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The Firebird
''The Firebird'' (; ) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird (Slavic folklore), Firebird and the blessing and curse it possesses for its owner. It was first performed at the Palais Garnier, Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including ''Petrushka (ballet), Petrushka'' (1911) and ''The Rite of Spring'' (1913). ''The Firebird'' mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky intentionally used many specialist techniques in the orchestra, including ''ponticello'', ''col legno'', '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Firebird (Slavic Folklore)
In Slavic mythology and folklore, the Firebird (; , ''zhar-ptytsia''; sh-Latn-Cyrl, žar-ptica, жар-птица; ; ; , rarely also ''ptak-żar''; ; ; ) is a magical and prophetic glowing or burning bird from a faraway land which is both a blessing and a harbinger of doom to its captor. Description The Firebird is described in one of the texts collected by Alexander Afanasyev as having "golden feathers, while its eyes were like unto oriental crystal". Other sources portray a large bird with majestic plumage that glows brightly emitting red, orange, and yellow light, like a bonfire that is just past the turbulent flame. The feathers do not cease glowing if removed, and one feather can light a large room if not concealed. In later iconography, the form of the Firebird is usually that of a smallish fire-colored falcon, complete with a crest on its head and tail feathers with glowing eyes. Fairy tales A typical role of the Firebird in fairy tales is as an object of a diffic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a wikt:glide, glide from one pitch (music), pitch to another (). It is an Italianized Musical terminology, musical term derived from the French ''glisser'', "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure, except on instruments that have a slide (such as a trombone). Notation The glissando is indicated by following the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Iskusstva
''Mir iskusstva'' ( rus, «Мир искусства», p=ˈmʲir ɪˈskustvə, ''World of Art'') was both a Russian magazine and the artistic movement it fostered, playing a significant role in shaping the Russian avant-garde. The movement was deeply influential to Russian artists who contributed to the 20th century revolution in European art. The magazine itself had limited circulation outside of Russia, as it remained a central part of the development of the Russian modernism movement. Foundation of Mir Iskustva The artistic group known as the Miriskusniki was founded in November 1898 by a collective of students that included Alexandre Benois, Konstantin Somov, Dmitry Filosofov, Léon Bakst, and Eugene Lansere. the group emerged from a shared vision to challenge the conventional artistic norms of the time and introduce a fresh, individualistic approach to Russian art. The beginnings of Mir Iskustva can be traced back to organization of the ''Exhibition of Russian and Finni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impresario
An impresario (from Italian ''impresa'', 'an enterprise or undertaking') is a person who organizes and often finances concerts, Play (theatre), plays, or operas, performing a role in stage arts that is similar to that of a film producer, film or Television show#Production, television producer. History The term originated in the social and economic world of Italian opera, in which from the mid-18th century to the 1830s, the impresario was the key figure in the organization of a lyric season. The owners of the theatre, usually amateurs from the nobility, charged the impresario with hiring a composer (until the 1850s operas were expected to be new) and the orchestra, singers, costumes and sets, all while assuming considerable financial risk. In 1786 Wolfgang Amadeus Mozart satirized the stress and emotional mayhem in a single-act farce ''Der Schauspieldirektor'' (''The Impresario''). Antonio Vivaldi was unusual in acting as both impresario and composer; in 1714 he managed seasons at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feu D'artifice
''Feu d'artifice'', Op. 4 () is a composition by Igor Stravinsky, written in 1908 and described by the composer as a "short orchestral fantasy". It usually takes less than four minutes to perform. Composition Stravinsky composed ''Feu d'artifice'' as a wedding present for Nikolai Rimsky-Korsakov's daughter Nadezhda and Maximilian Steinberg, who had married a few days before her father's death. ''Feu d'artifice'' helped develop Stravinsky's reputation as a composer, although it is not considered representative of his mature work. The work has some hints of bitonality but is for the most part similar in style to that of Rimsky-Korsakov who, at the time, was his teacher and mentor. It has the form of a scherzo but is still labeled "orchestral fantasy" because of its short length. Alexander Siloti conducted the premiere on 6 February 1909. The accepted story is that Stravinsky got the commission from Sergei Diaghilev to write ''The Firebird'' (1910) in part because Diaghilev h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo Fantastique
