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Pailas
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga (Cuba)
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199). The style of music that is most associated with a Charanga is termed 'Danzón', and is an amalgam of both European classical music and African rhythms. Origins "Scholars agree that Spain and parts of West and Central Africa provided the most crucial influences in the development of Cuban popular and religious music. But in the case of charanga, the contributions of French and Haitian influences cannot be ignored. Charanga began its history in the early nineteenth century when Haitians, both African and French, escaped the island's revolution. They brought with them a love for the French contredanse, a multi-sectional dance form that evolved into the danzón, the quintessential charanga style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paila
A paila () is a type of cookware that in several Spanish-speaking South American countries refers to a large shallow metal pan or earthenware Bowl (vessel), bowl which oftentimes is also used as a serving Plate (dishware), plate for the foods prepared in it. Dishes served in clay pailas are often prepared in the paila itself by way of baking in an oven. By extension, the word ''paila'' is also used for the dishes that are eaten from it, such as paila marina and paila de huevo. An advantage of the clay paila is that clay retains heat well and keeps foods warm. Its Valencian equivalent is the paella, which is simply referred to as ''arroz'' (rice) by the locals. Etymology ''Paila'' derives from Old French ''paele'', from Latin ''patĕlla''. It is first attested in Spain in the 16th century, and both is diminutive (pailita) and aumentative (pailón) appeared at the time. Its cognates include modern French ''poêle'' and Catalan ''paella''. Nowadays, the use of the term is widesprea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( Spanish: ''bongó'') are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. These older, larger bongos are known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillermo Barreto
Guillermo Barreto (August 11, 1929 – December 14, 1991) was a Cuban drummer and '' timbalero''. He was a major figure in the Cuban music scene for more than fifty years and one of the first drummers in Cuba to play Afro-Cuban jazz. Nicknames Like many Cuban musicians, Guillermo Barreto had several nicknames. He was usually credited as "Barretico" during the 1950s and 1960s. He was also known as "El Loro" (''The Parrot'') and "Pata de loro" (''Parrot leg'') "due to his constant chatter and parrotlike walk", a nickname given to him by Rita Montaner according to Paquito D'Rivera. Biography Early life and career Barreto was born in Havana on August 11, 1929. His father was Primo Barreto, a clarinetist who taught music to all of his children: Lita, Josefina, Estela, Alejandro "Coco", Roberto "Bobby", and Guillermo. As a young man, Guillermo became a skilled interpreter of Cuban pailas. In the 1940s, he was part of several big bands: the Cabaret Tropicana resident orchestra (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulpiano Díaz
Ulpiano Díaz (1900–1990) was a Cuban timbalero. He is considered an innovator of the timbales, being the first to add a small cowbell to the setup, and popularizing the abanico. He started his career playing güiro in Félix González's orquesta típica, and rose to prominence as the timbales player of three important charangas: Orquesta de Tata Alfonso, Arcaño y sus Maravillas and Fajardo y sus Estrellas. Career Díaz was born in Pinar del Río in the year 1900. He learned to play several percussion instruments by himself before joining the Septeto Cuba, based in Havana. He later became the güirist in Orquesta de Félix González. He then joined Tata Alfonso's charanga as the timbalero. He would become a master of the instrument, joining Fernando Collazo's La Maravilla del Siglo in 1936. Along with Antonio Arcaño and other members of this band, Díaz founded La Maravilla de Arcaño in 1937. La Maravilla de Arcaño, later renamed Arcaño y sus Maravillas, would become C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Arcaño
