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Orchestra Hit
An orchestra(l) hit or stab is an isolated staccato note or chord synthesizer, synthesized from the sounds of many orchestral instruments together, or sampled from a single Sforzando (musical direction), sforzando performance. The orchestra hit sound was propagated by the use of early sampler (musical instrument), samplers, particularly the Fairlight CMI's ORCH2 sample. The sound is used in popular music, pop, hip hop, jazz fusion, techno, and video game music, video game genres to accentuate passages of music. The orchestra hit has been identified as a "hip hop cliché". In 1990, ''Musician (magazine), Musician'' magazine stated that Fairlight's ORCH5 sample was "the orchestral hit that was heard on every rap and techno-pop record of the early 1980s". The orchestra hit has been described as popular music's equivalent to the Wilhelm scream, a sound effect widely used in film. History Precursors to the popular samples can be found in contemporary classical music, for example ...
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Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ...
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Musician (magazine)
''Musician'' was a monthly magazine that covered news and information about American popular music. First called ''Music America'', it was founded in 1976 by Sam Holdsworth and Gordon Baird. The two friends borrowed $20,000 from relatives and started the publication in a barn in Colorado. Subtitled "The Art, Business and Technology of Making Music", it became known for its extended and thorough articles about the stars of rock music. It was not intended as a fan magazine, but as a publication about the musician's craft, and as a result, it earned it the respect of people in the music business. As Holdsworth told an interviewer in 2003, the magazine "created a level of trust that made the musicians feel they were talking with peers". In the same article, he said that ''Musician'' was also known for unearthing details that the average magazine did not—such as why a musician chose a particular brand of instrument, or what was the inspiration for a certain song. ''Musician'' never ...
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Kate Bush
Catherine Bush (born 30 July 1958) is an English singer, songwriter, record producer, and dancer. Bush began writing songs at age 11. She was signed to EMI Records after David Gilmour of Pink Floyd helped produce a demo tape. In 1978, at the age of 19, she topped the UK singles chart for four weeks with her debut single "Wuthering Heights (song), Wuthering Heights", becoming the first female artist to achieve a UK number one with a fully self-written song. Her debut studio album, ''The Kick Inside'' (1978), peaked at number three on the UK Albums Chart. Bush was the first British solo female artist to top the UK Albums Chart and the first female artist to enter it at number one. Bush has released 25 UK top 40 singles, including the top-10 hits "The Man with the Child in His Eyes" (1978), "Babooshka (song), Babooshka" (1980), "Running Up That Hill" (1985), "Don't Give Up (Peter Gabriel and Kate Bush song), Don't Give Up" (a 1986 duet with Peter Gabriel), and "King of the Moun ...
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Planet Rock (song)
"Planet Rock" is a song by the American hip hop artists Afrika Bambaataa and the Soul Sonic Force. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. The recording came together after DJ and producer Baker met with Bambaataa and the two bonded over the idea of creating a song about their mutual appreciation for the band Kraftwerk, along with inspiration from Yellow Magic Orchestra, Gary Numan and George Clinton. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation" and decided to compose a more electronic based version of the hip hop song with Roland TR-808 beats, as opposed to the more disco-oriented work popular at the time. Along with musician John Robie, the group recorded the single at Intergalactic Studios in New York. Robie duplicated the sound on the record and had Bambaataa's rappers in the Soul Sonic Force rap over it. To create the raps, the lyricist of the group, Emcee G.L.O.B.E., had to develop a style he call ...
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Afrika Bambaataa
Lance Taylor (born April 17, 1957), also known as Afrika Bambaataa (), is a retired American DJ, rapper, and record producer. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing. Through his co-opting of his street gang Black Spades into the music and culture-oriented organization Universal Zulu Nation, he has helped spread hip hop culture throughout the world. In May 2016, Bambaataa left his position as head of the "Universal Zulu Nation" due to multiple allegations of child sexual abuse dating as far back as the 1970s. Early life Born Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in the Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. ...