''Scherzo fantastique'', op. 3, composed in 1908, is the second purely orchestral work by Igor Stravinsky (preceded by the Symphony in E-flat (Stravinsky), Symphony in E-flat op.1). Despite the composer's later description of the work as "a piece of 'pure', symphonic music", the work was inspired by Maurice Maeterlinck's 1901 essay "La Vie des Abeilles" (The Life of Bees), as is made clear in a letter of 18 June 1907 from the composer to his teacher Rimsky-Korsakov.Richard Taruskin, 'Stravinsky and the Russian Traditions', Vol.1, p.7. Ten years later, Léo Staats adapted it as a ballet for the Opéra Garnier, with the title ''Les Abeilles'', which was objected to by Maeterlinck. History In July 1907, Stravinsky wrote to Nikolai Rimsky-Korsakov that he planned a "fantastic scherzo", to be called ''Bees''. He started work on it in the same month and completed it on 30 March 1908. Rimsky-Korsakov saw the score and liked it, but he died in 1908 and never heard the work performed. St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In E-flat (Stravinsky)
The Symphony in E-flat, Op. 1, is the first published work composed by Igor Stravinsky during his apprenticeship with Nikolai Rimsky-Korsakov. It is also his first composition for orchestra. Of classical structure, it is broadly influenced by Rimsky-Korsakov, Glazunov, Tchaikovsky and Wagner. It was composed in 1905–1907 and revised in 1913. It lasts for about forty minutes. History The score bears the dedication "To my dear teacher N. A. Rimsky-Korsakov". A private performance was given on 27 April 1907 by the St. Petersburg Court Orchestra conducted by H. Wahrlich, in a concert that also included the first performance of ''Faun and Shepherdess''. Stravinsky later recalled that both Rimsky-Korsakov and Glazunov considered the orchestration "too heavy". The first public performance was conducted by Felix Blumenfeld on 22 January 1908. A revised version was conducted by Ernest Ansermet on 2 April 1914, and the composer conducted this version in his later performances. Instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorale (Stravinsky)
Pastorale () is a vocalise written by Igor Stravinsky in 1907. Stravinsky composed it at his family's estate in Ustilug, Ukraine; under the supervision of Nikolai Rimsky-Korsakov, and dedicated it to his daughter Nadia. The piece was originally scored for soprano and piano, but Stravinsky transcribed it several times over the years for various ensembles: * soprano, oboe, English horn, clarinet, and bassoon (1923) * violin and piano (1933) * violin, oboe, English horn, clarinet, and bassoon (1933) The two versions from 1933 are not strict transcriptions but lengthened versions lasting about two minutes longer than the original. Overview )))">allmusic ((( Pastorale, song without words for violin & piano (transcribed with Samuel Dushkin) > Overview )))/ref> The 1933 version for violin and piano was written for violinist Samuel Dushkin, who had premiered Stravinsky's Violin Concerto two years earlier. Dushkin and Stravinsky premiered the new version in 1933. A version for viola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov. At the time, his name was spelled , which he romanized as Nicolas Rimsky-Korsakow; the BGN/PCGN transliteration of Russian is used for his name here; ALA-LC system: , ISO 9 system: .. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the '' Russian Easter Festival Overture'', and the symphonic suite '' Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky LOC 32392u
Igor may refer to: * Igor (given name), an East Slavic given name and a list of people with the name Arts, entertainment, and media *Igor (character), a stock character * Igors (''Discworld''), a fictional humanoid family in the ''Discworld'' book series by Terry Pratchett * ''Igor'' (album), a 2019 album by Tyler, the Creator * ''Igor'' (film), a 2008 American animated film * '' Igor: Objective Uikokahonia'', a 1994 Spanish MS-DOS PC video game Computing * Igor Engraver, a music notation computer program * IGOR Pro, a computer program for scientific data analysis Other uses * Igor (crater), a tiny crater in the Mare Imbrium region of the Moon * Igor (walrus), a walrus that lived in the Dolfinarium Harderwijk * Igor Naming Agency Igor Naming Agency is an American naming agency. Based in Sausalito, California, Igor is known for its "almost militant embrace" of using real and natural-sounding words in naming. Among others, the company has named Gogo Inflight, '' Cutthroat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadler's Wells Ballet
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
