Octave Glissando
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Octave Glissando
An octave glissando is a glissando played on the piano by maintaining a constant distance of an octave between the thumb and finger used to execute it, and shifting the whole hand in the direction of the glissando. Due to the positions of the thumbs on the player's hands, octave glissandos are almost always executed upwards with the left hand and downwards with the right. However, exceptions include Balakirev's ''Islamey'', where players are instructed to execute the glissando upwards across three octaves with their right hands in the ''Tempo di Trepak'' section. Due to the slight damage (and resultant pain) which octave glissandi may cause to the flesh of the fifth finger, they are infrequently used in the piano repertoire. However, their inclusion offers a rare and unique musical effect. Examples Pieces which utilise the effect include: * Ludwig van Beethoven: Piano Concerto No. 1 in C major * Ludwig van Beethoven: Piano Sonata No. 21 (third movement) * Carl Maria von Webe ...
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Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a wikt:glide, glide from one pitch (music), pitch to another (). It is an Italianized Musical terminology, musical term derived from the French ''glisser'', "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure, except on instruments that have a slide (such as a trombone). Notation The glissando is indicated by following the ...
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Georges Cziffra
Georges may refer to: Places *Georges River, New South Wales, Australia * Georges Quay (Dublin) * Georges Township, Fayette County, Pennsylvania Other uses * Georges (name) * ''Georges'' (novel), a novel by Alexandre Dumas * "Georges" (song), a 1977 song originally recorded by Pat Simon and covered by Sylvie Vartan * Georges (store), a department store in Melbourne, Australia from 1880 to 1995 * Georges (''Green Card'' character) People with the surname * Eugenia Georges, American anthropologist * Karl Ernst Georges (1806–1895), German classical philologist and lexicographer, known for his edition of Latin-German dictionaries. * Mary Ngwanda Georges, Congo-born American politician See also * École secondaire Georges-P.-Vanier, a high school in Hamilton, Ontario, Canada * École secondaire Georges-Vanier in Laval, Quebec, Canada * French cruiser ''Georges Leygues'', commissioned in 1937 * French frigate ''Georges Leygues'' (D640), commissioned in 1979 * Georges Krayem, Brazilia ...
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Ossia
() is a musical term for an alternative passage which may be played instead of the original passage. The word '' ossia'' comes from the Italian for "alternatively" and was originally spelled ''o sia'', meaning "or be it". ''Ossia'' passages are very common in opera and solo-piano works. They are usually an easier version of the preferred form of passage, but in Mily Balakirev's ''Islamey'', for instance, the urtext has ossia passages of both types (simpler and more difficult). Bel canto vocal music also frequently uses ''ossia'', also called '' oppure'', passages to illustrate a more embellished version of the vocal line. On the other hand, an ''ossia'' marking does not always indicate a change in difficulty; the piano solo music of Franz Liszt is typically full of alternative passages, often no easier or more difficult than the rest of the piece. This reflects Liszt's desire to leave his options open during a performance. Many of his ''ossia'' passages are cadenzas. An unusua ...
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Symphonie Fantastique
' (''Fantastic Symphony: Episode in the Life of an Artist … in Five Sections'') Opus number, Op. 14, is a program music, programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830. Berlioz wrote semi-autobiographical programme notes for the piece that allude to the Romanticism, romantic sufferings of a gifted artist who has poisoned himself with opium because of his unrequited love for a beautiful and fascinating woman (in real life, the Shakespearean actress Harriet Smithson, who in 1833 became the composer's wife). The composer, who revered Beethoven, followed the latter's unusual addition in the Symphony No. 6 (Beethoven), ''Pastoral'' Symphony of a fifth movement to the normal four of a classical symphony. The artist's reveries take him to a ball and to a pastoral scene in a field, which is interrupted by a hallucinatory march to the Scaffold (execution site), scaffold, leading to a grotesque satanic dan ...
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Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ...
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Tendinitis
Tendinopathy is a type of tendon disorder that results in pain, swelling, and impaired function. The pain is typically worse with movement. It most commonly occurs around the shoulder ( rotator cuff tendinitis, biceps tendinitis), elbow ( tennis elbow, golfer's elbow), wrist, hip, knee ( jumper's knee, popliteus tendinopathy), or ankle ( Achilles tendinitis). Causes may include an injury or repetitive activities. Less common causes include infection, arthritis, gout, thyroid disease, diabetes and the use of quinolone antibiotic medicines. Groups at risk include people who do manual labor, musicians, and athletes. Diagnosis is typically based on symptoms, examination, and occasionally medical imaging. A few weeks following an injury little inflammation remains, with the underlying problem related to weak or disrupted tendon fibrils. Treatment may include rest, NSAIDs, splinting, and physiotherapy. Less commonly steroid injections or surgery may be done. About 80% of o ...
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Bruises
A bruise, also known as a contusion, is a type of hematoma of tissue, the most common cause being capillaries damaged by trauma, causing localized bleeding that extravasates into the surrounding interstitial tissues. Most bruises occur close enough to the epidermis such that the bleeding causes a visible discoloration. The bruise then remains visible until the blood is either absorbed by tissues or cleared by immune system action. Bruises which do not blanch under pressure can involve capillaries at the level of skin, subcutaneous tissue, muscle, or bone. Bruises are not to be confused with other similar-looking lesions. Such lesions include petechia (less than , resulting from numerous and diverse etiologies such as adverse reactions from medications such as warfarin, straining, asphyxiation, platelet disorders and diseases such as ''cytomegalovirus''); and purpura (), classified as palpable purpura or non-palpable purpura and indicating various pathologic conditions such ...
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Franz Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composer ...
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Sophie Carmen Eckhardt-Gramatté
Sophie Carmen Eckhardt-Gramatté (; in Moscow, Russia – 2 December 1974 in Stuttgart, Germany) was a Russian-born Canadian composer and virtuoso pianist and violinist. Biography Early life She was born as Sofia (Sonia) Fri man-Kochevskaya in Moscow, where her mother worked as a governess in the Tolstoy household. She began to learn piano in 1904 and wrote her first piano compositions in 1905. She studied at the Conservatoire de Paris from 1908 to 1913, where her teachers included Alfred Brun and Guillaume Rémy for violin, S. Chenée for piano, and Vincent d'Indy and Camille Chevillard for composition. She made her début in 1910, and her first composition, an ''Etude de Concert'', was published in Paris that year. She moved to Berlin in 1914, where she studied violin with Bronisław Huberman; by 1919 she had undertaken several concert tours of Western Europe, on which she performed her own works. Career In 1920, she married the painter Walter Gramatté in Berlin, and fr ...
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Hungarian Rhapsody No
Hungarian may refer to: * Hungary, a country in Central Europe * Kingdom of Hungary, state of Hungary, existing between 1000 and 1946 * Hungarians/Magyars, ethnic groups in Hungary * Hungarian algorithm, a polynomial time algorithm for solving the assignment problem * Hungarian language, a Uralic language spoken in Hungary and all neighbouring countries * Hungarian notation, a naming convention in computer programming * Hungarian cuisine Hungarian or Magyar cuisine (Hungarian language, Hungarian: ''Magyar konyha'') is the cuisine characteristic of the nation of Hungary, and its primary ethnic group, the Hungarians, Magyars. Hungarian cuisine has been described as being the P ..., the cuisine of Hungary and the Hungarians See also * * {{disambiguation Language and nationality disambiguation pages ...
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Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed " Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédér ...
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Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ...
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