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Electronic Keyboard
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers. Electronic keyboards offer a diverse selection of instrument sounds (piano, organ, violin, etc.) along with synthesizer tones. Designed primarily for beginners and home users, they generally feature unweighted keys. While budget models lack velocity sensitivity, mid-range options and above often include it.  These keyboards have limited sound editing options, focusing on preset sounds. Casio and Yamaha Corporation, Yamaha are major manufacturers in this market, known for popularizing the concept since the 1980s. Terminology An electronic keyboard may also be called a digital keyboard, or home ...
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Sound Editor (filmmaking)
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor. The supervising sound editor often assigns scenes and reels the sound editor based on the editor's strengths and area of expertise. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early talkies, and over the decades has become a respected filmmaking craft, with sound editors implementing the aesthetic goals of motion picture sound design. The Academy of Motion Picture Arts and Sciences recognizes the artistic contribution of exceptional sound editing with the Academy Award for Best Sound Editing. There are primarily three divisions of sound that are combined to create a final mix, th ...
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Tape Splicing
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty ''takeup reel''. Reel-to-reel systems use tape that is wide, which normally moves at . Domestic consumer machines almost always used or narrower tape and many offered slower speeds such as . All standard tape speeds are derived as a binary submultiple of 30 inches per second. Reel-to-reel preceded the development of the compact cassette with tape wide moving at . By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes. In spite of the relative inconvenien ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling Musical note, note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio signal, audio and automation data for digital audio workstations (DAWs) and Audio plugin, plug-ins. Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. As the technology matured, sequencers gained more features, such as the ability to record multitrack audio. Sequencers used for audio recording are called digital audio workstations (DAWs). Many modern sequencers can be used to control Software synthesizer, virtual instruments implemented as software Audio plug-in, plug-ins. This allows musicians to repl ...
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Digital Sampler
A sampler is an electronic musical instrument that records and plays back samples (portions of sound recordings). Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Samples may be loaded or recorded by the user or by a manufacturer. The samples can be played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums). Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and ot ...
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Yes (band)
Yes are an English progressive rock band formed in London in 1968. Comprising List of Yes band members, 20 full-time musicians over their career, their most notable members include lead singer Jon Anderson, bassist Chris Squire, guitarists Steve Howe and Trevor Rabin, drummers Bill Bruford and Alan White (Yes drummer), Alan White, and keyboardists Tony Kaye (musician), Tony Kaye and Rick Wakeman. The band have explored several musical styles and are often regarded as progressive rock pioneers. Since February 2023, the band's line-up consists of Howe, keyboardist Geoff Downes, bassist Billy Sherwood, singer Jon Davison, and drummer Jay Schellen. Founded by Anderson, Squire, Bruford, Kaye, and guitarist Peter Banks, Yes began performing a mix of original songs and covers of Rock music, rock, Pop music, pop, Blues, blues, and Jazz, jazz songs, as showcased on their first two albums, ''Yes (Yes album), Yes'' (1969) and ''Time and a Word'' (1970). A change of direction in 1970 after ...
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Owner Of A Lonely Heart
"Owner of a Lonely Heart" is a song by British progressive rock band Yes. It is the first track and single from their eleventh studio album, '' 90125'' (1983), and was released on 24 October 1983. Written primarily by guitarist and singer Trevor Rabin, contributions were made to the final version by singer Jon Anderson, bassist Chris Squire, and producer Trevor Horn. It was a commercial success in the United States, becoming the band's only single to reach No. 1 on the '' Billboard'' Hot 100 chart and its Hot Mainstream Rock Tracks chart. In 1984, the song was ranked No. 8 on the US year-end chart. The single was reissued various times throughout the 1980s and 1990s with different remix versions and B-sides. Development Origins and demo version The song originated in 1979 from South African musician, singer-songwriter, and producer Trevor Rabin; while going to the toilet, he wrote "the whole thing, from beginning to end".Parisi, Deborah & Goodyer, Tim, 1988'The Yes gener ...
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