases the extreme technical proficiency of the performers and usually uses unorthodox harmonies as well as complex rhythms with frequent meter changes and intense syncopation. While the genre emerged towards the late-1980s, it was not until the 1990s that progressive metal achieved widespread success. Queensrÿche, Dream Theater, Tool, Symphony X,''AllMusic''Tool Retrieved on February 11, 2013. Shadow Gallery, King's X, and Fates Warning are a few examples of progressive metal bands who achieved commercial success. Soon after the rise of the genre's popularity, other thrash and dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sludge Metal
Sludge metal (also known as sludge or sludge doom) is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Characteristics The key characteristics of both sludge and doom metal are a slow tempo combined with down-tuned, heavily- distorted guitars to deliver the heaviest feel that is possible. The drummer must be able to lead the band through the slow parts of a piece with an accurate time feel, which is much harder to achieve when compared with playing faster pieces. Sludge metal includes sections of the aggression, shouted vocals and occasional fast tempos of hardcore punk. As ''The New York Times'' wrote on The Melvins, "The shorthand term for the kind of rock descending fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
