Orchestre De La Société Des Concerts Du Conservatoire
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Orchestre De La Société Des Concerts Du Conservatoire
The Orchestre de la Société des concerts du Conservatoire () was a symphony orchestra established in Paris in 1828. It gave its first concert on 9 March 1828 with music by Beethoven, Rossini, Meifreid, Rode and Cherubini. Administered by the philharmonic association of the ''Conservatoire de Paris'', the orchestra consisted of professors of the Conservatoire and their pupils. It was formed by François-Antoine Habeneck in pioneering fashion, aiming to present Beethoven's symphonies, but over time it became more conservative in its programming.Nichols R. The Harlequin Years – Music in Paris 1917–1929. Thames and Hudson, London, 2002. Its long existence kept the tradition of playing taught at the Conservatoire prominent in French musical life. The orchestra occupied the center-stage of France, French european classical music, musical life throughout the 19th and most of the 20th centuries. A major tour of the US took place in 1918, appearing in 52 cities. Later that year it mad ...
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Symphony Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or philhar ...
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André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty , opérettes and other stage works, among which his ballet (1886) and (1898) have had lasting success; (1897) and (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revivals. He wrote two operatic works in English, and his later output included Musical theatre#Early 20th century, musical comedies for Sacha Guitry and Yvonne Printemps. As a conductor, Messager held prominent positions in ...
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Musical Groups Established In The 1820s
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...
, the ability to perceive music or to create music * {{Music disambiguation ...
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Arts Organizations Established In 1828
The arts or creative arts are a vast range of human practices involving creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thought, deeds, and existence in an extensive range of media. Both a dynamic and characteristically constant feature of human life, the arts have developed into increasingly stylized and intricate forms. This is achieved through sustained and deliberate study, training, or theorizing within a particular tradition, generations, and even between civilizations. The arts are a medium through which humans cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space. The arts are divided into three main branches. Examples of visual arts include architecture, ceramic art, drawing, filmmaking, painting, photography, and sculpture. Examples of literature include ...
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Piero Coppola
Piero Coppola (11 October 1888 – 17 March 1971) was an Italian conductor, pianist and composer. Life and career Coppola was born in Milan; his parents were both singers. He studied at the Milan Conservatory, graduating in piano and composition in 1910. By 1911 he was already conducting opera at La Scala opera house in Milan. That year he heard Debussy conduct his own compositions '' Ibéria'' and ''Prélude à l'après-midi d'un faune'' in Turin: an experience that "had a decisive influence on his career". He then worked in Brussels, Belgium before spending the duration of World War I in Scandinavia. In 1921 Coppola resided in London and he later moved to France. Between 1923 and 1934 he was the artistic director of La Voix de son maître, the French branch of The Gramophone Company. In 1924 he was asked by Sylvia Beach to make a recording of James Joyce reading from ''Ulysses'': Coppola replied that the recording would have to be made at Beach's expense, would not have the Hi ...
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La Mer (Debussy)
''La mer, trois esquisses symphoniques pour orchestre'' (French for ''The sea, three symphonic sketches for orchestra''), or simply ''La mer'' (''The Sea''), L. 109, CD. 111, is an orchestral composition by the French composer Claude Debussy. Composed between 1903 and 1905, the piece premiered in Paris in October 1905. It was initially not well-received; even some who had been strong supporters of Debussy's work were unenthusiastic, even though ''La mer'' presented three key aspects of Debussy's aesthetic: Impressionism, Symbolism and Japonism. The work was performed in the US in 1907 and Britain in 1908; after its second performance in Paris in 1908, it quickly became one of Debussy's most admired and frequently performed orchestral works. The first audio recording of the work was made in 1928. Since then, orchestras and conductors from around the world have set it down in many studio or live concert recordings. Background and composition ''La mer'' was the second of Debuss ...
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