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Pillar Of The Boatmen
The Pillar of the Boatmen () is a monumental Roman column erected in Lutetia (modern Paris) in honour of Jupiter (god), Jupiter by the guild of boatmen in the 1st century AD. It is the oldest monument in Paris and is one of the earliest pieces of representational Gallo-Roman art to carry a written inscription. The Roman name for the monument is ''Nautae Parisiaci'' (the sailors of the Parisii (Gaul), Parisii, who were a tribe of Gauls). It was found re-used in the 4th century city wall on the Île de la Cité and is now displayed in the frigidarium of the Thermes de Cluny. Description The pillar is made of a type of limestone called "pierre de Saint-Leu-d'Esserent", from Saint-Leu-d'Esserent, Saint-Leu, Oise, France. The original pillar would have been 5.24m high, 91 cm wide at the base and 74 cm wide at the top. It is likely to have been formed in four tiers and although the order from top to bottom is reasonably certain from the relative sizes of the blocks, we do not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Civitas
In Ancient Rome, the Latin term (; plural ), according to Cicero in the time of the late Roman Republic, was the social body of the , or citizens, united by Roman law, law (). It is the law that binds them together, giving them responsibilities () on the one hand and rights of citizenship on the other. The agreement () has a life of its own, creating a or "public entity" (synonymous with ), into which individuals are born or accepted, and from which they die or are Exile, ejected. The is not just the collective body of all the citizens, it is the contract binding them all together, because each of them is a . is an abstract formed from . Claude Nicolet traces the first word and concept for the citizen at Rome to the first known instance resulting from the synoecism of Romans and Sabines presented in the legends of the Roman Kingdom. According to Livy, the two peoples participated in a ceremony of union after which they were named Quirites after the Sabine town of Cures, Sabi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods". In Roman mythology, he was the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words '' merx'' ("merchandise"; cf. ''merchant'', ''commerce'', etc.), ' (''to tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (mythology)
In ancient Roman religion and Roman mythology, mythology, Mars (, ) is the god of war and also an Roman agriculture, agricultural guardian, a combination characteristic of early ancient Rome, Rome. He is the son of Jupiter (mythology), Jupiter and Juno (mythology), Juno, and was pre-eminent among the Religion in the Roman military, Roman army's military gods. Most of his Roman festivals, festivals were held in March, the month named for him (Martius (month), Latin ''Martius''), and in October, the months which traditionally began and ended the season for both military campaigning and farming. Under the Hellenization, influence of Greek culture, Mars was interpretatio graeca, identified with the Greek mythology, Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Latin literature, Roman literature and Roman art, art under the name of Mars. The character and dignity of Mars differs in fundamental ways fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interpretatio Romana
, or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a Comparative religion, comparative methodology using Religion in ancient Greece, ancient Greek religious concepts and practices, List of Greek deities, deities, and Greek mythology, myths, Comparative mythology, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes ancient Egyptian religion, Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Cult (religious practice), Roman cults, Roman temple, temples, and practices under the names of equivalent Greek deities. may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek model ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna (luck)
Fortuna (, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La eafortuna è cieca" (latin ''Fortuna caeca est''; "Luck oddessis blind"). Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousness. She was also a godd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smertrios
In Gallo-Roman religion, Smertrios or Smertrius was a god worshipped in Gaul and Noricum.Nicole Jufer & Thierry Luginbühl. 2001. ''Les dieux gaulois : répertoire des noms de divinités celtiques connus par l'épigraphie, les textes antiques et la toponymie.'' Editions Errance, Paris. In Roman Empire, Roman times he was equated with Mars (mythology), Mars . His name contains the same root as that of the goddess Rosmerta and may mean "The Purveyor" or "The Provider", a title rather than a true name. Smertulitanus may be a variant name for the same god. Smertrius is one of the Gaulish gods depicted on the Pillar of the Boatmen, discovered in Paris. Here is depicted as a well-muscled bearded man confronting a snake which rears up in front of him. The god brandishes an object which has usually been interpreted as a club but which rather resembles a torch or firebrand. The normal interpretation of the god's attribute as a club has led to the identification, by modern scholars, of Sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castor And Pollux
