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Peşrev
''Peşrev'' (pronounced in Turkish), ''Pişrev'' (), ''peshrev,'' or ''pishrev;'' called ''bashraf'' بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl (). It also serves as the penultimate piece of the ''Mevlevi ayini'', ritual music of the Mevlevi order, under the name ''son peşrev'' (final peşrev), preceding ''son semai''. It usually uses long rhythm cycles, stretching over many measures as opposed to the simpler usul the other major form of instrumental music uses, '' saz semai''. Along with the '' saz semai'' (called '' sama'i'' in Arabic), it was introduced into Arabic music in the 19th century, and became particularly popular in Egypt. Etymology In Ottoman Turkish Ottoman Turkish ( ota, لِسانِ عُثمانى, Lisân-ı Osmânî, ; tr, Osmanlı Türkçesi) was the standardized register of the Turkish language used by the citizens of the Ott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Music
Ottoman music ( tr, Osmanlı müziği) or Turkish classical music ( tr, Türk sanat müziği) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called '' makam'', '' dastgah'' or '' echos'', are a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Classical Music
Ottoman music ( tr, Osmanlı müziği) or Turkish classical music ( tr, Türk sanat müziği) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called '' makam'', ''dastgah'' or ''echos'', are a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents respect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanburi Büyük Osman Bey
Tanburi Büyük Osman Bey or Tamburi Büyük Osman Bey (1816–1885) was an Ottoman composer and Turkish tambur player. He is considered one of the most outstanding peşrev compositors in Ottoman classical music. Life Tanburi Büyük Osman Bey was born in 1816 in the Tophane district of Istanbul. Most of the information we have on him originates from an oral tradition amongst his pupils and the pupils of those who knew him. His father, Zeki Mehmed Ağa as well as his grandfather Tanburi Numan Ağa were musicians of renown. At the age of eight, he was accepted to the Imperial School of Enderun, where he began his education among the foregoing masters of Turkish classical music, from whom he acquired a firm theoretical basis. His acquaintance with the tanbur also dates back to those years. As his father Zeki Mehmed Ağa is said to have refused to pass on to his son his knowledge of the tambur, most of the work must have come to be incumbent on Osman Bey himself. He is also sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasıl
The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and ''waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', ''peşrev'', '' kâr'', '' beste'', '' ağır semâ'î'', '' yürük semâ'î'', ''gazel'', ''şarkı'' and ''saz semâ'î'', played continuously without interludes and interconnected through aranağme arrangement A modern ''fasıl'' typically includes movements such as '' taksim'', ''peşrev'', ''şarkı (ağır aksak)'', '' yürük semâ'î'', '' Türk aksağı'', '' taksim'', ''şarkı (a few with increasing tempo)'' and ''saz semâ'î''. Traditional Fasıl (both classical and modern) is a musical act distinct from the performance of "oriental" or "arabesque" pop and folk songs found at meyhanes and taverns, which have come to be sometimes referred by the same name. See also *Waslah *Muwashshah *Andalusi nawba Andalusī nūbah (نوبة أندلسيّة), also transliterated nūba, nūbā, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makam
The Turkish makam (Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition (''beste'', ''şarkı'', ''peşrev'', ''âyin'', etc.) or a spontaneous composition (''gazel'', ''taksim'', recitation of ''Kuran-ı Kerim'', ''Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Comparison in use in Turkish classical to folk music Turkish Classical Music and Turkish Folk Music are both based on modal systems. Makam is the name of the scale in classical music, while Ayak is the name of the scale in folk music. Makam and Ayak are similar; following are some examples: Yahyalı Kerem Ayağı : Hüseyni Makamı Garip Ayağı : Hicaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamburi Cemil Bey
Tanburi Cemil Bey (1873, Istanbul – July 28, 1916, Istanbul) was an Ottoman tanbur, Turkish tambur, yaylı tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the ''taksim'' (improvisation on a makam/maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Biography Cemil Bey was born in Istanbul, Ottoman Empire, in 1871 or 1873; his birth date is uncertain. He took his first lessons in music from Kanuni Ahmet Bey and the violin player Kemani Aleksan, his first instruments thus being the violin and the kanun. After completing middle school, he continued in a school for civil servants (''Mülkiye''), but then devoted himself to music and abandoned his education. He began to play the tanbur quite early in his youth and by the age of 20, his renown had already spread among the tamburis of Istanbul. Reforming the traditional playing technique of the tambur, he developed an energetic tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teslim
A ''teslīm'' ( ar, تسليم; also spelled ''taslim'' or ''tasleem'') is a refrain in classical Arabic music and Ottoman classical music. It returns several times in the genres of '' sama'i'', ''peşrev'', and ''saz semaisi''. This term is the equivalent to the Ottoman term ''mülâzeme''. External links''Teslim'' - Turkish Musical Forms *Walter Zev Feldman (20 January 2001). Ottoman music. ''Grove Music Online ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and the ...'' Arabic music Turkish music {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Language
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Forms
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated prima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical And Art Music Traditions
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures * Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles * Classical music, a variety of Western musical styles from the 9th century to the present * Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Music
The music of Turkey includes mainly Turkic and Byzantine elements as well as partial influences ranging from Ottoman music, Middle Eastern music and Music of Southeastern Europe, as well as references to more modern European and American popular music. Turkey is a country on the northeastern shore of the Mediterranean Sea, and is a crossroad of cultures from across Europe, North Africa, the Middle East, the Caucasus and South and Central Asia. The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimitrie Cantemir
Dimitrie or Demetrius Cantemir (, russian: Дмитрий Кантемир; 26 October 1673 – 21 August 1723), also known by other spellings, was a Romanian prince, statesman, and man of letters, regarded as one of the most significant early Enlightenment figures. He twice served as voivode of Moldavia (March–April 1693 and 1710–1711). During his second term he allied his state with Russia in a war against Moldavia's Ottoman overlords; Russia's defeat forced Cantemir's family into exile and the replacement of the native voivodes by Greek phanariots. Cantemir was also a prolific writer, variously a philosopher, historian, composer, musicologist, linguist, ethnographer, and geographer. His son Antioch, Russia's ambassador to Great Britain and France and a friend of Montesquieu and Voltaire, would become known as "the father of Russian poetry". Name Dimitrie is the Romanian form of the name Latinized as Demetrius and, less often, anglicized as Demeter. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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