Antonio Arcaño Betancourt (Atarés, Havana 29 December 1911 – 1994) was a Cuban flautist, bandleader and founder of Arcaño y sus Maravillas, one of Cuba's most successful charangas. He retired from playing in 1945, but continued as director of the group until its dissolution in 1958. Despite his early retirement due to health problems, he is considered one of the most influential flautists in Cuba. After leaving La Maravilla del Siglo, a very popular charanga, Arcaño founded La Maravilla de Arcaño, later known as Arcaño y sus Maravillas. The band featured the López brothers, Israel López "Cachao" and Orestes López, composers and multi-instrumentalists that originated the danzón-mambo, the direct precursor of the mambo, through compositions such as " Rareza de Melitón", "Se va el matancero" and, above all, "Mambo", the piece that lent its name to the genre. Arcaño was posthumously inducted into the International Latin Music Hall of Fame The International Latin Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Fajardo (musician)
José Antonio Fajardo Ramos (October 18, 1919 – December 11, 2001) was a Cuban Charanga (Cuba), charanga bandleader and flautist, who played the traditional Five-key flute, five-keyed wooden flute. Born in Guane, Pinar del Río Province, Fajardo learned the flute from his father, before moving to Havana in the 1930s. He played with the band of Antonio María Romeu and formed his own charanga band in 1949. He defected to the United States in 1961 while touring Japan and reformed his band in New York City with new musicians. Fajardo died on December 11, 2001, in New York, at the age of 82. References 1919 births 2001 deaths Cha-cha-cha musicians Cuban bandleaders Cuban charanga musicians Cuban male musicians Cuban flautists Cuban composers Cuban male composers Danzón musicians Fania Records artists Mambo musicians People from Pinar del Río 20th-century flautists {{Cuba-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bloomington, IN
Bloomington is a city in Monroe County, Indiana, United States, and its county seat. The population was 79,168 at the 2020 census. It is the seventh-most populous city in Indiana and the fourth-most populous outside the Indianapolis metropolitan area. It is the home of Indiana University Bloomington, the flagship campus of the Indiana University system. Established in 1820, IU Bloomington enrolls over 45,000 students. The city was established in 1818 by a group of settlers from Kentucky, Tennessee, the Carolinas, and Virginia who were so impressed with "a haven of blooms" that they called it Bloomington. It is the principal city of the Bloomington metropolitan area in south-central Indiana, which had 161,039 residents in 2020. Bloomington has been designated a Tree City USA since 1984. The city was also the location of the Academy Award–winning 1979 movie '' Breaking Away'', featuring a reenactment of Indiana University's annual Little 500 bicycle race. History The are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oakland, CA
Oakland is a city in the East Bay region of the San Francisco Bay Area in the U.S. state of California. It is the county seat and most populous city in Alameda County, California, Alameda County, with a population of 440,646 in 2020. A major West Coast of the United States, West Coast port, Oakland is the most populous city in the East Bay, the third most populous city in the Bay Area, and the eighth most populous city in California. It serves as the Bay Area's trade center: the Port of Oakland is the busiest port in Northern California, and the fifth- or sixth-busiest in the United States. A charter city, Oakland was municipal corporation, incorporated on May 4, 1852, in the wake of the state's increasing population due to the California gold rush. Oakland's territory covers what was once a mosaic of California coastal prairie, California coastal terrace prairie, oak woodland, and north coastal scrub. In the late 18th century, it became part of a large ''rancho'' grant in the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvano "Chori" Shueg
Silvano Shueg Hechevarría (January 6, 1900 – April 1974), better known as Chori or Choricera, was a famous Cuban percussionist. He rose to prominence in the 1930s due to his extravagant shows at many nightclubs in Havana where he played timbales, drums, Cowbell (instrument), cowbells and objects such as bottles and metal pans. He composed the popular son cubano, sones "La choricera" and "Ayaca de maíz", and appeared in several films in the 1950s. Life and career Early years Silvano Shueg Hechevarría was born on January 6, 1900, in Santiago de Cuba, the capital of Oriente Province, Oriente, Cuba's easternmost region. In 1919 Shueg became the timbalero in a son cubano, son ''estudiantina'' (student ensemble) from Santiago called Los Champions del Son. In 1927, the band toured Havana and Shueg decided to stay in the city, where he joined the Marte y Belona dance academy. He then began performing at the numerous nightclubs and cabarets along the beach in Marianao, such as Los Tres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