Castor and Pollux (or Polydeuces) are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri or Dioskouroi. Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who seduced Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin, the twins are also known as the Gemini ("twins") or Castores, as well as the Tyndaridae or Tyndarids. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini. The pair were regarded as the patrons of sailors, to whom they appeared as St. Elmo's fire. They were also associated with horsemanship, in keeping with their origin as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cernunnos
Cernunnos is a Celtic god whose name is only clearly attested once, on the 1st-century CE Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns. Through the Pillar of the Boatmen, the name "Cernunnos" has been used to identify the members of an iconographic cluster, consisting of depictions of an antlered god (often aged and with crossed legs) associated with torcs, ram-horned (or ram-headed) serpents, symbols of fertility, and wild beasts (especially deer). The use of the name this way is common, though not uncontroversial. As many as 25 depictions of the Cernunnos-type have been identified. Though this iconographic group is best attested in north-eastern Gaul, depictions of the god have been identified as far off as Italy (Rock Drawings in Valcamonica, Val Camonica) and Denmark (Gundestrup cauldron, Gundestrup). Cernunnos has been variously interpreted as a god of fertility, of the underworld, and of bi-d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esus
Esus is a Celtic god known from iconographic, epigraphic, and literary sources. The 1st-century CE Roman poet Lucan's epic ''Pharsalia'' mentions Esus, Taranis, and Teutates as gods to whom the Gauls sacrificed humans. This rare mention of Celtic gods under their native names in a Greco-Roman text has been the subject of much comment. Almost as often commented on are Commenta Bernensia and Adnotationes Super Lucanum, the scholia to Lucan's poem (early medieval, but relying on earlier sources) which tell us the nature of these sacrifices: in particular, that Esus's victims were suspended from a tree and bloodily dismembered. The nature of this ritual is obscure, but it has been compared with a wide range of sources, including Welsh mythology, Welsh and Germanic mythology, as well as with the violent end of the Lindow Man. Esus has been connected (through an inscription which identifies him and an allied character, Tarvos Trigaranos, by name) with a pictorial myth on the Pillar o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulcan (god)
Vulcan (, in archaically retained spelling also ''Volcanus'', both pronounced ) is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans. Vulcan belongs to the most ancient stage of Roman religion: Varro, the ancient Roman scholar and writer, citing the Annales Maximi, records that king Titus Tatius dedicated altars to a series of deities including Vulcan. Etymology The origin of the name is unclear. Roman tradition maintained that it was related to Latin words connected to lightning (), which in turn was thought of as related to flames. This interpretation is supported by Walter William Skeat in his etymological dictionary as meaning ''lustre''. It has been supposed that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarvos Trigaranos
Tarvos Trigaranus or Taruos Trigaranos is a divine figure who appears on a relief panel of the Pillar of the Boatmen as a bull with three cranes perched on his back. He stands under a tree, and on an adjacent panel, the god Esus is chopping down a tree, possibly a willow, with an axe. In the Gaulish language, ''taruos'' means "bull," found in Old Irish as ''tarb'' (/tarβ/), in Modern Irish/Gaelic as ''tarbh'' and in Welsh as ''tarw'' (compare "bull" in other Indo-European languages such as Latin ''taurus'' from Greek "ταύρος" or Lithuanian ''taŭras''). ''Garanus'' is the crane (''garan'' in Welsh, Old Cornish and Breton; see also '' geranos'', the ritual "crane dance" of ancient Greece). ''Treis'', or ''tri-'' in compound words, is the number three (cf. Irish ''trí'', Welsh ''tri''). A pillar from Trier shows a man with an axe cutting down a tree in which sit three birds and a bull's head. The juxtaposition of images has been compared to the Tarvos Trigaranus and Esus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
